The Main Thing Is to Not Be Afraid: Tove Jansson, Obsessive-Compulsive Disorder and Art in the Era of Climate Change

“Everything looks worse in the dark, you know”6, writes Tove Jansson, famous Finnish painter and children’s author, in her first book The Moomins and the Great Flood during the last years of World War II. I imagine her sitting hunched over a wooden desk stained with paint and covered in pencil shavings, interrupting her writing every few minutes to glance anxiously . . .

Herkimer Inquiries

I watched the clip again: the lifeless body of a white-winged dove entered the shot at the top of my screen and plummeted off the bottom a half second later. Whoever was holding the camera didn’t notice; they stayed focused on a white guy speechifying about City plans for a soccer stadium. A few seconds later, four or five more birds fell behind the guy at the podium. . . .

Reclamation

“Your shuttle will arrive in—four!—minutes. Please proceed to—Caladan Avenue.”

Benny tapped the air above the “Dismiss notification” button on her HUD. She’d been at the shuttle stop for twelve minutes already, and wished she’d taken the time to pee before she left.

Her leg, both where it was and where it wasn’t, felt weird.

She flipped through her notifications. . . .

Burn Barrel Astrology

My uncle swears you can tell what kind of man someone is

by how he stacks wood in a burn barrel.

We don’t use those anymore but he still talks like they matter.

Still keeps one in the back, rusted and dented, filled with junk mail and busted dreams.

The landfill’s too far now,

gas is too high,

and they shut down bus service out here.

So we’ve been stuffing old campaign . . .

Recollection

During my grandmother’s prayers, I would watch

the cracked earth just outside her windowpane, the dust lifting

 

like sermons lost in the dry air. My favorite story

was of the river that once carved through the valley,

 

its body endless, spilling into the fields. Less famous

is how the Big Pharm diverted it, how the heat pressed

 

its lips against . . .