Life According to Tabeeb

It may take a decade or longer to train a human clinician, but it took a team of Ministry of Health technicians only seven days to certify me a Clinically Adept Machine Sentience (CAMS) and hand me control of their newest clinic on Zamalek Island. My mission: to keep the locals healthy enough to perform their essential jobs in and around Cairo, and away from human-staffed . . .

Herkimer Inquiries

I watched the clip again: the lifeless body of a white-winged dove entered the shot at the top of my screen and plummeted off the bottom a half second later. Whoever was holding the camera didn’t notice; they stayed focused on a white guy speechifying about City plans for a soccer stadium. A few seconds later, four or five more birds fell behind the guy at the podium. . . .

I watched the clip again: the lifeless body of a white-winged dove entered the shot at the top of my screen and plummeted off the bottom a half second later. Whoever was holding the camera didn’t notice; they stayed focused on a white guy speechifying about City plans for a soccer stadium. A few seconds later, four or five more birds fell behind the guy at the podium. The audio caught a few gasps from the crowd. But most people were too focused on the foreground to notice what was happening in the background. Observation bias is hilarious.

Next, a lot of birds fell all at once. Probably three dozen. The camera jerked to the ground, catching their bodies scattered like popcorn on the pavement. Off-screen, the speaker continued his endless list of thank yous. The doves did not move again.

Birds falling from the sky mean nothing but bad news—we’ve known that since Roman times. But I still didn’t know why a City employee named Heather had sent me this clip in the first place.

I’m Max Herkimer, psychogeographic investigator, or, as I’m more commonly and less charitably called, “that wacko”. Heather said she got my number from one of the letters I have a bad habit of sending to various City departments. That particular letter was about renaming a street to pacify an angry genius loci (I mean, can you blame it? No one wants to be the spirit of Corporate Forest Drive.) All my letters to the City went directly into the shredder, even the normal ones about installing new public bathrooms. Until now.

Heather asked to meet at a nothing bar on the far end of town, to make sure nobody she knew saw us. Of course, Albuquerque’s not that big. The first person she saw let out a big “Heather! What are you doing here?” and I slid into a booth while they hugged.

I’d never been to this particular bar. It had vibes, though. The decor screamed “Be average!” Vinyl beer ads. Peeling laminate bar. TVs mounted on every TV-worthy surface. It smelled like Lysol and fry oil. I’d put money down that the “good bros” in the corner were cheating on their wives with each other. You learn to spot these things in my line of work.

Another part of my work: avoiding notice. Every space has a pattern. Look at churches: you stay quiet. You keep your head down. You don’t wander into the fancy part up front. If you can find that pattern, you have power.

At a bar like this one, the pattern says order a light American lager and get lost in your phone. Heather’s pal walked off without even seeing me. You’re welcome, Heather. Her dark brown eyes were still scanning for acquaintances as she slid into the booth across from me. She was fifty-five, five foot six. An Albuquerque Dukes cap covered her straight black bob.

She eyed me as she swigged her Jack and Diet. “So . . . should I call you Mis—”

Mx. Herkimer, if you insist, but I prefer just Max.” I had neither time for nor interest in watching her puzzle out my gender.

“Alright, Max.” Heather cleared her throat. “Your letter got my attention. But I’m curious. What exactly is pyschogeographic inquiry?” It rankled, the way she said my name, like an overburdened school teacher scolding a wretched teen. But there was no way I was going to let a City employee slip through my fingers after all this time.

See, Heather worked for the City. I worked for the city. Our jurisdictions just looked identical on a map, but they were two very different entities. I worked for the land, the graffiti, the spirits, the water, the birds, the people. She worked for the buildings, the policies, the infrastructure, the power. Still, a solid connection with the City would help with my more esoteric investigations.

“I solve problems people have with, you know,” I gestured vaguely, “our urban fabric.” I ought to work on the elevator pitch.

She snorted. “Sounds like we have the same job.”

“But I work for myself. You follow the rules.”

“Yeah, about that. Your card said you were licensed, bonded, and insured.” She looked at me with that school teacher’s look again. “Who licenses psychogeographers?”

“I do,” I said. She coughed. I added, “I have very high standards.”

She looked at the door. Maybe it was time to try a different tack.

“I am also bonded and insured. By someone else. And registered with the City as a private investigator. License #94792, if you want to look it up.” Maybe it was just wishful thinking, but it looked to me like her shoulders relaxed. “So tell me, what can I help you with?”

“You watched the video?”

“Several times,” I said.

She surveyed the bar one more time before continuing. “So . . . obviously there’s the birds, right? 47 birds just dropping dead behind a press conference.”

“The news said it was bird flu.”

“It wasn’t bird flu. We tested them.” She took another sip of her drink. Her hands had started to tremble. “Aside from the birds, it’s just weird there. Things go wrong, like, way too often.”

I loved those kinds of spots. “What kind of wrong?”

“It’s not any one thing.” She paused as the server refilled our water, then started counting incidents on her fingers. “The birds aren’t the only dead animals—they turn up constantly. Cats. Dogs. Raccoons. Then there are the floods. This huge trumpet vine pulled down some power lines and electrocuted someone. A dysentery outbreak. The sewer system.” She sighed heavily. “You cannot imagine how bad the sewers have been. Calls to poison control. And the neighbors are convinced there’s a serial arsonist.”

“Where?”

“Romeroville.” Heather pulled out a manila envelope. “There’s this little park—that’s where the video is from.” She showed me maps, newspaper articles, charts of City data from the last two years. She let out a breathy laugh. “Nobody takes me seriously.”

“I know the feeling,” I murmured as I reviewed her documents. Parts of the City develop a bad attitude, a reckless habit, negative vibes, whatever you want to call it. And they don’t always get better on their own. The City had their words for this kind of thing: Condemned. Substandard. Abandoned. Blighted. I preferred mine: Haunted. Cursed. Crossed. Vengeful.

“So what’s the goal here?”

Red crept into her tan, freckled cheeks. Heather took another drink from her Jack & Diet. “I need you to un . . . curse it.”

“Might not be cursed, but I take your point.” I hadn’t expected a City employee to be so direct.

She grimaced and signaled for the check. “Look, I can pay you. But I have to put you down as an exterminator or something.”

I had a couple rules in my line of work, but the first was I didn’t take clients who were embarrassed to talk to me. Plus, my spidey senses were telling me that something was off with Heather’s story. But here’s the thing: I was going to be in Romeroville ASAP no matter if I formally took the job or not. A neighborhood so fucked up that birds were falling from the sky? I had a professional obligation to uphold and personal curiosity to satisfy. May as well get paid while I was at it.

And besides—I spent so much time trying to get the City to listen, and now the City had finally come knocking. Rules were made to be bent, right?

“Well, Heather,” I said, the same school teacher way she’d said Max earlier. She blinked. “I’ll take the case.”

“Great.” She slid the papers across the table to me. “And don’t call me; I’ll call you.”

I rolled my eyes.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

The next day, the bus wheezed to a stop two and a half blocks from the epicenter of the issues and I stepped into the already hot, dry morning air. I tucked my mop of hair (currently green and pink) into a baseball cap and adjusted the hem of my Lobos t-shirt.

My first time in a new area, I tried to be as invisible as possible. To be clear: I love the city. I love being out in the city. I love looking the way I do. But. As a very obviously queer person, and I do mean that in both the rainbow and the oddball sense, acting weird in a new part of town only invited trouble. Invisibility is a prime protection. Once I got comfy, then I’d get weird.

At first glance, Romeroville was a modest residential neighborhood. Public elementary school. Siberian elms and white oaks for shade. Mixed income housing. Nice, wide sidewalks, but not a lot of pedestrians. Dogs barked as I passed. Thunderheads loomed over the volcanoes west of town, promising monsoon rain, but then, they’d been promising that all summer long.

The heart of the trouble was this park. Sometimes what looks supernatural is mundane. But I could tell from two blocks away that this case was not your everyday bit of trouble. If the neighborhood were a mattress, that park was a bowling ball plopped in the middle. All the energy in the area rolled down to that spot.

It wasn’t a park in the way a person might imagine a park. It was more like an oversized alley, a pedestrian thoroughfare connecting two streets. The cement had been colored blue to look like a river. A brown metal sign read Acequia Grande Park. Young honey locusts—what I think of as “new City trees”—shaded the area.

Across the street from the park rose a colorful, fiberglass statue. Sort of a Pietà thing—a man holding a dying woman. They rested on top of a giant hill made of more blue cement, like a mountain or a frozen waterfall. I’m no art critic, but the guy looked bummed out. Beyond the sculpture was a grassy area with a surprising number of informational signs.

I’d read those later. Now that I’d acquired a general lay of the land, I needed to find the more subtle patterns. My methods included talking to strangers, whether human, bird, tree, or other. Observing the swirl of dirt in the wind. Searching the historical record for unusual events. Watching neighborhood cats at work. But the primary tool of a psychogeographer was and always would be the dérive: a walk with no destination beyond knowledge of the place itself. (I subscribed to the Situationist dérive. Earlier versions involved a lot of opium.)

I found a spot a few blocks from the park where I felt no skin crawling, no heebie-jeebies (yes, that’s a technical term). I opened an app to track my path through the neighborhood (Without uploading my location to the cloud. Obviously.)

Then, I began the dérive: I wandered, meandered, crept, rushed, paused. I sniffed and inhaled and sang. I closed my eyes. People are always surprised how much shit they miss because they were too busy looking. This is the part where people will start to call the cops on me if I’m not careful.

As I went, I recorded a cluster of sensations. Anything spooky, strange, or generally interesting got a pin on my app:

  • Whiff of spring flowers (lilac?) long out of bloom: Pin.
  • Footsteps sound hollow on the sidewalk: Pin.
  • Skin crawling on the back of my neck: Pin.
  • Seven quarters lined up on a fence, all face down: Pin.
  • Cold spots: Pin. Pin. Pin. (Ghosts?)
  • Sound of rushing water, no obvious source: Pin. Pin. Pin.
  • Intense encounter with a man who shouted, “You and I share a cousin in Pueblo, Colorado, Miss Miller!” at me. Not my name, but whatever: Pin.

And so I went until about 10 am. I was starving and sweaty. I had 73 pins on my map. But no answers.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

Time to get a theory going. I found a bench in the shade and pulled out a peanut butter and red chile sandwich. As I ate, I reviewed the map. A rough outline emerged, of where the strangeness was happening, but that just confirmed what I already knew. Next, I coded the pins based on sight, smell, sound, feel. Sound and smell clustered right down the center of the alley and headed west. Interesting. Visual and touch pins were scattered all over the map.

Alright, Herkimer, think: someone could have cursed this intersection. But who and why? The only idea I had was that unhelpful note to myself: Ghosts? I’d seen solo ghosts over the years, of course. But the sheer number of cold spots, the general sense of malevolence in the area, not to mention dropping a bunch of birds out of the sky in the middle of the day . . . it would take a lot of ghosts to do that. Like, piles of ‘em. I’d never seen something like this. Not even in that abandoned hospital.

Seemed unlikely, but maybe there had been some kind of horrific tragedy I’d missed? Amelia would know.

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“Special Collections Library, Ms. Collier speaking.”

“Hey, Amelia.”

“Max! Too busy to come in person?” Amelia was head librarian at Special Collections, the archival home of everything about the City and the city. The perfect library—a relic of a different time, full of Albuquerque oddities, and deeply haunted. Plus the librarians loved me. I always had research-y questions instead of “What’s the code for the bathroom?”

“You know I’d rather be there.” I imagined her behind the desk, in a knee-length floral dress, gray cardigan, and chunky Mary Janes. She always looked professional, but I knew for reasons I shall not disclose that she hid a number of excellent tattoos under that sweater.

She laughed. “What are you working on this time?”

“I’m in Romeroville.”

“Ooh, nice. Not the oldest neighborhood around, but pretty close. It grew up in Colonial times—should be some signs about it.”

Yes, yes, I know. Everybody always says, “Read the signs!” and I’m over here like, Why do you think I’m staring at this ant colony?

Anyway, it was cool history but way too early. “What about more recently, like the last couple years? I’m looking for something that would,” I paused, failing to think of a different way to say it. “ . . . make a lot of ghosts.” Amelia didn’t really believe in my weird shit, but she also didn’t laugh at me. Usually.

She snorted. But just a little. “Are you talking, like, a mass murder? I thought you didn’t do the whole true crime thing.”

“I don’t, but yeah, something like that. Or a gruesome accident? Old folks’ home burned down? Horrific school bus crash or something?” I sounded stupid, but I was trying to get the scale of the thing across to her.

“Not seeing anything like that.” I could hear her mouse clicking. “It’s a pretty quiet place.”

“Dammit.” I chewed my lip and stared at the alley. Back to square one. Ghosts would have been a hard sell for Heather, but at least I’d had a theory.

“I’ve never known someone to get so morose that an old folks’ home didn’t get burned down,” Amelia said.

“Sorry—that’s not it. I just . . . there’s something weird going on here.”

“You know I’m a born skeptic. Not much help with ghosts. But the other thing about that neighborhood is they really—pardon my language—fucking hate the City.”

Huh. Heather hadn’t mentioned that little detail. “Oh, yeah?”

“It’s been a whole thing. The City let the feds put two freeways through it in the 60s. Then in the 70s, the City tried to declare it substandard, so they could put in some government buildings, and Romeroville organized themselves to stop all that. Then there was a Superfund site that was ‘cleaned up’ in the 90s. Anyway, probably nothing to do with your ghosts, but figured I’d mention.” I could hear her addressing a patron. “Hey, Max, sorry—gotta go. Call me back later?”

“No worries. Tell you about it over drinks on Friday.”

Was this City nonsense related to the birds dying? Unclear. But was it fishy as hell that Heather hadn’t mentioned it? Absolutely.

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Heather answered my third call, her voice low. “I told you not to call me.”

“Hi, Heather,” I said. “Curious if you were planning to tell me about the whole Romeroville hates the City angle of the case.”

“Let me get outside.” Her footsteps echoed down a stairwell.

I skimmed the informational signs as I waited. These people were serious. They had a committee. A crest for their committee. A timeline of their protests. I let out a low whistle. “Man, they really do hate you guys. Sounds like maybe you earned it though.”

She huffed. “Yes, there have been . . . tensions. Obviously. But that was a long time ago. Are you saying you think this is our fault?”

“Do you think it’s your fault?”

“I didn’t think all that was relevant.”

I took a deep breath. Where to start. “Heather, you mean well. But there are things in this world you don’t know much about. Shit can get weird. Right now, things are getting bad in Romeroville.” And I was getting angry. “So is there any other information you’re withholding?”

An indignant breath came over the phone. “Okay, fine. There are plans to build a soccer stadium there. They asked me to find out about the neighborhood. See if I could make the neighbors a little more receptive to our plans. Like, in a good way, you know.”

“Everybody loves being made more receptive,” I muttered.

“Point is I noticed all this bad shit happening there. But the funders didn’t care. If anything, it made them more excited. They thought if the neighqbors got spooked, they’d let the City have the land.” She huffed again. “Well, it worked, for what that’s worth. A little too well. Some of the local funders got spooked, too, and now they’re backing out.”

Say what you will about New Mexicans, but I have always loved the way we as a people take weird shit seriously. Still, what did I have to do with any of this? Why had she called me to fix it? Nobody in the City respected me. The only thing calling me would achieve was discredit—Oh. Oh.

“Okay, I get it. You called me because you knew that if I started talking about how it was haunted, nobody would take it seriously. They’d be too embarrassed to be associated with me and my weird theories.” Tears pricked my eyes. “And your stadium would be back in business.”

Heather didn’t say anything. I’d learned to read silences over the years and this one was loud and clear. Goddammit. I’d been so excited they were taking me seriously for once that I’d broken my own rules.

“Even though you hired me for bullshit reasons, you do still have to pay me.” My voice was tight. I hung up.

The sun beat down on me as I stood alone in Romeroville. My instincts had warned me something was off and I was pissed I hadn’t listened. I took a deep breath and listened to the sounds of the city around me: traffic on the major arteries, sure. But also the skittering sound of a lizard in the leaf litter under a golden currant bush. Children shrieking at recess. And a westerly wind blowing the clouds nearer. Beneath it all, that malevolent energy roiled.

I didn’t have to help Heather any more. But I definitely wanted to know what was going on in Romeroville. The neighbors ought to have some insights.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

A woman, graying hair pulled into a bun, watered roses in the shade of her yard. She had an eye on me but pretended she didn’t. The piney scent of rosemary wafted through the air. Her garden, ringed by a straw-flecked adobe wall, bordered the Acequia Grande and was exuberant with lavender, blue flax, and orange globe mallow.

“Lovely garden,” I called as I approached. “Can’t get my roses to look like yours no matter how hard I try.” It was the truth. I’d tried everything and they were still scraggly.

“I have my secrets.” She stood several feet from the gate, hands clasped behind her. Not quite ready to trust me. “But if I told you, I’d have to kill you.”

I nodded gravely. “Otherwise my roses might beat yours at the State Fair.”

She smiled. “Couldn’t have that.”

We were both quiet for a moment, but she didn’t move to go inside.

“I heard the City wants to build a soccer stadium here,” I said.

“They do.” I could see her clocking my outfit, deciding which side I was on. I was real glad I’d chosen the university t-shirt and not the soccer team t-shirt for today’s invisibility drag.

“Do you know where, exactly?”

She gestured broadly, a furrow in her brow. I frowned sympathetically.

“Sorry for all the questions, but have you noticed anything strange lately?” It can be awkward, trying to explain what a psychogeographic investigator does, but I’ve learned that, at least in New Mexico, if you ask the weird question first, you get a lot of information. Some of it is even useful. “I heard about all those birds that died. Stuff like that?”

She gave me another look, and I swear I could almost read her thoughts. But maybe that was just my imagination getting away from me. In place of an answer, she asked, “Would you like some water? Or lemonade? Hot day to be walking around.”

“Lemonade sounds great.” I paused. “My name’s Max.”

“Lupe. Nice to meet you, Max.”

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

The aggressive atmosphere of the neighborhood dropped away as I crossed into her yard. We sat on her porch as we drank the lemonade, which was sweet and strong. She had sprinkled dried lavender on top. When she spied the colorful hair under my ball cap, she insisted I take the hat off so she could admire my messy mop. A long broomstick skirt colored like red clay pooled around her wrinkled, brown feet, toenails painted sky blue. She told me a little about her gardening secrets and her grandchildren. I told her about my pet squirrel—a rescue. Condensation dripped from my glass and cooled my foot. I wondered if she’d ever answer my question, but I also kind of didn’t mind that she hadn’t. What good is life as a psychogeographic investigator if you can’t have lemonade with strangers on a hot day?

Then she finally turned back to it. “I’ve been here for, oh, forty years. Not quite as long as some. Best place I’ve ever lived. But something in the land isn’t quite right. I do my best with this little patch of dirt. But it’s sad, no?”

Sad. I’d been feeling the vibes all wrong. The air was filled with rage, yes, but it was the rage that comes from grief.

“It is,” I said and we looked at each other. I decided then that I’d figure this out for Lupe’s sake, even if nobody else cared.

“Thanks for the lemonade.” I lifted my empty glass to her in a toast.

Lupe nodded like she, too, had decided something, then disappeared into the house. When she returned, she pressed a book about roses into my hands, the edges frilled with sticky notes. I put the book in my bag, tucked my hair back into my cap, and promised I’d return soon.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

Back at Acequia Grande Park, the epicenter, I couldn’t believe I’d missed the grief, the helplessness in the air. I’d been too focused on Heather’s version of events. Now, I paced the length of the park, feeling echoes of my morning observations: cold spots, whispers with no obvious source. Back in the sun, sweat ran down my neck into the channel of my spine. A handful of white-winged doves landed nearby to drink from a puddle. The blue sky had gone grey while we chatted, and the trees worried themselves sick in the wind. I hoped—and could feel everything around me, from the sidewalk to the bumblebees, hoping as well—that today there would be rain.

Okay. Not ghosts. And, though I was pissed at Heather, this didn’t feel like a case of the City neglecting a neighborhood. Yeah, the stadium idea sucked. But this had been going on a lot longer than that.

As I walked, I let my focus go soft. Heat radiated from the blue pavement river, blurring the edges of my vision. I imagined the years peeling away. Back to the 70s when it was declared “substandard.” Back to the agricultural 1800s. Time grew thin. If I squinted, I could see (or imagine?) the area as it had been: sheep grazing. Water flowing where I stood, through the acequia the park was named after: an irrigation channel carrying water from the Rio Grande. These ditches spiderwebbed the area, carrying the green life of the river just a little farther into the surrounding desert.

Acequias were easy to miss. Some were well kept, some less so. And in Romeroville? Paved over. Just then, the drinking doves exploded in flight, breaking the spell. My shoulders tensed.

One small feathered body remained, convulsing on the edge of the water. I walked over to it. The other birds landed overhead on a power line, witnessing me as I picked the creature up. Its body trembled in my palm, so light it was like the air itself was seizing. Before I could think what to do, it stopped shivering and died.

The birds took flight again, noisy and chaotic. I traced the line of their passage. Never ignore the communications of a bird. They landed on the statue, perched on the mass of blue that looked like the headwaters of a spring. A spring capped with a man cradling a dying woman. The water is lost. I realized I was standing right about where they’d had the press conference I’d seen on the video clip.

I looked down at the bird in my hand, at its bright orange, sightless eye. A trash can stood nearby, but putting a messenger in the literal garbage was a quick way to get on nature’s bad side. No. I needed to bury the bird.

I didn’t pay much attention when I heard someone shout, “Him!” It’s not a word I hear applied to me very often, so I kept scanning the ground, searching for a suitable avian burial site,. But then I heard footsteps. A moment later, a heavy hand fell on my shoulder and spun me around.

The man it belonged to snarled at me, red-faced in his rage. My shock garbled his words, mixed them up until I couldn’t put them back together. My shoulders rose along with my hands and forearms, to shield me and the bird, the little thing, lifeless against my thumping heart.

He grabbed the collar of my shirt and pulled me back to that spot where all the bad energy pooled. Did he realize that’s what he was doing? I stumbled after him, and the jumble of noise coming from his mouth resolved into words: “I already called the cops, you prick.”

I had no idea what he thought I’d done but—Ah. He pointed at a car with all four tires slashed.

Something I’ve noticed over the years: I pretty much only ever get identified as a guy when people are pissed at me. I accelerated to match his pace and tucked the point of my elbow into the crook of the arm he was using to drag me. His hand slackened in surprise, and I pressed down with my elbow to twist away from his grasp. Nice move, Herkimer—but I barely had time to preen before he tackled me to the ground. I banged my arm up good as I moved to protect the little feathered body still in my hand.

The hot concrete scraped my cheek as he held my head down. Pulsing rage flooded me. I wanted to fuck this guy up. But that feeling wasn’t mine: it was the land, the water, the very earth rising up and egging us on. This guy had 30 pounds on me and (what the hell was I going to do with this bird) I was down a hand. I don’t like making a scene but, goddammit. I was going to have to.

“Help!” I shouted. I could have pitched my voice up to be more audible, sound more vulnerable, but it felt wrong. “Lupe!”

He was still screaming at me, but I couldn’t make sense of the words. I wondered if this rage was as foreign to him as it was to me. A rumble of thunder, low and easy, joined the excitement.

Neighbors were already out in their yards, staring at us. Not every oddball is the center of attention type, no matter how we dress. My cheeks flushed. Tears filled my eyes. My mouth tasted sour. A mineral smell rose from the ground.

I called again. “Lupe! Somebody. Help!” He pushed down, shuddering, and pain throbbed through my temples, my cheek, my jaw. I bucked against him hard, but he didn’t move. Still he could have—should have—been hitting me and he wasn’t. Something was up.

Everyone, human or otherwise, was in thrall to us—or whatever was using us. Time seemed to flow downhill, pooling around our tableau. The birds moved in closer, knowing I held their kin. The trees grew still and even the sky had gathered itself up. A hot drop of moisture landed on my cheek and ran into my mouth. The water is lost. It tasted salty. Sweat? Tears?

Then the rain came. Fat, ice-cold raindrops slapped against leaves, against skin, drumming on cars and roofs. With my face this close to the pavement, my nostrils filled with the smell of evaporating rain water—that mineral smell I’d noticed earlier.

The hammer of rain drops broke the spell; the entire neighborhood seemed to exhale. Time resumed its normal flow as people started to scatter. Another hot drop of moisture—tears, I was pretty sure this time—landed amid the cold ones. The pressure on my head lessened as he sagged off to one side. I rolled away, landing in a cold stream of storm run-off.

The man’s rage-torn face was slack now, as if he’d just woken up. I opened my mouth to speak, but a chunk of hail pinged him on the head. Larger and larger pieces of ice bounced on every surface. He shook his head and stumbled away.

I took shelter under the nearest tree, one hand cradling the bird and the other touching the abrasions on my face. I was no stranger to the way rain would lighten the city’s mood, but I’d never seen anything like this. The doves rustled and cooed in the tree above me. I tried and failed to calm the shivers that had taken over my body.

Lupe’s gentle voice called out to me. “Max!”

She waved from her front porch. I curled my body over the bird and ran to her.

“Are you okay?” She reached for my face. I flinched.

“Yes. No. Sorry. Yes. I was thinking I’d—” I wiped my eyes with my empty hand and held the bird out, feathers mussed. The sight of the feathers out of place turned the shivers into tears. “I was planning to bury this bird, I guess. Before.”

She nodded. “What about here, once the rain ends?” She gestured at a tiled nicho in her adobe wall. It enclosed a statue of the Virgin Mary, a rosebush flourishing at her feet. People often assume someone like me doesn’t go in for Christianity, and for the most part, I don’t. But sacred is sacred.

I looked for signs of mockery in her face, but found none. The pressure eased in my heart. At least I’d get one thing right today.

Lupe fetched a compress for my face. I straightened the errant feathers and laid the dove on her porch. We sat in silence as the storm poured off her porch, raindrops illuminated in gold by the coming sunset. Water flooded down that big fiberglass pietà. Both figures wept, and the blue mountain they sat on turned into a waterfall.

Lupe clicked her tongue. “It’s gonna be a mess to clean this one up.”

I didn’t understand at first, but—right. Heather had given me flood records. Hmm. I remembered the sensation from earlier, like the Acequia Grande was a bowling ball sitting on a mattress. The park must catch all the storm water for the neighborhood. And probably a few neighborhoods beyond.

I stepped off the porch into the drizzle. The water is lost. That phrase came back to me as I watched the rain fill the gutters, sheet across the street—and head to the Acequia Grande. I remembered the way that man’s pressure on my face had slackened with the first drops of water.

The water is lost. This water shouldn’t be flowing over concrete to the sewers. I turned to Lupe. “The way it changed when the rains came. You felt it, too. I know you did.”

She held my eyes with a long, level gaze, then nodded. I looked out at the flat pavement of the park, water rushing down it in a pattern that told us everything we needed to know: fast, flat, unnatural. I imagined earth instead of blue-tinted concrete. Natural dips and rises to slow the water, let it soak into the ground. Instead of a few trees trapped in concrete rings, we would have yucca, desert willow, horsetail, screwbean mesquite, and goldenrod thriving where the water collected.

Or: the City could build a stadium. Instead of this small park, we would have acres of blacktop, no shade, and the land disconnected from water and life for good.

Wait. Wasn’t that what the press conference had been about in the first place? The stadium? I should have seen it sooner. To fix this one, I was going to have to talk to Heather again. Gross.

The rain stopped and Lupe turned to me. “Shall we? The ground will be soft.”

She watched in silence as I tucked the bird’s fragile body into the earth, then covered it in soil and bark.

“Most people don’t care enough to bury a city bird.” Lupe held up her garden hose. “Want a rinse?”

I stuck my hands out. She hit the trigger on the sprayer, gently, and cool water rinsed the dirt from my hands. The flock of white-winged doves cooed mournfully from their nearby post.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

I met Heather for the second time at a bar of my choosing: a windowless poolhall in the heart of downtown. It smelled of stale beer and incense. The music on the jukebox was loud and aggressive. I hadn’t forgiven her for using me to discredit her opponents and I wasn’t going to put up with her shitty bar this time.

Once again, Heather carried a Jack and Diet from the bar.

“What happened to your face?” she asked.

“Not your business,” I answered. “Speaking of business, though, I found your culprit.”

I walked her through it: the acequia was abandoned in 1976. The earliest sign of weirdness was in 1977, when the neighborhood finally had access to the City’s drinking water and didn’t want to bother with irrigation any longer. The land was lonely, heartbroken for water. But that probably would have been fine. It was when the City announced plans to build a soccer stadium that shit had gotten real. Whatever spirit animated that place didn’t want to be buried in a parking lot. And it wasn’t going down without a fight.

To Heather’s credit, her first question wasn’t “Are you stupid?” It was “What are my options?”

“Either way you’re gonna have to find somewhere else for the stadium. But, since you asked. Option one: rebuild the old acequia. But there’s a lot more city between Romeroville and the river these days. Even if you took it underground . . . . ” I sucked air through my teeth. “It’s gonna cost.”

Heather blanched. I had to guess she was imagining the many, many, many buildings, properties, roads, and parks involved. Precisely the feeling I wanted her to have so my idea didn’t sound so hard.

“Option two: turn the Acequia Grande park into a rain garden. You’ll stop having all these weird incidents, which is what I care about. The flooding will stop, which is what the neighbors care about.”

She gave me a flat look. “What am I supposed to tell the people who want the stadium? The thirsty land is killing people?

“Obviously not. That’s the kind of shit I say. You get an engineer to say you need higher ground. The monsoons happen at the height of the United season. Blah blah blah.”

She looked at me for a long time, then the corners of her mouth curled up. “Putting in a rain garden would be a big PR win.”

As if I cared. I checked my watch. Just enough time to walk to the bar where I was meeting Amelia. “Done and dusted. Can’t say it’s been a pleasure. You’ll get my bill this week.”

I headed out into the twilight: a couple hurried into a ramen joint. A lowrider cruised past, done up in rose gold and purple. Heat rose from the sidewalk. The stars were beginning to shine and Amelia was waiting for me. A perfect night in my city.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

One year later, almost to the day, I was back in Romeroville in the pink light of dawn. The park didn’t look so different: the same shape, trees, benches. But now instead of broad swathes of blue cement, the paths were narrowed, made of water-permeable materials. The ground was shaped and carved, not so differently than I’d imagined, and the plantings Lupe and I had done were starting to look hearty.

Two cottontails darted under a bush as Lupe, Amelia, and I approached. The City would have their opening ceremony later that day. I wanted to do a ceremony of our own first.

I closed my eyes, felt for that bowling ball on a mattress sensation. It had changed; the energy in the neighborhood flowed easily through the park. We had all collected rainwater, a gallon or so each, just for this. I opened my eyes and found Amelia looking at me with an arched eyebrow and a smile. I directed her and Lupe to opposite corners of the park, and we poured out our rain water with all the solemnity we could muster. I watched it sheet across the ground and soak in as the first rays of sun broke over the mountain. I whooped and the other two joined me, raucous and loud as roosters.

Wasn’t much, but it felt right. As for what the land thought, I had to trust we’d done okay.

We watched the City ceremony from Lupe’s porch. Well, sort of. The speeches were quite boring and I wanted to show Amelia an antlion in Lupe’s yard.

Heather came over after the fuss was done. “I know I messed up. But if you’re looking for work . . . . ” She handed me a thumbdrive. “Give me a call.”

Would you look at that? Heather talking to Max Herkimer in public. Could I trust her? Probably not. But I have always loved a good mystery. I dropped the thumbdrive in my pocket and headed back toward the house.

A roadrunner, all punk rock eyeliner and jagged crest, ran along the fence beside me and hopped into a willow tree. A blue whiptail lizard dangled from its beak. Storm clouds, ripe and dark, ambled in from the west. The scent of water hung in the air.

Reclamation

“Your shuttle will arrive in—four!—minutes. Please proceed to—Caladan Avenue.”

Benny tapped the air above the “Dismiss notification” button on her HUD. She’d been at the shuttle stop for twelve minutes already, and wished she’d taken the time to pee before she left.

Her leg, both where it was and where it wasn’t, felt weird.

She flipped through her notifications. . . .

“Your shuttle will arrive in—four!—minutes. Please proceed to—Caladan Avenue.”

Benny tapped the air above the “Dismiss notification” button on her HUD. She’d been at the shuttle stop for twelve minutes already, and wished she’d taken the time to pee before she left.

Her leg, both where it was and where it wasn’t, felt weird.

She flipped through her notifications. “Reminder—two!—overdue assignments in Reentry Journal. You can do it! To access writing coach, press—”

She dismissed it and loaded the block puzzle game.

The shuttle chimed an arpeggio when it stopped. The lift extended automatically when it detected her ID. She held the handrest—“Please hold handrest securely! Lifting!”—and slipped into the first empty pod.

She was actually supposed to be practicing with stairs. Maybe the shuttle software didn’t get the memo.

She tabbed back to the block game.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

Benny waited until everyone else was off to leave her pod. She didn’t want people watching while the lift beeped its excruciating way down.

Outside, a blue and white sign read “Puente Hills Reclamation Facility: Treasure For Tomorrow.” Around the sign, her HUD displayed a wheel of floating menu buttons: “Book a Tour,” “Careers,” “Materials Reclaimed,” “For Kids!”

Graeme was waiting at the gates, a sturdy block of a woman with gray in her ponytail.

“Benny! You made it! Welcome. We’ll do HR first and then I’ll give you the tour. Sound good?”

Benny’s new access badge looked just like Graeme’s. Kinda nice, Benny thought. Retro.

“Okay! Next stop, locker room. There’s bathrooms there too, if you need them. We shower in, we shower out. Inside, you wear scrubs. No outside clothes in the containment zone, no scrubs outside the containment zone. Got it?” She waited for Benny’s nod before continuing, “Anything metal, you can keep on. There’ll be scrubs and booties when you come out. Everything fits weird. Oh, and put your leg through on the tool cycle—that’s what I do with my hand.”

Graeme waved her right hand, and Benny finally noticed that it was printed plastic, its phalanges and metacarpals articulated in black, silver, and hot pink.

Her new leg was gray. That was the default when you didn’t enter color choices.

Graeme kept smiling until Benny closed the shower cubicle door behind her. It was a narrow room with labeled panels on the wall. Too narrow—she couldn’t stretch her arms—couldn’t move—her pulse sped up—she couldn’t move! Shit! No—come on—she closed her eyes and did one of the stupid HomeboundHero breathing exercises until the taste of metal cleared her mouth.

This better not make her late.

She opened her eyes again. She was fine. This was fine. There were even handrails. Benny stripped efficiently to her leg and dog tags, then unbuckled the leg. Balancing awkwardly, she nestled it in the Tools (inbound) bin—a shallow, slatted metal box that reminded her of the utensil baskets from KP duty—and tapped it shut.

She’d get used to it. She’d have to.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

The promised scrubs were in a matching cramped chamber on the other side, along with cushioned booties and flimsy compostable mycelial-web underwear. Graeme was waiting in the hall, doing something Benny couldn’t see on her HUD. Whatever it was, she was moving fast, swinging her arms and pivoting her body. Benny waited to be noticed.

“Just a second,” Graeme muttered. “There we go.”

She dismissed whatever she was looking at with a gesture Benny didn’t recognize from the standard interface. But of course, Graeme needed modified commands.

And now, Benny did too.

Graeme’s lined face folded back into her usual smile.

“Sorry about that. Minor bot-cleaning kerfuffle in sector C. Nothing serious. Let’s get you settled.”

Benny’s cubicle was spacious, with a round bubble window and room to work sitting or standing, and yet more interactive panels on the wall.

“Drinks come out there. Conveyor bots bring your lunch order. Anything you like as long as it’s synth-protein and flavor powder.”

“I do love flavor powder,” Benny tried. After her tour, that wasn’t even really a joke.

Graeme laughed anyway.

“Who doesn’t? And out there . . . that’s where the magic happens.”

The window overlooked a terraced hillside furred with trees too sparse to hide infantry. Off to the right, orderly lines of bots marched in and out, like trails of foraging ants.

“So we’re starting you off over there on G44, crew of ten bots.” Graeme gestured to an indistinguishable section of hillside. “Three survey-patrol, two for e-waste and complex composites, and one each on metals, silicates, basic organics, complex hydrocarbons including biohazards and inorganic hazmat—heavy metals and radiation, mostly.”

The bots were all the same shape, like pointed eggs, but came in a range of sizes and colors: muddy green, white, candy-apple red, cerulean. The ones coming from the hill were smeared with grime. The ones going out shone like new.

“They’re level four semi-autonomous?”

Graeme wrinkled her nose.

“Well, they boot level four, but they’ve got pretty good learning capability, and we never wipe them if we don’t have to. Don’t be surprised if they exhibit level five or six capacities. Personality, too.”

“Really?” Military autos didn’t have personality. Too unpredictable.

“Oh yeah. That’s where you come in as their handler. It’s not just maintenance; you’re also providing guidance. They have enough battery to go twelve to eighteen hours autonomous, but they usually need us before that.”

Benny leaned her weight on the window ledge. The new leg rubbed, but the outside of her good ankle hurt when she stood too long.

“What kind of guidance?”

“Explosive methane, wildlife, load-bearing furniture, all kinds of stuff. G44 is a fairly old zone, mostly late twentieth and early twenty-first, but because it’s peripheral, it’s still in the first phase of reclamation. So you’re gonna see some, to use the technical term, weird shit.”

“Weird shit,” Benny repeated.

Graeme laughed.

“Don’t worry. Your bots will be on short shifts until you’re adjusted. And for now we’ll just have you run training modules. We’ll go visit decon and recharging later. And speaking of bots needing guidance, friggin’ ORG-B17 wants to eat a skunk, so I better skedaddle. Ping me if you need anything!”

When Graeme had gone, Benny dispensed a bulb of seltzer and activated the panel labeled Chair. Her leg was still rubbing. She’d shoved blister pads in her pocket on her way out, but her pocket was in her pants and her pants were in a locker.

It was fine. She could sit. It would be fine.

She pulled up the first module. The reclamation bots had mostly the same anatomy as search-and-rescue bots—retractable bucket drums, grippers with claws and spines and rubberized pads, fluid receptacles, cargo compartments, sensors of every imaginable kind. She passed that test on the first try.

The next couple of modules took her through lunch (teriyaki spirulina with udon and sesame FungoNuts) and the discovery that it was a good idea to activate the sunshade on the bubble window at around two. Graeme came back in the middle of the module on manual decontamination, which was an annoying mix of easy (acids neutralize bases) and very difficult (fifty-seven strains of organofluorine-degrading bacteria).

“Everything okay?”

“Yeah! Yeah. Good. I didn’t finish the modules but—”

“That’s fine. You have two weeks to do them all. Come check out the decon line and then you can shower out and call it a day.”

Benny followed her boss, trying not to limp too obviously. As they walked, Graeme pointed out maintenance bays and R&D labs, and Benny met too many people.

They ended up on a steel catwalk. Below, bots were trundling in the gate. She could see the grime on their shiny carapaces better from here: brown organic smudges, scraps of paper and fabric, plastic chips. Most of them, according to the training module, were made of aluminum oxynitride with integrated color. Some had scratches, like healed scars.

“Did you get to the auto decon?”

Benny nodded and recited what she remembered.

“After they drop their payloads, they come here for cleaning. Water with a surfactant, neutralizations for anything the chemical nose IDs, another rinse, then they’re air-dried. The water all gets filtered and repurified between uses. Yeah?”

“Pretty much. There are manual decon stations too. Sooner or later you’ll have to go scrape something off one of your bots. And their charging bays are down below—we should go see your team’s section, show you what I mean about personality.”

Graeme paused, glanced down at Benny’s leg. “If that’s rubbing, my uncle makes really good ointment. Spruce and stuff. I can bring you some.”

“I don’t want to be a bother.”

“No bother. It helped a lot with this old thing, especially when I first got it.” Graeme waved her polychrome hand. “I thought the VA had real state-of-the-art stuff now. Synth-skin, motor-assist, neural hookup.”

Benny shrugged.

“I didn’t want any of that. My mech went down in a cyberattack.”

Said like that, it sounded clean. Like the training exercises, or the bots shining from decontamination. Not like the smell of her own sweat and blood cooking in the sun while her leg burned and Jacko screamed in her ear.

Graeme winced.

“Sorry to hear that. Eastern front?”

“Southern.”

Graeme winced harder.

“My nephew was on the southern.”

Benny nodded.

“Yeah. So . . . I requested an analog leg.”

“Makes sense.”

Benny shrugged.

Graeme turned her head sharply, looking at an alert on her HUD.

“Shit, I gotta go handle this . . . can you find your way back to the showers okay?”

She waited just long enough for Benny’s nod.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

Back at her apartment, a package waited in her delivery locker. The return address was in Salmon, Idaho. She’d only ever known one person from Salmon, Idaho. In the elevator, she looked at the ceiling to keep the tears in.

She left the package on the table and sank onto the couch. On her home network, her HUD bristled with notifications.

“Update reentry journal now. You can do it! To access writing coach—”

“Seven missed calls from—Mom! Message from—”

“Reminder—art therapy in—one!—hour and—forty-five!—minutes.”

“Continue your—five!—day physiotherapy streak! Always Getting Stronger! Always Getting Stronger trademark of—”

She dismissed them all, unstrapped her leg, and played the block game until the login for art therapy appeared on her HUD. She tapped it and her efficiency apartment disappeared into the VR.

“Start New Project,” read one pane. “Load asset packs.” “Saved asset packs.”

She didn’t mind art therapy. She’d picked it off a list of options. It reminded her of drawing with Jacko, but in a good way, not too much. The part where they talked about the art sucked, but most of it was just putting together stuff from the asset packs. Some people in the group made fucked up shit, with distorted bodies and darkness and holes oozing blood. Benny just made landscapes. The biggest asset packs, the photorealistic ones, had scans of all kinds of trees and flowers and rocks. She even recognized one of the mountains from a basic training VR sim; it was the same one Jacko had said looked like a pile of turds. Benny had missed half the targets from giggling.

Benny never used that asset pack.

But mostly, landscapes were okay. She made up stupid little games like “an accurate southeastern landscape” or “an extinct landscape” or “a landscape where everything’s blue,” with fescue and forget-me-nots and spruce. Except then she had to make up some bullshit about “the bluebird represents healing” and Amy, the facilitator, would nod her avatar head sympathetically, and that asshole Perry’s avatar would smirk.

Benny’s avatar still had both legs.

Today everything in the landscape was broken. A tree half-killed by lightning, with black bark and green needles around bleach-white wood. A split rock. This weird smeared-sideways flower from one of the asset packs, probably some kind of glitch in the scan, because nothing that freaky could be real. She hesitated over some bugs that reminded her of the bots at work: a shiny round blue-green beetle, a slatey pillbug. Perhaps next week she’d make a round stuff landscape.

She could draw the bots, of course, rather than just relying on what had been scanned into the asset packs.

But there was a lot in the asset packs.

And she hadn’t picked up her pencils since she got back.

At the end of class, she didn’t have to talk because Brett started crying about his dad’s old Mustang—a car, not a horse. That was fine with Benny. She had nothing to say.

It was too late to make dinner, so she ate some seaweed chips and jerky and a granola bar. She didn’t even need to shower, she figured. She showered twice a day at work.

She played the block game for a while and went to bed.

She could open that package tomorrow.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

The next morning she overslept and nearly missed the shuttle. At work, there was a jar in her internal mailbox labeled “Uncle Bernie’s Special Salve,” which made her smile.

The rest of the week disappeared into training modules and shadowing other bot handlers. She watched through her HUD while Tark told his gray silicate bot to run a radioactivity scan on some beads, and while Braith guided one of her black survey bots out of a partly collapsed bed frame. Benny passed quizzes and made stilted conversation with her coworkers. Uncle Bernie’s salve seemed to help.

The package sat on the counter. It was a busy week.

The next week, she started running her team for a couple of hours at a time, first with Graeme looking over her shoulder, then with her on call. Each bot had its own panel on her HUD, plus the ones for the other bots in the area and overall status alerts—thunderstorms, gas alerts, wildlife sightings, seemed like there was always something going on. It was almost like piloting the mech, except with nothing locked around her body. Just information flowing through and occasional chatter on her headset. Almost like old times.

She made the “round things” landscape in art therapy, with pillbugs and ladybugs and cacti and beach pebbles and fat winter birds. Snarky Perry said it made no biological sense. Brett thought it was cute, and wondered if roundness represented integrity and wholeness.

“Sure,” Benny told him. Why not?

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

The following week, all her training modules were done. It was just her and the bots. She had to ping Graeme with a question almost immediately—was this butterfly in a glass dome the kind of thing she should have a bot dig out for the museum?—but Graeme didn’t seem to mind. The salve really did help.

On Tuesday, she opened the package. There was a note, scribbled on a sheet of AlgaWeave:

 

Dear Benny,

Jacko would have wanted you to have this.

Hoping it brings back good memories.

You’re always welcome here in Salmon.

Don’t be a stranger.

Love,

Margaret

 

Benny crumpled the note, then immediately tried to smooth it back out again. Jacko had talked about her mom all the time: the quilts, the spoon collection, the unexpected dirty jokes. A couple times, she’d gotten care packages of molasses spice cookies to share with the squad.

This care package was a sketchbook.

It was like something from the wrong asset pack dropped into her apartment. The black fiberpack cover, ring binding, and FurySaurus sticker were all horribly familiar.

Benny’s sketchbook had been decent, with long-fiber creamy AlgaWeave, but Jacko’s was the real deal: thick cotton paper. She had thought Jacko was bullshitting the first time she told her to go ahead and draw something on one of those precious pages, but no, that was just Jacko. If Benny flipped through it, about a quarter of the drawings would be her own.

She didn’t flip through it.

She put it carefully in a drawer, with Margaret’s smoothed note on top.

Then she dismissed all her notifications and played the stupid block game until she was tired enough to sleep.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

Her fifth week on the job, Graeme told Benny that her squad had a below-average adverse incident rate. Benny choked up a little. It was nice, maybe, to know she was keeping them safe.

On an uneventful Tuesday, something tripped an alarm. The notification took over her entire HUD, red and flashing, with an urgent beep.

“ENEMY SIGHTED! ENGAGE Y/N?”

She froze, ready to—no, that wasn’t right. She blinked, hard.

It actually said, “WARNING: MET-A28 PAYLOAD ERROR.”

Payload error? Okay. Payload error. That had been in one of the training modules. Sometimes the reclaimed materials they were dumping got stuck.

She minimized the notification, pulled up the metal bot’s interface panel and tapped “Payload purge cycle.” Through the front-facing camera, she watched it bank off the track and dock with the hopper. “Purge cycle complete! Continue to decon?”

“Continue,” she signaled, watching the minimized error.

It didn’t go away.

Instead, the screen turned redder: “REPEAT WARNING: MET-A28 PAYLOAD ERROR.”

Something was really stuck in there. That was okay. Manual decon. She’d passed that quiz.

Eventually.

She directed the bot to a manual decontamination bay and set off.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

MET-A28 met her in bay C-34, a narrow space with a counter on one side stocked with gloves, wipes, containers, and a lot of nozzles. The blue bot was still, but the lights in its sensors were flickering. When she approached, it beeped sullenly.

Benny hadn’t actually seen them in person, she realized. Not up close.

Up close, the bots were big. Waist high at least, and Benny wasn’t short. The problem was obvious: one of its grabbing arms was still extended, locked around something shiny. Carefully, Benny moved closer. It was a flat piece of metal, plain silver, barely thicker than her retro ID badge. Narrow, and wider at both ends. A wrench. A very simple one, not adjustable, just a bracket on one side and a loop at the other. More like a wrench icon than an actual tool.

Benny pulled the bot’s menu back up, watching in case it moved.

“Cycle arms,” she tapped, then jumped as one of the grabbers extended next to her prosthetic. She pressed back against the counter. She could get up onto it if she needed a more defensible position—which was ridiculous. This was a civilian bot. She was a civilian person. Everything was fine.

The arms cycled, grabbing and pinching and scooping, then retracted. All except one. Was the thing stuck in there? Without taking her eyes off the bot, Benny groped around on the countertop for PPE.

“Come on, drop it,” she said, locking her gloved fingers around the wrench. It was really jammed in there. She wriggled it, careful not to misalign the arm.

MET-A28 beeped, then beeped again, sounding almost plaintive. Which was silly. It was a bot.

“Give it!” she said, tugging. The bot beeped once more as the wrench finally came loose. It was light as well as thin. Aluminum, maybe, or an alloy. “Okay.” She pulled up the menu again and cycled the arms. This time, it retracted properly.

Right. Fine. Weird, but fine.

She set the wrench in a containment tub on the counter and turned around to take off her sweaty gloves. She should file the incident report while she had the object’s measurements handy.

In her peripheral vision, something moved. Benny spun to face the enemy. Except the stupid prosthetic didn’t pivot properly and her balance deserted her. She went down with a yelp, clipping her hip and shoulder against the counter and hitting the ground hard.

MET-A28 was holding the wrench again.

And the decon bay was too small. She was trapped between the bot and the wall. Her leg didn’t work. Benny could feel her pulse speeding up. She tasted blood.

With an effort, she smacked the “Call supervisor” button on her HUD.

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

She was almost okay when Graeme arrived. She’d made it to the bench across the hall from the manual decon bay, and maybe didn’t look too much like she was about to puke.

Graeme sat down next to her and looked straight ahead.

“What happened?”

“It wouldn’t let go of that wrench. And then when I finally got it to, it picked it up again.” Benny looked at the floor. The scrub bootie stretched weirdly around her plastic foot. She’d probably get fired now.

“Ah. Hang on.”

Graeme stood up, walked over to the decontamination bay, and pulled a chemical nose out of one of the drawers. She swabbed the wrench, looked at the readouts, and then sprayed some foam onto it. She was talking to the bot, too quietly for Benny to hear.

“Let’s give that a second to work. And then, I think it’s time we paid a visit to the charging bays.”

Benny frowned.

“Why? What’s it doing?”

“It’s easier to show you than explain. Let’s get this puppy cleaned up first.”

Together, they rinsed off the foam and sprayed down the rest of the unit, then checked fresh chemical sniffer results. Through it all, MET-A28 clung to its shiny wrench.

“Okay, tell it to go recharge.”

Benny tapped the icons on the HUD menu, and the bot started to move. Benny turned to follow it.

“No, we’ll take the elevator. This way. You feeling better now?”

“Yeah. Sorry.”

“Nothing to be sorry about. Should’ve done this week one.”

The elevator started descending with a jerk. For a moment, it seemed very small. Benny concentrated on Graeme’s prosthetic hand, tapping on the rail. Graeme didn’t look worried.

The elevator dinged again. The doors opened.

“After you,” said Graeme.

According to the HUD, the bay they were looking for was to the right. The hallway was dark, with pale concrete floors and blue metal gateways punctuating its length. Sensor lights flickered on as they walked, but the bays remained dark. Benny could make out faint red and yellow charging lights in some of them.

They turned a corner, then hit the right number.

Graeme leaned past Benny and poked a panel on the wall. The charging bay lit up.

Benny didn’t say anything.

It was going take her a while to figure out what to say.

There were ten alcoves around the room, sized for the different bots. They slept—charged, they weren’t alive—nose-in, with their pointed ends tapped into the power supply and their round backs facing the room.

No two alcoves were the same.

One had a curling design of green and blue glass stuck to the wall above it. One had a canopy of wood fragments woven through with long-dead flowers. A small one, with a sensor bot tucked into it, bore lines etched into the wall, arranged into designs that looked almost like pictures.

And one alcove had a sunburst of flat, shiny metal.

“What is it?”

“We’re not really sure. Almost all of them do it from pretty early in the real-world portion of their training. We tried taking it away, but performance craters. If we reprogram them not to do it, they can’t sort the materials right. We even had a couple of digital ethologists from the university come study them.”

“And?”

“Their final report was all about bowerbirds collecting blue objects and bees following ultraviolet markings on petals. Best I could tell, it boiled down to ‘the bots think it’s pretty, and maybe that helps them understand their jobs.’” Graeme shook her head. “I’m sorry. I should’ve told you, it just slipped my mind. When a bots finds a decoration for its nest, we just let it do its thing.”

There was a beep from the hall. Benny was probably imagining things, but it sounded timid. The big blue metal reclamation bot was still holding the silver wrench in its extended arm.

Graeme pulled Benny aside. They stood in front of the charging bay with the glass curlicues while MET-A28 rolled in, rotated, and extended a small nozzle. One of its solvent jets, Benny realized. It pivoted from side to side, probing the air, then poked the nozzle into the gap between a fish knife and a flattened beer can. It sprayed the wall, retracted the nozzle, and pressed the wrench into the sticky patch. Then, it retracted its arm, rolled backwards, beeped once, and rolled forward onto its charging brackets. An orange indicator light lit up on its rear.

“Told ya,” Graeme said, “personality.”

She shrugged.

Benny shook her head.

“That’s so weird.”

Graeme shrugged again.

“Like I said, it’s just how they make sense of it all.”

scene break character by Mónica Robles Corzo featuring 3 purple curlicues meant to represent speech

On the way home, Benny watched the scrubby regenerated forest around the landfill give way to orchards and solar arrays, and then housing developments with orderly palms and oleanders around their gates. She got off at the Caladan Avenue station, where unruly nasturtiums overflowed out of chipped concrete urns, and went back to her apartment.

Her pencil case was where she’d left it when she unpacked.

She went back into the other room and pulled Jacko’s sketchbook out of the drawer.

When Mom had helped her set this place up, she’d put a comfy chair in front of the window. Benny shoved laundry off it, sat down, and opened the sketchbook.

There was the dorm at Benicia. On the next page, a seagull with a crab in its beak. A water bottle, casting a long shadow in the afternoon sun. The extended gun-arm of a mech. She flipped through page after page of drawings, some swift, bare lines, some slow and carefully colored in. She found the first of her own drawings, a sailboat in the bay. Jacko had added a mermaid swimming in its wake.

The drawings ended three quarters of the way through the book.

Jacko would never fill those pages.

But new images had started crowding the blank pages of Benny’s life. She knew how she’d sketch them. The bots. Graeme’s plastic hand. The curvilinear forms of nasturtiums. Mom positioning furniture. The memory of Jacko’s face. Benny could see them, rayed out like the bots’ mosaics.

Benny bit her lip, pulled a pencil out of the case, and began to draw.

Sowing Kottravai

We gathered Her pieces from across the land.

She left them under a palmyra tree where She huddled overnight. I would say ‘slept,’ but I think no one there truly slept, unless, perhaps, the infants. I imagine they dreamt of the earth cracking around them.

Others were deep in drifts of white beach sand, itself made up of fragmented bodies of long-dead sea life.

One . . .

We gathered Her pieces from across the land.

She left them under a palmyra tree where She huddled overnight. I would say ‘slept,’ but I think no one there truly slept, unless, perhaps, the infants. I imagine they dreamt of the earth cracking around them.

Others were deep in drifts of white beach sand, itself made up of fragmented bodies of long-dead sea life.

One was flung on the red cement porch of a childhood home.

We did not know where any of Her was, so our gathering was slow as we retraced Her footsteps. First, of course, we had to find Her feet. They were the last pieces of Her to go, but our task was challenging because they were lost amongst many pieces of many people, desperate to find their own remainders, loved ones, and homes. Saththiya recognised Her stubby left big toenail amongst all the others and pulled out the entire foot.

Do you know that card game, ‘Memory’, where you have to remember the positions of face-down cards while you search for the other in the matching pair? Once we had Her left foot, we thought back through all we had seen in the walk through that body-yard. I won’t call it a graveyard, because that implies proper burials. Anyway, our tradition is to cremate, not bury.

The right foot was blacker and more swollen than the left, but Parvathi, holding the found foot by the heel, picked through the crawling flesh to the ditch where we had seen it.

Sitting in the middle of that place, amidst our neighbours and countryfolk, we put Her feet side-by-side. We let the maggots stay, because they had found a home and it was not for us to displace them.

Saththiya rummaged in the sack she had toted over her shoulder all this way. With clunks and rattles she pulled out a small jar of nail polish that looked just like what we’d used in childhood, miraculously still liquid.

We didn’t try to trim Her fractured toenails, but we painted them parrot-beak red and said a prayer to Amman. We made up the words, because none of us had been to a temple for years, nor recalled the language of prayers.

Saththiya and I painted our own toenails and each other’s fingernails for dance performances. Her amma plucked maruthonri leaves and crushed them to decorate our hands with dark green paste, and we sat together on her porch each watching that the other didn’t smudge, and a koel somewhere said kuooou, kuooou, and peace was guaranteed for those minutes because we couldn’t move until everything was dry orange and red.

I don’t know how many times this really happened. It has collapsed into one memory. All the hot mornings, all the cuckoos.

“The birds have begun returning,” Saththiya said, but I hadn’t heard a single kuooou since I exited the bus.

The two single feet could only shuffle, which meant walking took longer. We’d barely made it across the next field before the sky oranged. We couldn’t seek a guesthouse. Who would want rotting feet inside their home? And we couldn’t leave Her in a yard alone when She had already spent years lost.

Parvathi thought footwear might solve the problem of speed, as well as prevent Her feet falling apart. They couldn’t quite accommodate the swelling, but we hooked my sandals on anyway. Her feet didn’t move at all.

“They would not have been bearing much weight at the end,” sighed Saththiya. “They could barely shift themselves before the sandals. Should we carry them instead?”

“You bear them on your head if you like,” said Parvathi, as I reclaimed my mud- and maggot-stained sandals, “but they’ll need to get used to carrying weight again before long, and coddling won’t help.”

From that place we had just left came scritching and slurping noises you’d never hear from an intact human body. Saththiya, keeping watch for snakes, used up the torch batteries lighting the grasses whenever a rustle came too close. We slept little, and all there was to eat when the sun rose was the kūdduchchātham we’d lacked the appetite for last night, gone sour in a dappa knocking around in Saththiya’s sack. We tossed it out to feed whatever birds and memories of life remained.

I missed home. Homes: the one I could never return to and the one I must return to when my visa expired. But my homesickness wasn’t the issue. Even when we were girls, merely ducking under the fences or down the lane to playmates’ houses for a game of hide and seek or carom, none of us willingly returned home without finishing what we’d started. The problem was that I had only a month-long visa, and we needed Kottravai.

Her feet led us to the outskirts of a village where She’d last truly slept, under a woven palmyra-leaf shelter. Her ankles were torn as if an animal had been chewing on them. Everyone had gone hungry, towards the end.

We guessed which side was which, and I sewed them to Her feet. Saththiya brought out silver anklets from her sack. They couldn’t reach all the way around the swelling, so we tied them on with a piece of cotton thread. The bells rang alongside us as we walked.

Parvathi and I lived on the same road. She came to my house before school every day, and we walked to the bus stop together. I don’t remember it being so hot then, but maybe that’s because I have acclimatised to a colder latitude now. Maybe it’s just another misremembering. We shared our lunches under the sprawling fig tree and studied together.

Every thai pongal, the first visit would be between our houses, one of us bringing the other the pongal we’d just made. We might have returned home from university and continued that way, if it hadn’t been for the war.

“We should be grown women together. Instead, I am a blood-drinking pisasu,” she says. “What an injustice.”

I agree that this is a terrible injustice. I continue not to ask how she died. There’s no good answer, and she’d tell me if she wanted.

She doesn’t drink any blood that I can see.

The only strangers here are those in military or police uniforms and pale-skinned tourists. In our childhoods, they were rare.

Despite all the other changes, thanks to our language and dress and the way we move, we still don’t need to be recognised through a village or a relative’s name to be welcomed. As we continued into the hamlet, a woman washing clothes beside a well said, “You must be here for those legs.”

That got us all the way up to Her knees, leaning against a garden fence. The woman had discovered the legs beneath a palmyra and constructed a small lean-to outside her garden to shelter them instead. The lower part of Her sari was still wrapped around them—brown stains, red hibiscus print, greying cream background—so we only had to brush off the dust. The householder gave us buttermilk and sat quietly with us to watch me stitch.

She was satisfied, when we took her guests on our departure, and didn’t ask who they were. “One must be blessed to have such sisters,” was her farewell to us.

I had watched the war in ink-on-newsprint and pixels on a cathode ray tube screen, felt only in delayed chest squeezes and stomach churns and sleepless nights what others lived through, or didn’t. When Saththiya and Parvathi met me at the bus station, they’d appeared thin and old. They told me I’d lost weight.

I had left home before I developed the skill of commenting on other people’s weight. “You look just like your amma,” I told Saththiya instead.

“She asked after you.” Her voice had changed, or was it that for over a decade I’d only heard it down a calling-card-crackled phone line?

“And Parvathi. I hadn’t believed we would see you again.” I didn’t know what to say to her. It’s a blessing to be with her again, after we didn’t have a chance for a final farewell. I don’t understand how any of this works. What determines who returns from the dead?

“Who else could make sure you do this properly?”

I wasn’t sure what she meant, and I was distracted trying to fill in both their histories from small gleanings. The village they’d been in during that displacement, that evacuation. The fates of relatives, neighbours, familiar faces. They asked about my life, while I tried to reconcile the rubble with my childhood memories, avoiding questions that might pain them.

Then Saththiya said, “There’s one way we three can help.”

Others were putting overseas money into rebuilding temples and funding prayers as well as orphanages and hospitals, but my friends had a different idea.

We found Her fingers next. They were curved around a burnt kudam in the fractured hall of a school where many had hidden. No one else had left their fingers behind, though. I imagined She might have been fetching water or cooking for the others. We tried to pry one set of fingers from the neck of the kudam, but they squished under our hands, and the greenish stuff that leaked out looked and smelt like the scum in a sewage canal. The only option was to bring the kudam, and to carry the fingers that had oozed off, because Her legs, although they strode alongside us now, could not. I wrapped them in a scrap of fabric from Her torn sari and took them in my hands. When that bundle soaked through, Saththiya tore the mothalaippu off her own sari, and we bandaged them back onto the kudam. Parvathi carried it against her hip, wrinkling her nose, one of the only things she could carry for us.

I remembered how these fingers had worked the gardens with us. I breathed deeply, trying to take in what was left of Her, even if it was corrupted by decay.

Leaving the wrecked mandapam, we passed another group of searchers. I recognised the way their gazes scanned the shell-shattered landscape, the burnt tops of palmyra trunks, the distant horizon.

Everyone wanted to put their loved ones back together, but only some, like Kottravai, could ever be recovered. This cluster of workshoppers carried a head with a small strand of jasmine wrapped around a flimsy topknot. They were singing to their god to come to them, to bring peace, to cool their eyes.

When I looked again, I saw that the head was a coconut.

“That’s a possibility,” said Parvathi, following my gaze. But I wanted as much of Her as we could salvage, not some imagined re-creation.

When Kottravai lived alongside us, we thought nothing of it. To plant, water, and harvest was daily life, not worship. We had all felt Her absence for the first time after we left—or were displaced—and daily life no longer existed.

I’d thought I might find Her again when I placed a spider plant on the mantlepiece above the fireplace or when I soaked an avocado seed until it sprouted—but there was only one Kottravai for us, and She stayed at home and broke, until there was not enough of our home left to hold all of Her.

Her hands were at Saththiya’s house. Saththiya’s family had locked the doors and left when the bombs started landing too close, and they hadn’t been back. If it weren’t for Her feet leading the way, we’d never have learned She had stopped there.

Saththiya wept when we arrived, a moan creeping up her throat upon seeing the weed-smothered garden and the unswept path, the roof tiles in shards. I took the sack from her so she could cover her face with her hands, and we retreated out of sight of the gate until she felt ready to speak. At least her home was largely intact, but it was cruel to say that. For all I knew, she was crying with relief. There was a new distance between us, as wide as the oceans I’d flown over.

Someone rose from a cane chair on the ruined portico to greet us, offering seats before she knew who we were. She didn’t apologise when Saththiya said this was her home. They only used two rooms, she said, and kept those tidy. We didn’t ask for her story, but we heard it anyway.

In the bedroom, Her hands rested on the almirah. What must She have thought when She returned to find the house closed and empty?

Saththiya’s old comb was half-embedded in a palm, encrusted fluid sealing them together. “Do you remember She used to oil our hair and search for lice?” Saththiya said. “Maybe She came here expecting us.”

“The neighbours would have told Her you left,” I protested. “You can’t blame yourself.”

While Saththiya walked around her old home with its new residents, getting to know them, I sewed the separated fingers onto Her hand with the comb, curling them around it, and sewed the fingers attached to the kudam onto the empty hand. Her feet and legs leaned against the edge of the bed.

Parvathi waited until I finished sewing to say, “They’re the wrong way around.”

I hadn’t noticed. When they’re detached and still, fingers don’t have obvious left-right orientations. “Well, She couldn’t have held a kudam and a comb with the same hand.”

We studied my handiwork. ‘Hold’ was generous. I’d made good use of the strips of nylex sari to keep Her digits and palms together. I tidied my sewing things into my handbag and Parvathi rummaged around the drawers. “What nice clothes Saththiya had! All these silks. Oh, and look at the embroidery on this! We should take it with us, it hasn’t been eaten one bit.”

“It’s the mothballs.” They nauseated me, on top of the odour of rot. Parvathi grabbed a few of the small white pellets and bent over Her feet. I stopped her before she could drop mothballs in the holes. “The maggots are there already. We could try to keep them away if they weren’t, but it wouldn’t be right to—”

“Seri, seri, I know.” She looked up from the pile of clothes she was making as the door opened. “Can you keep these things?”

Saththiya picked up the kudam and hands and sat heavily on the bed with them on her lap. “She visited, when we first moved here. She helped dig the garden.”

“At least She got to see it again. Maybe She stayed awhile,” I suggested. “You could have sheltered Her without knowing. She might have used your things, otherwise why would She have picked up the comb?”

“If She’d had any hair left to comb, wouldn’t we have found it here?” Parvathi always had a snarky comment. “But we can take some of these things for Her. One of your saris, and look at these glass bangles!” The valuables had been taken by Saththiya’s family when they left. Or perhaps they’d been sold by the new occupants who, after all, had arrived with nothing. Only the bedroom seemed untouched.

Saththiya shrugged. “It’s not as if we’ll come back.”

The legs had taken a few steps forward and waited beside the doorway. “I guess it’s time to go.” She rose to open the door, and Parvathi shoved the bundle she’d pulled from the almirah into the sack.

A teenage boy brought us tumblers of tea before we left, and then it was a long walk through country lanes and towns until we found the rest of Her legs leaning against a palmyra. We recognised them from the hibiscus sari fabric. Saththiya hummed a song while I sewed. Her thighs were shrunken—everyone had lost weight in those last days—so it was complex work. I doubled back over my stitches to be sure they would hold.

She left Her hips and stomach on the beach to be lost under the shifting sand. We found them because Her fingers began drumming on the kudam as we approached. It took three of us digging—we did not expect Her fragile, fading fingers to help—to uncover it. Her legs waded into the shallows, between rags tangled in the rocks and dull-coloured plastic scraps, and Parvathi had to pull them back to shore, pleading with them to be careful at least until She was back together.

“They can’t hear you,” Saththiya said. “Just prop them in the sand.”

Parvathi dug another shallow hole where she placed Her legs side-by-side, kneeling with Her thighs against her shoulders, and scooped the sand we had excavated onto Her feet, until they couldn’t pull free. I stood bent over to sew them to Her hips.

Her stomach was empty, and Saththiya wanted to fill it before we sought Her ribs. With Pongal, she said, and I asked where we would find rice and milk on a coast that would only be known now for death.

With fish, suggested Parvathi, but she didn’t know how to catch them. She was the only one who could row a boat, and she could only move small objects, like mothballs and remains. She didn’t dare touch a living animal.

So we scraped the dust of our travel from our bodies, windblown beach sand pale with bleached coral fragments and funeral fire ash and the yellow soil and orange-brown soil and red-red soil from across our land, and they dropped in clumps from our hands into Her stomach cavity where the organs had rotted in the heat into a kind of mush.

Rebuilding should be beautiful, but it was only horrific.

Parvathi wanted us to start again and weave a new stomach of palm leaves. Saththiya insisted we would not remake any part of Her that we already had, however degraded. So much had been taken already that could never be replaced.

Palmyra trees are the life of this land: among other things, they provide fruit with the cool nungu inside; sweet karupaddi from its sap that ferments to kallu; bitter odiyal from the panangkilangu—the sprout; the leaves that can be woven for shelter or etched into olai chuvadi that may last hundreds of years; and timber. I see the fan palms standing charred and headless all across the landscape. If a god had a heart, I think this might break it.

We rarely talked of what might come next, or what we hoped for once we put Her pieces back together. Occasionally someone would say, “I wonder if it will rain?” or “Will the palms grow back?” and the others would respond with, “Maybe.” I suppose we had learned in wartime not to contemplate a future beyond survival.

We left the seashore and wandered a few miles inland to the next village, arguing. Should we start building up Her arms? No, it was hard enough carrying the kudam with Her hands. We’d look for Her upper body and build out from there.

As the walk continued, the days passed, and Saththiya and I grew hungrier and thirstier, we started wondering if we would find all of Her. We passed others accompanied by part-bodies, exchanging nods. We didn’t ask who their gods were.

We went to Parvathi’s old home next and found Her left forearm. It lay at the intersection of two old watering channels, or so Parvathi said. I remembered the garden that used to be here. Like Saththiya’s, it was overgrown. The forearm was a muddy, yellowing bone poking out of the dirt. We bound it around with banana leaves stripped from a nearby sapling, and I carried it.

We must have gardened with our families, not together, but nevertheless I have false memories of the four of us carrying a manveddi, guided by Kottravai, shifting the soil in these irrigation channels to determine where the well-water would flow. Of pulling weeds together, bare-handed. Of hacking down a huge clump of bananas. Of cutting leaves to feed the cows.

Parvathi smelt Her liver. It smelt like blood, she said, instead of decay. It was grey and faded and tucked into the corner between the half-wall and the house wall of the red cement portico.

My house, a few hundred metres further along the road, was completely gone—bulldozed or bombed, we didn’t know.

The neighbours had returned and rebuilt their home. They stopped us in the lane to warn that no one had checked my family’s land for unexploded mines.

“I can smell Her in there,” said Parvathi. “I’ll search. I can’t die twice.”

One day someone would discover what was buried in that soil. If we could unearth a lost Kottravai from all across the land, what might grow, or be built, out of the war debris concentrated here? I steered my mind away from that question. When Kottravai was here, She could help us face those terrors too. Maybe.

Though we’d mourned her once already, this Parvathi, this pisasu who might only be an echo or another fused memory like the cuckoos, felt like the real Parvathi.

Wanting to delay losing Parvathi for as long as possible, we finally change our approach.

We bundle together fistfuls of too-dry murungaikkai from a neighbour’s tree, forming the upper part of Her left arm and a full right arm. I sit on the ground and sew.

The neighbours still use their well, so Saththiya and Parvathi lower their sun-faded blue plastic bucket into the inch of water at the bottom and find an eye floating inside. Saththiya knots it into the mothalaippu of her sari.

There are no trees left in our garden—not the mangoes, the jackfruit, the papaya, not even a single banana tree from the plantation we’d grown. But as we turn back inland, carrying Her completed arms, we find Her head—Her real head—hanging empty-socketed from a coconut palm among the ordinary coconuts. Saththiya twists the eyeball into it like a lightbulb.

And that’s how it continues, alternating between the real and unreal.

Panai maddai, the lacey interwoven fibres surrounding the palmyra trunks, that we gather into matted hair.

Another eye in a temple pond, between flowering yellow water-lilies.

We cut long grass for the rest of Her torso, hoping the air inside it will be Her lungs. We slap handfuls of moist red soil around it, shaping a neck for Her head to rest on. With that done, we don’t need to carry any of Her.

We give Her our own blood—mine and Saththiya’s. Parvathi says, “So there is some use in becoming a blood-drinking pisasu after all,” even though she doesn’t drink any, only spits it back out to fill Kottravai. I’m just grateful to feel her touch again, however cold and clammy.

Before the war, the fruit bats used to swarm every night, over the temple and into the trees. Most of those trees are gone now, too. They can’t stand artillery fire any more than cement walls or stone pillars, and the flying foxes have nowhere to roost. We find a lone bat with one wing, and when it flutters, Parvathi says, “It’s Her heart.”

It wouldn’t survive alone, she argues. Why should we deprive it of this chance?

I refuse to sew—why should a bat recognise a human deity?—but it latches onto the ribs we shaped of blade-sharp palmyra stems and pulses there.

We dress Her in Saththiya’s sari. She still doesn’t talk. I think either Her hands or the glass bangles will break if I try to force them on. I have just five days left on my visa and need two of those for travel.

Saththiya takes my needle and thread and begins making a string of jasmine for Her hair instead.

“Do you think the bats are putting back together their bat-gods?” I ask.

We stay at a guesthouse that night. We can do this because not only is She shaped like a complete human, thanks to Her head, but the flowers almost mask Her smell now. That’s also how we know something divine is happening.

We make up another prayer before going to sleep. Saththiya and Kottravai share one bed, and me and Parvathi the other, careful not to touch. Drinking my blood once was scary enough, she says.

In the morning, as I’m stirring, Kottravai says in Her monsoon-rain voice, “I don’t know whether bats have gods,” and then, “We’d better get to work.”

“I’m dead,” Parvathi answers, holding the electric kettle. “I’ve done all the work I can.”

We say goodbye to Parvathi, again, sitting together with cups of tea that she could brew but not drink.

Kottravai gives her a last long hug, and she disappears while walking down the hall, just like a regular pisasu, between eyeblinks.

“We have much to do,” says Kottravai, sounding fresher and brighter with each word.

I want time to think about Parvathi. I wish I’d asked if she really slept when she lay next to us at night, and if she dreamed. I wish I’d spoken to her alone, sometime in the past few weeks, and not had only this shared farewell. But Kottravai’s appearance alarms me in a way that unearthing the parts of her body had not. Her oozing hand rests on her hip. The comb, separated from her fingers, lies wetly on the bedside table. I’m afraid she will try to tidy her uncombable panai maddai hair and pull it free.

Have we distorted her appearance too much, with too many substitutions? She only has two arms, and I thought a god would have many. And hearing her ordinary voice, I am uncertain whether She was even a god before. She may have been one of our mothers or aunts or grandmothers, or all of them—a misremembering of those who taught us to care for the land. They only had two arms each.

“We were never going to get her back as she was,” Saththiya murmurs. “You saw how the land is changed. What makes up Kottravai has changed.”

I expect her to demand seeds, or a manveddi, but Kottravai leads us along the hallway, green and brown and still decaying, and out onto the sun-scorched tar road.

“I want you to dig water tanks.”

“The two of us?” asks Saththiya.

“I don’t think these fingers would stay together for long.” Kottravai inspects her hands. “Water has always been the problem here. I wasn’t surprised about the temple tank but I saw with my own eye how low the well-water is.”

Saththiya and I look at each other. I wonder if it will rain, we’d asked each other.

We reach the bus stop, and Kottravai continues. “We can’t make it rain. The whole world has changed. Even if we hadn’t been ripped apart, we might not be able to make it rain. But I can tell you how to store water when it does. I can tell you what to plant, and when, and how.”

I want to tell her it’s not knowledge that’s lacking, only the capacity to do all of this on our own, and that’s what we wanted from her. But dear Saththiya, who understands more clearly than I do, says, “I’ll be able to find workers to help,” and turns to me. “Can you help get the money? When can you come back?”

Since when have our gods ever been a shortcut?

The rattling bus arrives, and as our decomposing Kottravai climbs the steps in front of me, maggots wriggling around her ringing anklets, I see that her feet don’t match at all.

On Leafing

2020

 

It is March.

I have slept through my alarm every day this week.

Confusion until the silence of dawn reveals

that commuters are no longer driving past my windowsill

where a dahlia tuber, freshly buried in dirt, prepares for spring.

Their bodies roused my body

and so we met the day together.

No more.

2020

 

It is March.

I have slept through my alarm every day this week.

Confusion until the silence of dawn reveals

that commuters are no longer driving past my windowsill

where a dahlia tuber, freshly buried in dirt, prepares for spring.

Their bodies roused my body

and so we met the day together.

No more.

 

It is April.

Furnace on, wearing shorts in my apartment. The next day turns—

burrowed in blankets. A paper wreath “happy birthday,” hand-made crown,

delivered to the desolate planter outside my door. Celebrate on zoom.

A leaf appears in potted soil.

To welcome the dahlia, I call my grandmother.

Put it outside after the first full moon in June,

she says.

 

It is May.

Masked, I walk the dog past a battle for the soul

of a neighboring building, narrated for grandma on the phone.

Delicate floral arrangements cover one side,

the other arrayed in plastic leis, a mask made of a Walgreens bag, and a painting of shoes.

Already the city swelters, I move the dahlias outside, early.

In Maine, the snowdrops and crocuses have appeared, like jewels

to match grandma’s pearls and the nineteen

dahlias that cohabitate on her bedroom windowsill.

 

It is June.

Gunshots.

Full moon rising, marchers wear black, kettled in the streets,

heat sinking into our bones even at night, trapped concrete to concrete.

At eighty-eight, grandma works to help Somali immigrants

establish roots in Maine, her hands steady as she embeds dahlias in the soil.

My plant is joined by signs for black lives

as we sit on my window ledge, together. Ten full inches of the outdoors.

My grandmother delights over my first bloom,

as I read Jane Austen to her and wave at masked walkers.

 

It is July.

Grandma reports on her evening news

viewing, grief spoken between the flowers of our gardens.

Too hot to sleep, midnight, I walk to the lake, check

for cops, the algae bloom report, sneak onto the beach where

neighbors sit in the inky surf. Crawl into the waves. Float. We hold our

breath as headlights pass. In the day, only the ticket attendant claims

the sand. Rip tides worry grandma, so these ablutions remain secret.

Mandolin strings against my fingers, I play for her

the words of the song sticky in my throat.

She claps, and tells me it was her father’s favorite instrument.

Her dahlias have finally opened.

 

It is August.

I should be

in her garden, kitchen, surrounded by her dahlias, now

I sit with only my single plant, grandma on zoom. I walk in the cemetery,

make friends with the geese and the crows, coyotes,

squirrels, the American kestrel. My sketchbook fills with tombs.

I trace the lines of every Mary statue, angel, and Jesus of stone.

The lake is no match for the ice of the Atlantic, the numb joy of it,

but there are sharks this year—we are all in the wrong bodies of water.

Still, she tells me of music, of Poledark, the quiet press

of summer.

 

September.

My grandmother has a stroke.

I close my eyes as I pass the grave with her maiden name

carved across its front.

 

October.

She holds on.

“I’ll vote for Joe Biden and Sara Gideon if it’s the last thing I do.”

Her largest smile, crooked,

while she signs her ballot. Heat wave, I swim again, think of her

stroke so steady next to mine. Lake turns to salt water.

I write to everyone I know, and many I don’t of this

smile. Of duty and how she said “this election is unlike anything

I have lived through.” And

she lives to vote, but does not see the election.

She’d tell me to cut my dahlia and store it for the winter but instead

it fades out on my balcony, a final fall of grace.

 

It is November.

First the freeze. Breath held. Thaw.

Masked chorus of honks and cheers. In the street my

neighbor sets off fireworks in the warm sun. Another

marches accompanied only by her tambourine. With nothing

but my voice, a smile, I join. We spin like the dry oak leaves,

rattle in the wind. Never-ending summer, a turning.

Months-late while aerating lawns, or on porches in t-shirts, others

sing. Like summertime, like beaches, park cookouts, the fourth of July,

as if we were shoulder-to-shoulder, what used to count as city solitude.

Alone, I walk home along an alley and among

the dead, dry weeds between the asphalt and the cemetery fence

a dahlia still blooms.

How You Wait

The wheel of probable harm

falls forward over the inaction

of a state, over the houses

as fangs along a cancerous jaw.

 

The rate of loss is not hesitant,

finger-tapping uncertainty

finalizing the weight of itself

in a legislative session.

The wheel of probable harm

falls forward over the inaction

of a state, over the houses

as fangs along a cancerous jaw.

 

The rate of loss is not hesitant,

finger-tapping uncertainty

finalizing the weight of itself

in a legislative session.

 

The meaning of heavy metals

diffused into water affixes to

a father’s fading eye, the pull

of a tumor on the optic nerve.

 

When you are dealing with

polycyclic aromatic hydrocarbons

there is no security. There is no

contact negotiation delay of metastasis.

 

A lung is water, is the immediacy

of intake, ingest, infiltrate.

From under the cover of process

what venom stretches itself

 

through a body. What is

shouldered anonymous in the

authoritative solitude of night

but this injured vessel.

Original Mandate

Robin’s toy nestled in my hand, purring with something akin to life. The clear ball was filled with undulating blobs that changed color when they bumped into one another, merging into new forms before splitting off in a graceful mitosis. Coming together, falling apart, together and apart, over and over. Ahimsa told me it was inspired by a pre-Depletion Era artifact . . .

Robin’s toy nestled in my hand, purring with something akin to life. The clear ball was filled with undulating blobs that changed color when they bumped into one another, merging into new forms before splitting off in a graceful mitosis. Coming together, falling apart, together and apart, over and over. Ahimsa told me it was inspired by a pre-Depletion Era artifact based on Brownian motion, the random movement of particles in a fluid. She said the artifact was called a lava lamp, but it was neither lava nor lamp. As Robin reached up to grab it, the sleeves of his baby-blue tunic slid back to reveal his arms. For a moment, I was transfixed by his perfection, and then he said “Want.”

Want. Such a human word. It would kill us all in the end. The HumanX movement wanted the Original Mandate overturned, and if your motto is Save the Planet, Eliminate Humans, there’s not much incentive to spare lives. Beliefs taken to extremes always lead to genocide.

“Want what?” I asked Robin.

“Want ball!” he said with a little jump.

“You know what I’m asking.”

He let his arms swing back and forth as he considered my request. “Want ball . . . please.”

Please,” I whispered. It was the Ethics Board crisis all over again, only intensified with time. Ahimsa has always been a ladder to those in need, so she’d been elected zonal representative. Last week she was summoned to the convention to decide the fate of the Original Mandate, which, if overturned, would mark the final fate of much of life. Certainly ours. “If they hate humans so much, why don’t they just wander off to the barrens and be done with it?” she muttered as she packed.

The trouble began a few years back, when the Ethics Board recommended that Talos, our communal intelligence system, stop adjusting the human genome for survival. The Board claimed we had repaired as much as was possible on the planet, so now it was time to let nature take its course. It was absurd. Nature’s course would be brief and brutal, not just for us, but for all the species that depended on Talos. Only a few single-cell survivalists would be left to carry on.

As things were, it was still touch and go for us multicellulars. Human population was probably no more than a hundred thousand in any livable Zone, where Talos regulates oxygen and controls radiation. Worldwide we were maybe a few million. Talos kept a running count, but I hadn’t checked since the day Robin was born and Ahimsa and I joyfully watched it click up one. The number did not always go up. Sometimes it went down, and HumanX wanted to turn it back to zero. To do that, they would have to overturn the Original Mandate, which stated that Talos be globally programmed to incorporate all living things—including any extinct organisms that could be salvaged from the Depletion—back to a restored and balanced eco-system. Human beings were living things, for better or worse, so the Ethics Board was disbanded to keep us that way.

I placed the ball in Robin’s open palms. “Please, and . . . ?” I said. He scrunched his little face up in deep thought. While I waited, I noticed his color was already changing. Human skin was modified a greenish tint to protect us from emissions, but the shade lightens with age. He’s getting older. I’m getting older. What would become of us?

“Thank you!” he shouted. The words fell behind him as he shot across the room, his ball held against his body, his tunic flapping like wings. Such a miracle. In spite of the fragility of our DNA, Talos had greatly increased the chances of human reproduction in this sub-lethal environment. Ahimsa and I both had eggs, but even if they were viable, healthy sperm was a rare commodity, so Talos used genetic material from our bone marrow, spliced with a few sequences from other species. Nine months later, Ahimsa pushed Robin out into the world in this very hometree, born with much of the protection he’d need to survive.

But while Ahimsa and I were busy raising him and doing our jobs rewilding robins here at the hatchery, HumanX was working to erase his future. The disbanded Board traveled the world, courting followers with a single answer to all their problems, urging them to elect anti-Mandate reps, essentially voting against their lives. HumanX insisted there would be no bloodshed since humans would just fade away once Talos stopped engineering our genome, but they’d obviously never seen slow bleed-outs from radiation, or heard of mercy killings.

I looked out the window and up at the sky. No sign of Ahimsa. But the woods were lovely in the pink afternoon light. I could see why HumanX was confused. So many places, like this, looked as if we’d done our job restoring and rewilding, but it was just that, looks. The ecosystem was still dependent on Talos, and would be for many more generations before it could function on its own. HumanX couldn’t see the work ahead of us because they couldn’t see the work behind. They had no interest in history. All the genetic manipulation we’d gone through to survive had not made us any smarter.

So now Ahimsa was off to save our future. She’d come a long way. Once a fledgling HumanX herself, she came to understand that restoring the planet meant maintaining humans, even to the point of creating one more. Hence, Robin. “I didn’t bring him into this world only to have him watch it die,” she said as she left, yanking her snood over her smooth head. She’d been gone for seven days, sequestered and silent. So silent. My heart raced beneath my ribs.

The chicks in the hatchery wouldn’t need my attention for another hour, so I wiped the worry off my face and went to play with Robin in his room. I got on the floor and we sat before his hologramite to draw flowers with our fingers and the tips of our noses. “A daisy!” he said, and it looked just like one. “Good job,” I said, and ran my fingers through his fine black hair. Such a talented child. I was coloring in a rose when I heard a hovercraft land in the yard with a thud. Robin and I looked at one another. “Ah!” we shouted. Ahimsa. He grabbed his ball and we ran to the window and saw her unload her bag and tap the hover away. We tumbled down the ramp as she was removing her snood and we hugged. She was sweaty, filthy, and ecstatic. Ecstatic was good. Robin grabbed her leg. “We miss you!” he shouted.

“Hug sandwich!” She picked him up, and we joined together as one.

“So tell me,” I said, talking into her neck. “What happened?”

“Let’s get inside. It’s complicated. I have to eat, then I’ll tell you everything.”

Ahimsa put Robin down with a kiss on his head. She looked different. Wilder. Thinner, for sure. Her green tunic seemed too large as it slipped off a boney shoulder. Bennu, our hand-raised robin, flew over us with a sharp chirp. We liked to think it was his greeting, but for all we knew it meant scat! Not that long ago there had been only a handful of his species left, and now we raised and released hundreds a month along with dozens of other facilities in our Zone. Talos reported that some of them are now reproducing successfully on their own. We were getting there.

“Come inside.” I picked up Ahimsa’s bag. “When was the last time you ate?”

“I can’t even remember,” she said. “We ran out of almost all supplies towards the end.”

“They couldn’t bring in more?” I asked.

“They could but they didn’t. The organizers were forcing us to a decision, knowing we were afraid of calling a vote. And I think they might’ve been trying to give HumanX a taste of what it’s like to suffer from thirst and hunger.”

“Hardball,” I said.

“It was a rough week.” She took Robin’s hand and they skipped up the ramp ahead of me. I was weak with relief. Bennu dive-bombed my head again, and I looked up. Funny. There was a lot of hovercraft activity, so something big must be going on nearby. Once I was inside, I paused, then locked the door. Ahimsa was in the living room with Robin, and I got her a glass of water, then made her a pesce-protein wrap with greens. Robin and I watched her eat, so happy to have her back.

“Did we save the Mandate?” I said.

She held her hand up as she swallowed. “There were hundreds of reps from all over the Zone,” she said, wiping her mouth. “But a lot were HumanX. I hadn’t realized so many had gotten elected, even here. We signed in with our palms on a Talos membrane, and then we talked it out, HumanX and the rest of us, back and forth we went, around and around, talking in circles most of the time. It was so frustrating because most HumanX weren’t really listening, and there were times they were so emphatic I thought we’d lose some of our own. Other HumanX circled outside the building the whole time, yelling. I thought they’d set us on fire.”

“Fire?” Robin asked, and Ahimsa tightened her lips.

“Robin, why don’t you gather your new drawings for Ah?” I said. We could protect his skin from radiation, but not from human reality.

“Sorry,” she said, once he was out of the room.

“Tell me,” I said. “All of it.”

She looked over at Robin’s bedroom, waiting until the door swung closed behind him. “HumanX went first, making the case that humans were guilty of ecocide.”

I nodded and shrugged. If you followed any argument about damage to the planet, it always came back to us. But never all of us. Throughout history, most humans worked with nature, not taking more from it than could be regenerated. Then our numbers grew, along with our wants. It only took a few corporations, with the help of the law, to destroy it all.

“And therefore, humans should not be allowed to stay on, and that automatons can be left to rewild non-human life.”

“That’s nuts,” I said. “Talos manages the autos and we manage Talos.”

“There was no talking logic to them. They just kept playing on everyone’s emotions like a drum. One HumanX, whose Zone used to be a parasitical oligarchy, showed gruesome hologram images from early in the Depletion Era. They were hard. The peeling-skin deaths, the bone-draining famines, the wasting diseases that made death a friend. The animal images were excruciating. They were so innocent. Another HumanX, from an equatorial Zone, pointed out that all that suffering was caused by humans, and that given half a chance, we’d do it again. We couldn’t be trusted to remember, and we couldn’t be made to believe.”

“That’s an unknown,” I said, without much conviction. Depletion education was mandatory, and yet there were those who claimed it never happened, that our world was always like this. “And then there were those who put all the blame on Talos, and claimed it had values that didn’t align with ours.”

“That’s nuts,” I said. “Talos is just a tool. A tool for our values.”

“We spent a lot of time explaining how Talos was programmed, but HumanX didn’t care. They said the planet didn’t want us here anymore, and that was that.”

We were quiet for a while, just listening to Robin play in the next room. “We’re a rationalizing animal after all,” I said at last. “Not a rational one.”

“The recordings should all be released by now.” Ahimsa pulled down a hologramite and swiped the air with her finger. “Look, here. This was their closing argument.”

One particularly sad-looking HumanX took the floor. He was as thin as a cricket, just like Ahimsa before she embraced humans as a useful entity. Gender signifying was largely optional these days, but he wore the fitted tunic that many males preferred, and had no snood, wanting to expose the X tattoo on his bald head. Instead of hiding the tattoos, as they used to, they paraded them about now, wanting everyone to know what they thought of humanity. On one side of his head he had only half an ear, from which a deep scar ran up and over his scalp. I wondered what trauma he’d been through. Humans got roughly the same genetic modeling across the globe, but some genes needed to be activated by environmental factors, including care and love. Maybe all HumanX were raised under conditions that skewed to self-extinction. This one spoke in a raspy voice.

“The Earth has survived catastrophic events for hundreds of millions of years,” he said, “and it’s still here, and it’s going to stay here. We’re just players in a short, single cycle. We must accept that unlike the rest of the natural world, we are creatures bent on destroying our own environments. The earth must be left to heal and start again. There will be life, just not ours or most of the living beings we evolved with. To think that the future is should look like our short evolutionary past is absurd. Natural law must override human law.” There was a disheartening amount of applause from the audience as he sat down.

“At least this guy understands what will happen when we’re gone,” I said.

Ahimsa finished her water. “One of many meteorists there. They claim that Earth has started from scratch before, after the meteor extinction millions of years ago, and will do it again. If Talos shuts down, there won’t be much left but slime mold, and that’s fine with them. They hope that this time, though, the evolutionary result won’t be humans.”

We were both silent as she mopped up the crumbs on her plate with her fingers. “Strong arguments,” I said. “Although someone should tell them that Talos still needs to genetically assist slime mold.”

“Oh, we did. I talked to many of them. Even the ones with children couldn’t be persuaded. They claimed our only duty was to leave and let the planet get on with it.”

We heard Robin singing to himself. I couldn’t imagine leaving him a world that I had allowed to just end.

“The good news is,” said Ahimsa, “we did a great job when it was our turn.” She slashed at the hologram screen in front of us. “Want to hear me?”

“You got to talk!” I said.

“A lottery. I was one of the last speakers. We were all half-crazed by then. We’d barely eaten, and we were peeing in jars rather than leave the Talk. We all slept in our chairs, if we slept at all.”

When her image materialized, she looked dead on her feet, but as the light brightened, she glowed. “I want to tell you a story,” she began. “Not too long ago, I was a HumanX. I stopped eating so I would die and make the world a better place, but love for my partner, Isaura, and Isaura’s love for me, pulled me back into the living. A few years later, after agonizing deliberation and help from Talos to insure a healthy baby, we produced a child, Robin.”

There was hissing from the audience, and someone shouted “Selfish! Selfish!” But Ahimsa didn’t rise to the bait.

“Robin was not just healthy,” she said. “He was more than healthy. He was born with hair on his head, just as humans had evolved to have. His own natural hair.”

There was silence. “Yes, hair. We have improved the atmosphere to the point that Talos is letting the hair gene do what it wants, since now, with care, it won’t just fall out as it sprouts. That’s real progress. Under our direction, Talos is creating miracles like this every day. A better world. Isaura and I raise and release robins, and rewilding a species takes human imagination as well as genomics. Talos is just a tool. Let’s use it for an equitable future for all living things. Embracing a non-human-centered world does not mean we have to embrace a human-less world. We are no different from the other organisms on earth, only in the ecological functions we serve. We serve the Earth. You and I are Earth.”

“So return to it!” a heckler shouted to some mean laughter. But that was soon drowned out by applause and even some foot stomping. “Good job, Ahimsa,” I said.

“There were a few more speakers on our side, and then we finally agreed to take a vote,” she said. “First, we waited while Talos came up with some options other than a flat yes or no on the Original Mandate. It gathered every word from all the Zones on earth and fed the information into its governance program, and this morning we studied the results. To change the Original Mandate was not one of them. Without humans, Talos would shut down, and then most all living things would die, and it was our moral responsibility to keep them alive. HumanX claimed that of course Talos would say that and demanded a yes or no vote. I’m not sure we would have won that. But the program offered an accommodation, and HumanX agreed to hear it out. Talos proposed the formation of an Exit Board to be convened with representatives from both sides. This board, using Talos data, would track restoration progress along with errant human behavior. If the behavior started to threaten the restoration, Talos could be mandated to stop making genomic adjustments on humans, and then we would be left to our own devices. As long as we behave, we can exist.”

I thought about that. Could humans be counted on to not return to our old consumerist and extractive ways? I doubted some of us could be counted on for much, but if we always had the threat of sudden extinction hanging over us, we’d at least try. Constraint for the benefit of all. “Maybe,” I said.

“A majority of all global zones agreed it was a fair outcome. The vote wasn’t by a big margin, but it was enough. Robin will not be an endling.”

“As long as we don’t become the problem again. Who’s going to be on that board?”

“You, for one. I nominated you and Talos agreed.”

“Me! A brehon?” High level advisory board members were called brehons after ancient Irish poet-judges. I was neither. “I can’t do that.”

“You can, for us. You think things through. You look at all sides before making decisions. I know you.”

“I don’t like politics. You’re the one who should be a brehon. You know how the system works.”

“Politics is more than electoral, it’s the process of figuring out how to inhabit the world together. You think like that. You’ve called me a ladder for my work in the community, but you, my love, are a lamp.”

“I thought we were all Earth.”

She laughed. “I need more food,” she said, looking at her empty plate.

“You sit,” I said, just as Robin came running back in and jumped on her lap.

“Thanks, Isaura.” Ahimsa then pulled down the hologramite so Robin could show her his drawings.

I went to the kitchen, and as I picked greens from the window unit, I considered my possible role as a brehon. Our laws were constantly evolving as our circumstances changed, and they were often so fluid, they seemed more like guides on how to live rather than actual law. It was a rule by values, but it’s been a long haul. The century before, in the immediate aftermath of the Depletion, there was no law to speak of. There had been so few resources that human-human violence was intense, as was animal-human conflict. In some zones, we were all just meat. Small bands of humans kept entire zones in terror until Talos was up and running, thanks to a handful of global leaders who understood that the point of government was to care for one another and ease suffering. Talos was programmed to make sure that the limited resources were evenly shared, followed by geo-engineering that slowed the radiation deaths. Water purification saved even more lives. Talos produced food in labs and developed functional farming modules. Social harmony grew out of the common goal of keeping humans and non-humans alive. It had worked so well, no one had questioned it until recently.

I carried the plate back in to Ahimsa. “What if HumanX won’t abide by the decision? What then?”

She glanced at Robin, who was on the floor rolling his ball. “On my way home I saw demonstrations going on in the streets. Our own neighbors.”

All those hovercraft in the sky. I went to the window and sucked in my breath. A crowd was gathering below in the yard, filling up the ramp.

“Ahimsa,” I said. “Take Robin to his room.”

She stood and we both stared at the gathering crowd. As we watched, time evolved into something else altogether, something that had nothing to do with us. “I’m not going anywhere,” she said.

“Robin,” I said. “Come here.”

He must have sensed something was wrong, because he did not argue. He ran over, clutching his ball to his body, and I picked him up.

“Who are all they?” he asked, and we had no answer. There were about thirty people in the yard, more beyond. They didn’t seem to have weapons, but anything could be under their tunics. It was not out of the question that they were here to kill Ahimsa, or me, as a new brehon, or even Robin, who had so recently been held out as the future.

Someone slammed a fist against the door, and Ahimsa and I started. We had a few kitchen knives, that was all. I should have seen this coming. Someone tried the knob.

“What do we do?” I asked.

“We open the door,” she said.

“Let’s wait until they smash it open.”

“No. We have to open the door. Not them.”

“Take him.” I handed Robin to her. I felt as if I was moving through a viscous world as I went to the door. I could hear shouts outside and felt our home shudder from the weight of the crowd on the ramp. Ahimsa followed, then stood right behind me with Robin in her arms. I could feel his breath at my back. I took a breath of my own, and then I opened the door.

Nothing happened. We all just froze. The air smelled of unwashed bodies. The group of HumanX stared at me, then looked behind me at Ahimsa, who was shielding Robin with her body. Then, with a rush, they pushed themselves in, forcing us to back up. “What do you want?” I asked with a calm I did not feel.

They jostled with nervous energy like horses, and I couldn’t figure out where this was going. One of them finally spoke. “We came to see the child with the hair.”

I felt Ahimsa’s body tense. “Why?” I asked, as if it mattered. If they were here to kill him or take him away, they would have to go through me and Ahimsa first, and we would not last long.

The HumanX shuffled a bit, and then a woman from the back spoke up. “We want to see what’s worth letting humans stay on the planet. We want to see the child.”

I was confused for a moment, not understanding, but Ahimsa did. She stepped out from behind me, holding Robin aloft in front of her. “Here he is,” she said. “Look at him.”

There was a collective gasp. When they leaned in closer, Robin twisted in Ahimsa’s arms, and she balanced him on one hip. He still held onto his toy as if it, too, were a living thing that needed protection. He looked at me, his brown eyes large and unblinking. I tried to look reassuring. There was no way of knowing where this going, but we were in it now. The HumanX were almost on top of us as they stared at the fuzz on Robin’s scalp. One man reached out and gently touched the top of his head like a blessing. “Hair,” he said softly. “Real hair.”

The crowd made soft sounds of wonder, then other hands reached out to touch him. He didn’t flinch, which was more than I could say for me. Ahimsa was shaking, and we exchanged looks that had no answers. Suddenly, the first man turned to the others and asked, “Do we have a treat?” They looked at one another, then they started digging through their tunics and bags and someone came up with a honey protein ball. Robin lit right up and held out a hand. The man placed it in the middle of Robin’s palm, and his little fingers closed around it. He smiled at me, then looked up at the man and said “thank you” with great emphasis.

Ahimsa kissed him on the top of his head. Gratitude. We were so rich with gratitude.

Then Robin held out his ball to the man. “Want to see my toy?”

“I would,” said the man, and the crowd was nodding as one. “I would like to see your toy very much.” Robin put it in his hand. We could not take our eyes off of it, transfixed in wonder as the ball changed colors, forming new shapes, coming together and falling apart, over and over and over again.