“What should we bring Pawpaw for dinner?” I asked Mama.
Her bronze urn rested in the passenger’s seat, secured by the seat belt. Her ghost sat in the backseat, wearing the green skirt suit I’d buried her in, a thin blue aura haloing her body.
We were driving from Birmingham to Pawpaw’s farm in Sweetcreek. The high-rises and billboards gradually surrendered to . . .
Even though this land was Ute territory, the upper Animas River Valley was first settled by prospectors in the spring of 1860. Charles Baker, returning from the mines north of Silverton, established “Old Animas City” and built the first bridge across the Animas River. The community lasted less than a year before it was abandoned. During . . .
“After Gaza” does not mean that the Gaza genocide is over—not only because the genocide is ongoing, but because Gaza, like the Shoah and the Nakba, will never be over. “Never again” feels like “the hope” that Benjamin said was for those who have none.
Theodor Adorno said that poetry “after Auschwitz” is barbaric, but you only live “after . . .
“After Gaza” does not mean that the Gaza genocide is over—not only because the genocide is ongoing, but because Gaza, like the Shoah and the Nakba, will never be over. “Never again” feels like “the hope” that Benjamin said was for those who have none.
Theodor Adorno said that poetry “after Auschwitz” is barbaric, but you only live “after Auschwitz” if you realize that you do. It becomes a way of seeing things. My mother was a Jewish refugee who left Romania for Switzerland in 1941. For me, now 78, much of my life has been lived after Auschwitz began to shape my sense of the world. But what has “after Auschwitz” become “after Gaza”? Afterthe realization that Gaza will never be over, and that now, in the light of the Gaza genocide, Auschwitz will also appear in its light.
I live in a safe, protected space, but the desolations of Gaza (even from a distance) can transform the look (and the life) of things. Using a camera phone, I start with photographs of things I live with—trees, chairs, wall-shadows, burnt matches, cannabis ashes. As I work with the limited editing technology that the camera phone provides, I find icons in the photographs that seem to witness ongoing catastrophes—Gaza, Ukraine, Sudan . . . to witness and to be witnessed. I find what I can see but have hardly been prepared to know how to see.
The Lewis and Clark Expedition passed by here, westward bound, in May 1805. Fur trappers and traders followed them a few years later. Steamboats began making it from St. Louis up the Missouri as far as Fort Benton in the early 1860s. Wolf Point was the halfway point between Bismarck and Fort Benton. Wood choppers supplied cord wood for boats stopping . . .
The Lewis and Clark Expedition passed by here, westward bound, in May 1805. Fur trappers and traders followed them a few years later. Steamboats began making it from St. Louis up the Missouri as far as Fort Benton in the early 1860s. Wolf Point was the halfway point between Bismarck and Fort Benton. Wood choppers supplied cord wood for boats stopping to refuel. The American Fur Company packet Chippewa blew up and sank not far from here in 1861. A deck hand tapped a barrel of alcohol by candle light. The fumes, the candle and the 25 kegs of black powder did the rest. Fortunately, no lives were lost in the disaster.
Wolf Point originated as a sub-agency and trading post for the Fort Peck Reservation in 1879. The place was named when trappers killed several hundred wolves one winter and stacked their frozen carcasses next to the river, where they were observed by men heading upriver on a steamboat. The name Wolf Point stuck and no one there has been bothered by a wolf at the door since then.
POINT WOLF
Several hundred wolves traded songs one winter, harmonizing upriver under frozen black fumes. The river was a halfway point between men and lives lost, steamboats stacked like carcasses upon each other. The 25 remaining fur trappers and traders followed the wolves to a place named woods, for that is what they were and there was no bother to name things anymore. The men carried candles in their hands to refuel the fires the wolves had kept burning for them. Lewis and Clark slicked like strange words on their tongues, when the wolves asked for the sub-agency responsible for the westward disaster. The trappers stuck out their palms for the wolves to lick the keg powder off. No one returned to the Company. No one supplied the Fort. Fortunately, the river stuck its course and soon the whole Point traded light for depth. The wolves barreled around the last standing door, observing the original agreement to which they were bound to sing the early years backwards. The men sunk to their knees and no one has bothered the wolves since then.
4. Text of a historical marker erected at Wolf Point, Roosevelt County, Montana by the Montana Department of Transportation
Akka left for the war. She didn’t come back, not right away.
For a while, we thought that our mother might go, since she was the marine biologist, but Akka was a pilot, an astronaut in training.
The monsters had come from the sea, and we had to take the fight to the deep dark waters, so alike and yet so different from the vast quiet and emptiness of space. Deep pressure . . .
Akka left for the war. She didn’t come back, not right away.
For a while, we thought that our mother might go, since she was the marine biologist, but Akka was a pilot, an astronaut in training.
The monsters had come from the sea, and we had to take the fight to the deep dark waters, so alike and yet so different from the vast quiet and emptiness of space. Deep pressure versus near vacuum, 2 degrees Celsius versus 2 Kelvin, the occasional strange fish versus asteroids, 11 kilometers to the bottom versus 384,000 kilometers to the moon.
There was no longer a space program, and Akka was an astronaut without a job.
I remember her telling me she would come back different, that she would be able to go underwater, to fight the sea monsters that had driven us away from our island, from our shores. The monsters kept my mother from her work of studying life in the sea. (How can one be a marine biologist when it was too dangerous to be near the ocean?)
The war left my father looking exhausted and worried about how he would be able to care for us. Because Akka went to war, my father didn’t have to go. He and my mother could stay with us, and we could work the land to grow food, far away from the water’s edge. My father and Akka both found this darkly hilarious, since our family were farmers and fisherfolk for generations, and they had both tried their level best to not be either. The irony of my father marrying a marine biologist who fishes for knowledge had not been lost on them, either.
When Akka told me she was going, I was afraid. I sat in the circle of her arms, in her lap, my head leaning against her chest, hearing her heartbeat, the blood moving, back and forth, like when you float in the ocean, and you can hear the water moving across the sand. I loved to listen to her heartbeat, saying in the ‘thumpa-thump,’ “I love you.”
“But Akka, you hate the ocean.” Unlike her, I loved the ocean, the seashore. I missed our house, long gone and washed away in the first attack.
Akka always responded with a laugh. “Bachi, I don’t hate the ocean. I’m not fond of what’s in the ocean.” This was reassuring, as she used to say that before the sea monsters came.
Akka hated fish. Indeed, she didn’t just loathe them, she was actively afraid, phobic. Not the water, not the dark, the cold, the depths, but the actual fish. I didn’t understand, remembering how she’d feed me sashimi, nigiri, her hands holding the chopsticks, gently dipping the sashimi in soy sauce, placing the fatty goodness of the salmon in my mouth, or feeding me bits of ginger—so strong for my child’s taste buds.
She’d joke, “Fish is best served on beds of white rice, beloved,” while eating the sushi, our mouths happy, our minds quiet.
“But Akka, you hate the fish. They scare you,” I said again, still not sure why she was doing this.
“I’ll use the hate to fight the sea monsters,” she told me, and then she went away.
When she first came back, she was so different. She still held me and my sister, her arms still strong and lean, though she had to be careful now; her skin felt more like that of the salmon or trout we loved to eat.
“Can you feel this, Akka?” I’d ask, touching her new skin, dark, darker than my own skin, darker even than hers had been. I couldn’t see her tattoos anymore, her new skin obliterating those colorful mementos.
Akka, who loved Ganesh, who loved spacecraft and wolves and robots and stars and galaxies, who had sat for hours of pain to have them tattooed on her body, had let them take those away. For this new skin, she had sat for even more hours, in even more pain, to come back to us, skin darker, rougher, with luminous spots that showed up under dark light, scales like the salmon we loved, slits against the sides of her throat to help her filter oxygen out of water. I couldn’t see her eyes anymore, changed as they were, with extra eyelids, protecting her from the cold, from the pressure, from the sea monsters.
“I can, beloved,” she said, “I can feel you, and even if I couldn’t feel your hand, I feel you here—always” touching where her heart used to be.
I didn’t know, until so much later, how even her insides had been changed, moved, enhanced by the military surgeons with genetic surgery and biometal implants, so she could survive under the water, breathe, exist, live under the depths, under the pressure, in the dark, in the cold, and even down past where there were no fish at all, where the sea monsters came from.
But I remembered, from before she left, what it was like to be held in my aunt’s arms, hearing her heartbeat, over and over, saying in the ‘thumpa-thump,’ “I love you.”
Now when she told me, “I love you,” I found it hard to believe the words, because I couldn’t see her eyes, and I couldn’t hear her heart. My little sister was terrified, and refused to come near our Akka, though she, too, loved our aunt dearly.
My father and Akka were talking, thinking I couldn’t hear.
“It’s okay,” she said.
My father said again, “They love you, you know that. The little one is afraid of what has changed.”
Akka responded, “She’s not the only one, brother.”
He hugged her, heedless of the scales, of the gills, of her hidden eyes, her lost tattoos, the webbed skin on her hands and feet.
I was looking at the picture of Akka the way she used to be. She stood, eyes crinkled against the sun, sideways smirk showing her joy, wearing her flight suit and leaning against her fighter plane. Her long hair in pigtails, one hand draped over the fuselage, another holding her helmet. She hadn’t looked that happy since the sea monsters came, and her fighter plane had been destroyed. She would have flown more of them against the sea monsters, but the military had other ideas. As soon as the first few attacks occurred, they started pulling the best pilots and fighters for this other mission. There was to be no space program until we knew we could survive on our home planet. The planes were useless—the sea monsters were invulnerable to everything short of a nuclear blast, which would also leave the cities and waters contaminated.
“Akka,” I said, “you were afraid of fish. Now you are one.”
She smiled, careful with her mouth, her closed smile hiding her sharp teeth, nictitating membranes covering her eyes. “I am still afraid of fish, beloved. But I want to stop the sea monsters more.”
My Akka’s pigtails, her bright eyes, her soft brown skin were all gone, even as her heartbeat was gone. The wicked grin was barely all that was left, and she was hiding that from me.
“I love you,” I said, even though my little sister refused to come and say goodbye, still terrified of what had come to visit us.
“Not Akka,” she cried. I wanted to smack her, but my mother and father and Akka all said it was okay, that she didn’t know, that she was too little.
In these times, old traditions came back, and my father, mother, and I said goodbye and touched her feet, now webbed, covered in fine scales. She stood, awkward, her gills working even without having any water surrounding them. Her webbed hand gently touched the top of my head, bringing me back upright.
Then Akka left; forever, I thought.
It took years for the war to end. We’d catch glimpses of Akka and the other pilots on videos, and my sister and I would cheer as we’d see the swift, darting movements of the ocean-going fighters and know our aunt was amongst them. Sometimes, there were body camera videos, and we could see Akka clearly in the water with her team. Sometimes, battle videos would leak out, and we’d scan them, frantic to see if our Akka was there. Our parents weren’t keen on us watching the battles themselves, but once we had access to the internet, it was hard for them to stop us.
We noticed that a note would always reach my father or mother just before we’d find those videos, letting them know she was alive and mostly safe. None of us wanted to see a video where we saw any of the fighters die, though we knew many of them did. We only wanted to watch the sea monsters be destroyed. It was no consolation for my mother, who had discovered that they were not actually aliens, but something mutated from the polar ice melt, letting an ancient virus mingle with the strange soup we’d left after industrializing the surface of the planet, creating deep sea monsters that wanted to come up on land.
There were times that my little sister and I would play games, where I’d be a sea monster, and my little sister would play one of the deep ocean fighters. I tried hard not to remind her she never said goodbye to our Akka, but I think she remembered. Her stories about how brave and amazing and perfect our Akka was, fighting the sea monsters to keep us safe, would be glorious. These games would end with me, flat on the ground, quivering in my death or defeat. Sometimes, we’d convince our father to play the sea monster, and all of us would end up on the floor, giggling and tickling him as he’d hold us tight, telling us how proud our Akka would be, to know we were thinking of her, grateful for her bravery.
There were news interviews with our Akka, or other deep ocean fighters. My little sister and I would watch together, curled up on the couch, held between our parents’ arms. Every interview, without fail, she’d look straight at the camera, even though we couldn’t see her eyes behind their glossy protective eyelids, and tell the world she missed her family, how her nieces meant the entire universe to her and she hoped to be home soon.
The war finally ended.
Someone, something came back, after the sea monsters were destroyed. We used atomics after all. Akka and others like her dove deep below where the sea monsters bred, planting small atomics in the nurseries, bigger ones in the adults, only sometimes escaping before the blasts destroyed the ocean floor. Akka swam like she flew: fast, precise, accurate in her bomb placement, in her escape routes.
The military escort told me: this was my aunt, she was a hero, and she was home to rest. It was hard to tell. She’d changed even more, her skin and body now designed for the deep ocean, where normally the pressure of the sea would have crushed anything else. It had taken days for her to come up from the depths, having to adjust to the lower pressure out of the water, a little like how astronauts had to adapt back to the pull of gravity.
Our mother went back to work on the ocean, trying to figure out what had changed, whether our seas would come back from the deep wounds left by the monsters, by us fighting them. Father continued growing food—continuing that tradition he and Akka had tried to escape. Akka came back to us, but she didn’t talk to me anymore. To be fair, she didn’t really talk to anyone anymore, except to Mother.
I think she was afraid for us, her body now designed for deep sea battle. Afraid because of what she’d done under the water. More than a decade had gone by, where she had fought, dove, and killed sea monsters. l was sixteen, an adult almost, but I remembered her so clearly, even without my pictures of her, her pigtails and pilot’s uniform, her wicked grin and gentle love.
I tried to talk to her, but I think she still saw me as the small, frightened six year old child she loved so much that she gave up her heart, her dreams, even her relationship with her family, to keep me and my little sister safe.
My little sister asked my Akka if she could take off her dark, glowing, scaly skin.
“I’m not sure,” she admitted.
But I remembered her, as did my little sister. The way she was.
Before the sea monsters. Before the suit that became her new body. Before she lost, killed, swam away from her dreams of outer space.
Years after the sea monsters were destroyed, there was talk about renewing the space program. The news came one day that they were looking for trainees again, for new young pilots to restart our climb into space. My little sister called to tell us she’d been accepted.
After that call, I found Akka in the cove by the beach, laying in a shallow pool, completely under water, letting the tide push her back and forth. Her gills moved, involuntarily.
She couldn’t even control it like I could control my breathing.
I sat in the shallow water with her. Her scales were soft, and I pulled her into my lap, holding her, like she used to hold me when I was much smaller. It was hard to sit there, with the sand and stone moving under me as the waves lapped up and down, the same movement of her body floating above me.
Akka had told me, a long time ago, how her father, my grandfather, would swim out past the breakers, and she and her brother would swim with him. How my grandfather would float, and they would play, swim, dive around him, coming to hang onto him like a raft when they were tired. My grandfather liked the sound of the ocean in his ears while he floated.
“Akka, please, let’s swim out past the breakers.”
We swam. She stayed under the water, while I stayed on top. We floated out there, with her facing down into the sea, because looking up at the sky hurt too much. I slid under her, floating, holding her onto my chest like she had done with me, when I was smaller, and she hadn’t yet gone to war.
“I always feel safe with you, Akka,” I said, gently running my hands along her scaled shoulders and arms, so hard, so strong.
“Sometimes, I don’t feel like I’m safe for you,” she replied.
I couldn’t say anything to that. I didn’t have anything to say for that. I didn’t believe she would hurt me, even with her body all scaled and hard, even with her organs moved, her hair gone, even with her eyes hidden. I kept running my hands gently along her skin, knowing the right direction to stroke, how to read which edges would be sharp, and which would lay soft for me to touch. I didn’t want to tell her that it would be okay, because it wouldn’t, it couldn’t. She couldn’t take off this skin and there was no going back to that picture from decades earlier.
Her head lay on my chest, my arms were holding her, and we were just floating. The ocean moved under us, the sound of the sand moving distantly below us, behind us by the shore and I could hear it. We lay there for a long time.
Finally, she said, “I can hear your heartbeat.”
“Thumpa-thump means I love you, Akka.” I laughed, still remembering, after years and distance and change and loss.
She smiled against my skin. “I love you too, beloved,”
We floated like that for a long time again, and I said, “Thank you, Akka.”
I felt her go very still against me. I hugged her tighter, her skin so much softer in salt water. She hugged me back.
No sabía que un río podía declararse clínicamente muerto. Me enteré hace poco, cuando leí que el Atoyac lo estaba y que, desde hacía 30 años, se intentaba rehabilitar. Sin éxito.
No pregunten por qué, pero imagino al río como una persona entrando en camilla a un hospital y los paramédicos gritando a los urgenciólogos: ¡Emergencia Uno! Pero lo cierto es que no es . . .
No sabía que un río podía declararse clínicamente muerto. Me enteré hace poco, cuando leí que el Atoyac lo estaba y que, desde hacía 30 años, se intentaba rehabilitar. Sin éxito.
No pregunten por qué, pero imagino al río como una persona entrando en camilla a un hospital y los paramédicos gritando a los urgenciólogos: ¡Emergencia Uno! Pero lo cierto es que no es una bella actriz de Bollywood personificando a la Ganga de los Vedas, ni tampoco un atlético hijo de Océano y Tetis. El Atoyac es un pobre diablo apestando a cagada y orines; se convulsiona y suelta espuma por la boca, maldiciendo a todos y cada uno de los bastardos que ha concebido, ladrando como un xoloitzcuintle rabioso. Y son muchos los nombres que grita en esa lengua suya, ininteligible, anterior al protototonaco-tepehua y al protoyuto-nahua.
El río calla de pronto dejando que la sala de urgencias se inunde con el pitido agudo y la línea plana del electrocardiograma, alguien grita: ¡Despejen! y pone las paletas del desfibrilador en su pecho. El cuerpo se arquea un segundo, pienso en la muerte por tétanos. Algún enfermero, sí, varón, le pone un respirador al río y presiona un par de veces la bomba de aire. ¡Despejen! Otra vez y nuevamente descarga. El ECG hace como que regresa, aunque enseguida la línea vuelve a aplanarse.
¿Será que el Atoyac está viendo pasar su vida como en una película?
Una gota de deshielo en la Sierra Nevada, un manantial en la roca, los riachuelos se convierten en afluentes y enseguida un solo cauce, rápidos, caídas de agua, la roca erosionada en gravilla, toda esa energía contenida potencial en la represa de Valsequillo.
O más bien recuerda cómo lo despojaron de cuanto tenía y lo ultrajaron, burlándose además por calentar sus pies descalzos con las aguas tibias que salían del drenaje. Tragar cuanto le pongan en la boca porque el hambre puede siempre más que la dignidad.
El doctor golpea en el pecho, el enfermero aprieta la bomba del respirador, alguien más grita alguna maldición y de la nada surge un latido frágil como la cola de los renacuajos.
No hay más signos vitales.
No hay acto-reflejo al golpear con un martillito en la rodilla ni se dilatan ante la luz las pupilas. Quizás escucha lo que dicen y tal vez esté consciente pero no puede abrir los párpados o responder a los estímulos. ¿Está en coma, catatonia o catalepsia?
Clínicamente muerto se puede malinterpretar, el agua fluye, conserva cierta flora y fauna, aunque ‘sano’ tampoco lo describe bien, basta mirar los niveles de oxígeno, el PH, las espumas y el color gris taupe, entre marrón y grisáceo . . . .
Los médicos sacan al paciente de urgencias y lo mandan en calidad de desconocido a la Unidad de Cuidados Intensivos. No hay familiar que vele por él. ¿A quién iba a interesarle un viejo inútil? Ciertamente no al gobernador ni al rey de la mezclilla, esos malnacidos que por años violaron a sus hijas, marcando con tinturas y ácidos a sus afluentes más pequeñas. Tampoco a los nietos que hacen negocio trayendo pipas de muy lejos, desecando las lagunas de Totolcingo, El Salado y Alchichica.
Afuera del hospital de especialidades San José llueve, quizás es temporada de huracanes en el Atlántico o haya norte en Veracruz, pero lo cierto es que la tempestad aquí en el valle Puebla-Tlaxcala es más rayos y truenos que otra cosa, ventisca; los granizos golpean con furia, abollan las carrocerías y estrellan los parabrisas, el hielo se derrite en el asfalto, las coladeras se desbordan y de pronto hay lanchas de la Cruz Roja en el Boulevard 5 de Mayo rescatando a los desgraciados que se trepan por las ventanillas al toldo de sus coches.
El desconocido tiene algún espasmo ocasional, no es su única prueba de vida, también el movimiento rápido de los ojos, las ondas beta en el encefalograma, el pulso acelerado. El líquido vital fluye en sus venas y arterias, pero de qué va a servirle si es negro y espeso.
¿Recuerda cuando en 1963 lo confinaron en solitario? Entubando su cauce en el arroyo de Xonaca y el tramo de San Francisco, desde la barranca de Xalpatlac y hasta la 5 Sur esquina con 49 Poniente. Ahí donde todo alrededor se apesta a huevo podrido.
Pero basta de pornomiseria, algún tratamiento habrá equivalente a la hemodiálisis y por los derechos más fundamentales se obligará a las industrias a tratar las aguas residuales, el gobierno tendrá que invertir en un plan trans-sexenal y obligar a la concesionaria de agua potable a invertir en el saneamiento de la cuenca.
Las universidades y la sociedad civil también estarán obligadas por la crisis hídrica, ingenieros ecológicos buscarán métodos para revertir el daño, se impartirá educación ambiental en las escuelas confiando en que las nuevas generaciones serán más conscientes.
Así, el paciente alcanzará algún día a mover un dedo, quizás el meñique izquierdo, aunque nadie lo verá hacerlo, así como tampoco sabrán si escuchaba lo que decían de él mientras estaba en coma y le hacían fisioterapia, que no era nada bueno. Tampoco sabrán cómo es que logró escapar del hospital estando descalzo, con sólo una bata cubriéndole el pecho, pero no las nalgas y literalmente escurriéndosele a los de seguridad.
¿Quién es ese viejo que anda de noche por el boulevard casi desnudo con la lluvia estancada hasta la cintura? ¿Por qué los árboles, palmeras y hasta los postes de luz se mecen rindiéndole pleitesía mientras las intermitentes de los autos abandonados parpadean bajo el agua?
La lluvia le lava las canas largas de la barba y su melena, pegándole la ropa al pecho, cuando el negro de las pupilas del viejo se encienden de un naranja como hierro fundido, el Atoyac junta entonces sus brazos y con toda la fuerza de que es capaz extiende las falanges y en ese gesto de Kame-Hame-Ha cada una de las moléculas que lo conforman se convierten en un tsunami que acarrea basura, lodo y mierda hasta reventar las tuberías que lo contienen, desbordar el cauce y aún explotar la vieja represa en Valsequillo, purificándose en agua nuevamente cristalina que deja entrever las raíces de los juncos y hasta algunos peces entre los guijarros.
I never knew a river could be in a state of apparent death. I learned about it recently when I read that the Atoyac was declared clinically dead, and for the past 30 years, efforts had been made to rehabilitate it to no avail.
Don’t ask why, but I imagine the river as a person being wheeled into a hospital on a stretcher, paramedics shouting at the emergency room doctors: . . .
I never knew a river could be in a state of apparent death. I learned about it recently when I read that the Atoyac was declared clinically dead, and for the past 30 years, efforts had been made to rehabilitate it to no avail.
Don’t ask why, but I imagine the river as a person being wheeled into a hospital on a stretcher, paramedics shouting at the emergency room doctors: “Code Blue!” But the truth is, she is not a beautiful Bollywood actress personifying the Ganga from the Vedas, nor is he an athletic son of Oceanus and Tethys. The Atoyac is a poor bastard reeking of shit and urine; he convulses and foams at the mouth, cursing every single one of the children he has conceived, barking like a rabid Xoloitzcuintle. And there are many names he screams in his own unintelligible tongue, a language older than Proto-Totonaco-Tepehua and Proto-Yuto-Nahua.
The river suddenly falls silent, letting the emergency room be flooded with the high-pitched beep and the flatline of the electrocardiogram. Someone shouts, “Clear!” and places the defibrillator paddles on his chest. The body arches for a second, as in death by tetanus. A male nurse—yes, a man—puts a respirator on the river’s mouth and presses the air pump a couple of times. “Clear!” Again, another shock. The ECG pretends to come back, but soon the line flattens again.
Is the Atoyac watching his life pass by like a movie?
A drop of meltwater in the Sierra Nevada, a spring in the rock, the streams become tributaries, and soon a single channel, rapids, waterfalls, rock eroded into gravel, all that potential energy contained in the Valsequillo dam.
Or rather, he remembers how they stripped him of everything he had and outraged him, mocking him for warming his bare feet with the warm water that came out of the drain. He swallows whatever they put in his mouth because hunger can always overcome dignity.
The doctor pounds on his chest, the male nurse squeezes the respirator pump, someone else shouts a curse, and out of nowhere, a heartbeat emerges, fragile as a tadpole’s tail.
There are no more vital signs.
There is no knee-jerk reflex when tapped with a hammer, nor do the pupils dilate in the light. Perhaps he hears what they say, and maybe he is conscious but cannot open his eyelids or respond to stimuli. Is he in a coma, catatonia, or catalepsy?
‘Clinically dead’ can be misinterpreted. The water flows; it preserves some flora and fauna, although ‘healthy’ doesn’t describe it well either. Just look at the oxygen levels, the pH, the foam, and the taupe color, between brown and grayish . . . .
Doctors take the patient out of emergency room and send him, as John Doe, to the Intensive Care Unit. There is no family member to watch over him. Who would care about an old, useless being? Certainly not the governor or the king of denim, those bastards who for years raped his daughters, marking his smallest tributaries with dyes and acids. Nor the grandchildren who profit by bringing pipes from far away, drying up the lagoons of Totolcingo, El Salado, and Alchichica.
Outside the San José specialty hospital, it rains; it may be due to hurricane season in the Atlantic or perhaps a north wind tempest in Veracruz, but the bottom line is that the storm here in the Puebla-Tlaxcala valley is more lightning and thunder than anything else, a tromba. Hailstones fall furiously, denting car bodies and shattering windshields; ice melts on the asphalt, drains overflow, and suddenly Red Cross boats appear on 5 de Mayo Boulevard rescuing the unfortunate who climb onto the roofs of their cars through the windows.
The stranger has an occasional spasm; it’s not his only proof of life, as there is also the rapid movement of his eyes, the beta waves on the electroencephalogram, the accelerated pulse. The vital fluid flows through his veins and arteries, but what good will it do if it is black and thick?
Does he remember when, in 1963, he was confined in solitary? Tubed and channeled at the Xonaca stream and the San Francisco section, from the Xalpatlac ravine to the corner of 5 Sur and 49 Poniente? There, where everything around stinks of rotten eggs.
Enough with the misery porn! Some treatment will be equivalent to hemodialysis, and, for the most fundamental rights, industries will be forced to treat wastewater. The government will have to invest in a trans-sexennial plan and mandate the drinking water concessionaire to contribute to basin sanitation.
Universities and civil society will also be forced to act by the water crisis; ecological engineers will seek methods to reverse the damage, and environmental education will be taught in schools, entrusting that the new generations will be more aware.
Thus, the patient will one day be able to move a finger, perhaps his left pinky, although no one will see him do it, just as they will not know if he was listening to what they were saying about him while he was in a coma and they were doing physiotherapy—words that were not kind. Nor will they know how he managed to escape from the hospital barefoot, with only a gown covering his chest but not his buttocks, and literally ‘slipping’ away from security guys.
Who is that old man walking at night down the boulevard, almost naked, with the rainwater up to his waist? Why do the trees, palm trees, and even the light poles sway, paying homage to him while the turn signals of abandoned cars blink under the water?
Rain washes the long gray hair from his beard and his mane, sticking his clothes to his chest. Then the black of the old man’s pupils lights up orange like molten iron, the Atoyac brings his arms together and, with all his might, extends his fingers. In that gesture of Kame-Hame-Ha, each molecule in his body becomes a tsunami that carries garbage, mud, and filth until it bursts the pipes that contain him, overflows the riverbed, and even ruptures the old Valsequillo dam, purifying itself in water that becomes crystal clear again, revealing the roots of the reeds and even some fish among the pebbles.