Point Wolf

WOLF POINT4

The Lewis and Clark Expedition passed by here, westward bound, in May 1805. Fur trappers and traders followed them a few years later. Steamboats began making it from St. Louis up the Missouri as far as Fort Benton in the early 1860s. Wolf Point was the halfway point between Bismarck and Fort Benton. Wood choppers supplied cord wood for boats stopping . . .

Akka

Akka left for the war. She didn’t come back, not right away.

For a while, we thought that our mother might go, since she was the marine biologist, but Akka was a pilot, an astronaut in training.

The monsters had come from the sea, and we had to take the fight to the deep dark waters, so alike and yet so different from the vast quiet and emptiness of space. Deep pressure . . .

The Hot Spring Post-Pinkerton

PINKERTON HOT SPRINGS5

Even though this land was Ute territory, the upper Animas River Valley was first settled by prospectors in the spring of 1860. Charles Baker, returning from the mines north of Silverton, established “Old Animas City” and built the first bridge across the Animas River. The community lasted less than a year before it was abandoned. During . . .

PINKERTON HOT SPRINGS5

Even though this land was Ute territory, the upper Animas River Valley was first settled by prospectors in the spring of 1860. Charles Baker, returning from the mines north of Silverton, established “Old Animas City” and built the first bridge across the Animas River. The community lasted less than a year before it was abandoned. During the summer of 1875, James Harvey Pinkerton settled in the area now known as Pinkerton Hot Springs. He raised dairy cows with his wife, three sons, and four daughters. Throughout the year they produced and sold dairy products in mining camps in the San Juan Mountains. In the spring of 1876 they sold 116 pounds of butter for a dollar a pound to the miners north of Silverton.

 

THE HOT SPRING POST-PINKERTON

Even though, the community abandoned the land. Even though, the cows and prospectors produced and sold the mountains. Even though, Charles Baker lasted less than a summer in the Valley and produced no wife. Even though, the butter fattened the sons on all the miners’ daughters. Even though a dollar couldn’t settle the spring and the area known as the River of lost mining camps pounded the bridge until it broke and fell through. Even though, Pinkerton took his wife and his 116 cows to the fat river and drowned. Even though, the north blew in 1876 snowstorms and blew out 1875 hot summers. Even though, the community abandoned the land and abandoned the land and abandoned the land. Even though, this territory was first and now Ute land. Even now, this old, old land. Even now.


5. Text of a historical marker erected near Durango in La Plata County, Colorado by the Colorado Department of Transportation—San Juan Skyway

Reap the Rules
(𒀭𒉿𒉌𒄀𒅕 𒆪𒌌𒆷𒀝)

The glass in my veins

still remembers white sand.

Gold-stopped, the head of Crassus

lolls beneath the raft of the filling station,

a reliquary of fossil greed.

The glass in my veins

still remembers white sand.

Gold-stopped, the head of Crassus

lolls beneath the raft of the filling station,

a reliquary of fossil greed.

Lady whose name I cannot translate,

of heavens and chariot wheels

rolling out the signature of war,

give me enough to see this hunting’s end:

the unhorsed king, the lion at his throat.

I have drunk so long from this bowl of pomegranates,

dry and bloodied as a broken heart.

The rod flowered and its petals were flames.

Resucitar un río

No sabía que un río podía declararse clínicamente muerto. Me enteré hace poco, cuando leí que el Atoyac lo estaba y que, desde hacía 30 años, se intentaba rehabilitar. Sin éxito.

No pregunten por qué, pero imagino al río como una persona entrando en camilla a un hospital y los paramédicos gritando a los urgenciólogos: ¡Emergencia Uno! Pero lo cierto es que no es . . .

No sabía que un río podía declararse clínicamente muerto. Me enteré hace poco, cuando leí que el Atoyac lo estaba y que, desde hacía 30 años, se intentaba rehabilitar. Sin éxito.

No pregunten por qué, pero imagino al río como una persona entrando en camilla a un hospital y los paramédicos gritando a los urgenciólogos: ¡Emergencia Uno! Pero lo cierto es que no es una bella actriz de Bollywood personificando a la Ganga de los Vedas, ni tampoco un atlético hijo de Océano y Tetis. El Atoyac es un pobre diablo apestando a cagada y orines; se convulsiona y suelta espuma por la boca, maldiciendo a todos y cada uno de los bastardos que ha concebido, ladrando como un xoloitzcuintle rabioso. Y son muchos los nombres que grita en esa lengua suya, ininteligible, anterior al protototonaco-tepehua y al protoyuto-nahua.

El río calla de pronto dejando que la sala de urgencias se inunde con el pitido agudo y la línea plana del electrocardiograma, alguien grita: ¡Despejen! y pone las paletas del desfibrilador en su pecho. El cuerpo se arquea un segundo, pienso en la muerte por tétanos. Algún enfermero, sí, varón, le pone un respirador al río y presiona un par de veces la bomba de aire. ¡Despejen! Otra vez y nuevamente descarga. El ECG hace como que regresa, aunque enseguida la línea vuelve a aplanarse.

¿Será que el Atoyac está viendo pasar su vida como en una película?

Una gota de deshielo en la Sierra Nevada, un manantial en la roca, los riachuelos se convierten en afluentes y enseguida un solo cauce, rápidos, caídas de agua, la roca erosionada en gravilla, toda esa energía contenida potencial en la represa de Valsequillo.

O más bien recuerda cómo lo despojaron de cuanto tenía y lo ultrajaron, burlándose además por calentar sus pies descalzos con las aguas tibias que salían del drenaje. Tragar cuanto le pongan en la boca porque el hambre puede siempre más que la dignidad.

El doctor golpea en el pecho, el enfermero aprieta la bomba del respirador, alguien más grita alguna maldición y de la nada surge un latido frágil como la cola de los renacuajos.

No hay más signos vitales.

No hay acto-reflejo al golpear con un martillito en la rodilla ni se dilatan ante la luz las pupilas. Quizás escucha lo que dicen y tal vez esté consciente pero no puede abrir los párpados o responder a los estímulos. ¿Está en coma, catatonia o catalepsia?

Clínicamente muerto se puede malinterpretar, el agua fluye, conserva cierta flora y fauna, aunque ‘sano’ tampoco lo describe bien, basta mirar los niveles de oxígeno, el PH, las espumas y el color gris taupe, entre marrón y grisáceo . . . . 

Los médicos sacan al paciente de urgencias y lo mandan en calidad de desconocido a la Unidad de Cuidados Intensivos. No hay familiar que vele por él. ¿A quién iba a interesarle un viejo inútil? Ciertamente no al gobernador ni al rey de la mezclilla, esos malnacidos que por años violaron a sus hijas, marcando con tinturas y ácidos a sus afluentes más pequeñas. Tampoco a los nietos que hacen negocio trayendo pipas de muy lejos, desecando las lagunas de Totolcingo, El Salado y Alchichica.

Afuera del hospital de especialidades San José llueve, quizás es temporada de huracanes en el Atlántico o haya norte en Veracruz, pero lo cierto es que la tempestad aquí en el valle Puebla-Tlaxcala es más rayos y truenos que otra cosa, ventisca; los granizos golpean con furia, abollan las carrocerías y estrellan los parabrisas, el hielo se derrite en el asfalto, las coladeras se desbordan y de pronto hay lanchas de la Cruz Roja en el Boulevard 5 de Mayo rescatando a los desgraciados que se trepan por las ventanillas al toldo de sus coches.

El desconocido tiene algún espasmo ocasional, no es su única prueba de vida, también el movimiento rápido de los ojos, las ondas beta en el encefalograma, el pulso acelerado. El líquido vital fluye en sus venas y arterias, pero de qué va a servirle si es negro y espeso.

¿Recuerda cuando en 1963 lo confinaron en solitario? Entubando su cauce en el arroyo de Xonaca y el tramo de San Francisco, desde la barranca de Xalpatlac y hasta la 5 Sur esquina con 49 Poniente. Ahí donde todo alrededor se apesta a huevo podrido.

Pero basta de pornomiseria, algún tratamiento habrá equivalente a la hemodiálisis y por los derechos más fundamentales se obligará a las industrias a tratar las aguas residuales, el gobierno tendrá que invertir en un plan trans-sexenal y obligar a la concesionaria de agua potable a invertir en el saneamiento de la cuenca.

Las universidades y la sociedad civil también estarán obligadas por la crisis hídrica, ingenieros ecológicos buscarán métodos para revertir el daño, se impartirá educación ambiental en las escuelas confiando en que las nuevas generaciones serán más conscientes.

Así, el paciente alcanzará algún día a mover un dedo, quizás el meñique izquierdo, aunque nadie lo verá hacerlo, así como tampoco sabrán si escuchaba lo que decían de él mientras estaba en coma y le hacían fisioterapia, que no era nada bueno. Tampoco sabrán cómo es que logró escapar del hospital estando descalzo, con sólo una bata cubriéndole el pecho, pero no las nalgas y literalmente escurriéndosele a los de seguridad.

¿Quién es ese viejo que anda de noche por el boulevard casi desnudo con la lluvia estancada hasta la cintura? ¿Por qué los árboles, palmeras y hasta los postes de luz se mecen rindiéndole pleitesía mientras las intermitentes de los autos abandonados parpadean bajo el agua?

La lluvia le lava las canas largas de la barba y su melena, pegándole la ropa al pecho, cuando el negro de las pupilas del viejo se encienden de un naranja como hierro fundido, el Atoyac junta entonces sus brazos y con toda la fuerza de que es capaz extiende las falanges y en ese gesto de Kame-Hame-Ha cada una de las moléculas que lo conforman se convierten en un tsunami que acarrea basura, lodo y mierda hasta reventar las tuberías que lo contienen, desbordar el cauce y aún explotar la vieja represa en Valsequillo, purificándose en agua nuevamente cristalina que deja entrever las raíces de los juncos y hasta algunos peces entre los guijarros.

Resurrecting a River

I never knew a river could be in a state of apparent death. I learned about it recently when I read that the Atoyac was declared clinically dead, and for the past 30 years, efforts had been made to rehabilitate it to no avail.

Don’t ask why, but I imagine the river as a person being wheeled into a hospital on a stretcher, paramedics shouting at the emergency room doctors: . . .

I never knew a river could be in a state of apparent death. I learned about it recently when I read that the Atoyac was declared clinically dead, and for the past 30 years, efforts had been made to rehabilitate it to no avail.

Don’t ask why, but I imagine the river as a person being wheeled into a hospital on a stretcher, paramedics shouting at the emergency room doctors: “Code Blue!” But the truth is, she is not a beautiful Bollywood actress personifying the Ganga from the Vedas, nor is he an athletic son of Oceanus and Tethys. The Atoyac is a poor bastard reeking of shit and urine; he convulses and foams at the mouth, cursing every single one of the children he has conceived, barking like a rabid Xoloitzcuintle. And there are many names he screams in his own unintelligible tongue, a language older than Proto-Totonaco-Tepehua and Proto-Yuto-Nahua.

The river suddenly falls silent, letting the emergency room be flooded with the high-pitched beep and the flatline of the electrocardiogram. Someone shouts, “Clear!” and places the defibrillator paddles on his chest. The body arches for a second, as in death by tetanus. A male nurse—yes, a man—puts a respirator on the river’s mouth and presses the air pump a couple of times. “Clear!” Again, another shock. The ECG pretends to come back, but soon the line flattens again.

Is the Atoyac watching his life pass by like a movie?

A drop of meltwater in the Sierra Nevada, a spring in the rock, the streams become tributaries, and soon a single channel, rapids, waterfalls, rock eroded into gravel, all that potential energy contained in the Valsequillo dam.

Or rather, he remembers how they stripped him of everything he had and outraged him, mocking him for warming his bare feet with the warm water that came out of the drain. He swallows whatever they put in his mouth because hunger can always overcome dignity.

The doctor pounds on his chest, the male nurse squeezes the respirator pump, someone else shouts a curse, and out of nowhere, a heartbeat emerges, fragile as a tadpole’s tail.

There are no more vital signs.

There is no knee-jerk reflex when tapped with a hammer, nor do the pupils dilate in the light. Perhaps he hears what they say, and maybe he is conscious but cannot open his eyelids or respond to stimuli. Is he in a coma, catatonia, or catalepsy?

‘Clinically dead’ can be misinterpreted. The water flows; it preserves some flora and fauna, although ‘healthy’ doesn’t describe it well either. Just look at the oxygen levels, the pH, the foam, and the taupe color, between brown and grayish . . . .

Doctors take the patient out of emergency room and send him, as John Doe, to the Intensive Care Unit. There is no family member to watch over him. Who would care about an old, useless being? Certainly not the governor or the king of denim, those bastards who for years raped his daughters, marking his smallest tributaries with dyes and acids. Nor the grandchildren who profit by bringing pipes from far away, drying up the lagoons of Totolcingo, El Salado, and Alchichica.

Outside the San José specialty hospital, it rains; it may be due to hurricane season in the Atlantic or perhaps a north wind tempest in Veracruz, but the bottom line is that the storm here in the Puebla-Tlaxcala valley is more lightning and thunder than anything else, a tromba. Hailstones fall furiously, denting car bodies and shattering windshields; ice melts on the asphalt, drains overflow, and suddenly Red Cross boats appear on 5 de Mayo Boulevard rescuing the unfortunate who climb onto the roofs of their cars through the windows.

The stranger has an occasional spasm; it’s not his only proof of life, as there is also the rapid movement of his eyes, the beta waves on the electroencephalogram, the accelerated pulse. The vital fluid flows through his veins and arteries, but what good will it do if it is black and thick?

Does he remember when, in 1963, he was confined in solitary? Tubed and channeled at the Xonaca stream and the San Francisco section, from the Xalpatlac ravine to the corner of 5 Sur and 49 Poniente? There, where everything around stinks of rotten eggs.

Enough with the misery porn! Some treatment will be equivalent to hemodialysis, and, for the most fundamental rights, industries will be forced to treat wastewater. The government will have to invest in a trans-sexennial plan and mandate the drinking water concessionaire to contribute to basin sanitation.

Universities and civil society will also be forced to act by the water crisis; ecological engineers will seek methods to reverse the damage, and environmental education will be taught in schools, entrusting that the new generations will be more aware.

Thus, the patient will one day be able to move a finger, perhaps his left pinky, although no one will see him do it, just as they will not know if he was listening to what they were saying about him while he was in a coma and they were doing physiotherapy—words that were not kind. Nor will they know how he managed to escape from the hospital barefoot, with only a gown covering his chest but not his buttocks, and literally ‘slipping’ away from security guys.

Who is that old man walking at night down the boulevard, almost naked, with the rainwater up to his waist? Why do the trees, palm trees, and even the light poles sway, paying homage to him while the turn signals of abandoned cars blink under the water?

Rain washes the long gray hair from his beard and his mane, sticking his clothes to his chest. Then the black of the old man’s pupils lights up orange like molten iron, the Atoyac brings his arms together and, with all his might, extends his fingers. In that gesture of Kame-Hame-Ha, each molecule in his body becomes a tsunami that carries garbage, mud, and filth until it bursts the pipes that contain him, overflows the riverbed, and even ruptures the old Valsequillo dam, purifying itself in water that becomes crystal clear again, revealing the roots of the reeds and even some fish among the pebbles.

Reckoning now has an Art Director

Hello everyone! Small update to the Reckoning staff roster here: we now have an art director (me ). I did minor in Visual Art way back when, and led PR for a bunch of student clubs before kicking off my current career because the team needed an artsier person, so I’m excited to dip back into this side of the house for Reckoning.

As part of our move to codify this . . .

Hello everyone! Small update to the Reckoning staff roster here: we now have an art director (me ). I did minor in Visual Art way back when, and led PR for a bunch of student clubs before kicking off my current career because the team needed an artsier person, so I’m excited to dip back into this side of the house for Reckoning.

As part of our move to codify this position, and as we update our publication to center environmental justice without a secondary per-issue theme, we’ve also updated our art guidelines a bit. Fundamentally, we are a publication of environmental justice and, with our updated definition, want to see that reflected in our published art. To this end, we’re now asking prospective artists to submit an artist statement along with your work in our Moksha submissions portal, looking specifically for how you connect your work to environmental justice, whether it’s there on the page or behind the scenes as part of your process. We’ll also look at works that benefit from more explanation alongside the piece, although abstract will continue to be a harder sell.

Aside from aesthetic appeal, the two things I’m really hoping to see in our art submissions are a sense of narrative and strong technique, with an eye to how you use the medium and composition to successfully deliver said narrative. To be clear, this isn’t a call to only submit things that depict a clear sequence of events or a requirement to always explain your work, it’s a call to submit work that draws the viewer into thinking more about what they are looking at, how those elements got there and where they might go next.

For instance, one of our latest featured artworks, Camouflage, features a dodo bird on a rock, ship in the distance. The artist’s statement encourages us to apply our own interpretation, encouraged by the well-known story of the dodo’s extinction as an effect of colonialism—both in the physical act of the arriving sailors, and the attitude that resources exist to be exploited regardless of need or local contribution to the ecosystem.

a group of 4 penguins around an old whaling post

Contrast that with this image. While it’s 4 chinstrap penguins around an old whaling post—relic from an era of mass overexploitation—and therefore has a connection to environmentalism, there’s no expression of environmental justice specifically.

But, as always, when in doubt, err on the side of submitting to us

In the Foothills

The war had taken nearly everything from Dozan, but by leaving him his little daughter Ayula, he also found something he’d lacked most of his life: a sharp, crystalline sense of purpose. As they fled the Char-ravaged flats for the foothills, all of Dozan’s will bent toward keeping his daughter alive, and keeping the war from seeping into her as it had into him, . . .

The war had taken nearly everything from Dozan, but by leaving him his little daughter Ayula, he also found something he’d lacked most of his life: a sharp, crystalline sense of purpose. As they fled the Char-ravaged flats for the foothills, all of Dozan’s will bent toward keeping his daughter alive, and keeping the war from seeping into her as it had into him, because surely the war couldn’t last forever. She would have to fit into the gentler world to come.

In the foothills, an Incidental Market—an opportunistic gathering of hand carts, ox wagons, Rovers, and even an aid truck—yielded an unexpected trove well-suited to his purpose. After he’d bartered his scavenged fuel cells for food, supplies, and ammunition, he kept enough credit left over for something beyond the merely needful: a toy, a book, a bite of something sweet.

The foothills offered few enough chances for comfort and indulgence, but when they came, Dozan seized them for his daughter. She had no memory of life before the war. Keeping the war out of her demanded resourcefulness.

“What is your heart’s desire?” he asked her grandly, sweeping an arm over the indulgences arrayed on the tarps.

Ayula misunderstood the question. “A safe place to sleep,” she said.

Until a few days ago, Ayula shared Dozan’s understanding of the word “safe.” Safe was a word for the moment—a rocket barrage ending, patrolling soldiers passing without incident, airborne drones deciding a gathering wasn’t dense enough to target, the slithering Char suddenly flowing to hunt in a different direction.

Safe didn’t stretch the length of a night’s sleep. Dozan kept them moving, away from blasted cities, through pillaged villages, away from fields burned to ash. They evaded the roving warlords hunting for labor or leverage, and the otherwise ordinary people who were driven to violent desperation. They kept moving even as they lost Ayula’s mother, brother, aunties, and uncles. There was no real “safe” on this side of the mountains.

Four days ago they’d found the High Pass through the mountains, where Ayula discovered a new meaning of “safe”—one that kept the war out. Now it was all she talked about.

Gossip held that once, refugees had escaped the war through the High Pass. Now, the soldiers who guarded it kept people in the east from bringing war into their land, which had already changed its name and flag during its own troubles. But scraps of their old customs and decency still held. Travelers with small children could rest two nights in the shelter of the mountains before being given provisions and sent back the way they came. But that kindness had hard limits. Those who wouldn’t leave, or tried to return, were shot. Bones lay in the ravine, far below.

Dozan allowed his daughter to see only their kindness, not their hardness. Not the bones. There was a price for adapting too much to war, just as there was a price for adapting too little. He could fail her in either direction.

The soldiers they’d met at the Pass seemed decent men, and spoke their language. A young soldier was charmed by the wildflowers in Ayula’s hair, telling her that such pretty flowers didn’t grow in the heights. He knelt and gently asked what each type of blossom was called, and Ayula, with the knowledge she had from her mother, told him the names and meanings. He listened intently.

This man is practicing for fatherhood, Dozan realized. Somewhere on the other side of the mountains, the soldier’s wife cradled her belly and selected among powdery pale color schemes for their nursery, rejecting her mother-in-law’s suggestions while pretending to consider them. No. That wasn’t the soldier’s family. Dozan’s hand batted the air, pushing away unbidden memories. Tend to the living, for the dead need nothing more. He forgot where he’d heard that saying, but he always recited it to ward off beckoning ghosts.

An older soldier, who could already be a grandfather with his iron gray mustache, kept aloof. He seemed to know he may have to do his duty and shoot those he was feeding if, after the allotted time, they didn’t turn back. Dozan understood this resolve. Still, the man’s eyes softened when they fell on Ayula.

Experience had made Dozan a canny judge of strangers. Either would shoot him in an eyeblink, an armed man whose scars and burns told of a life purchased with the lives of others. A man adapted to war. But there were limits to the horrors in which men like these would participate. Men who lived in prolonged safety had no desire to harm innocent children. Duty or not, they considered themselves above it.

But those two nights! Unconcealed campfires under a spray of stars, piles of soft, woolen blankets, and blessed quiet. No rockets, gunfire, or buzzing drones, and far beyond the reach of the Char. Ayula had never known such tranquility. Now it was something imaginable—and possible. A safe place to sleep.

“We have to keep moving,” Dozan said, gently but firmly. The Incidental Market would disperse soon. Too many people were gathering. He chose honeycombs from a wrinkled, unsmiling woman to round out his trade. Ayula’s newfound hope made them a bitter substitute for the safe place she’d asked for. Still, she sucked on a piece while he traded information with the vendors about the trails they’d followed here. Dozan chose a quiet-sounding path.

A dog emerged from under a wagon to make a fierce show of barking. Ayula’s sticky hand tightened in her father’s grip, but she kept her stride. She’d learned a little of real threats versus show.

“When I was a boy, I had a dog,” Dozan told Ayula.

This caught her full attention. “What was his name?”

When war was only intermittent, Dozan had asked his father for a dog. His father said that in the city, only rich men kept dogs as pets, and anyway, who would look after it? Train it not to bite? Feed it? Where would it sleep? Taking care of a living thing was a big responsibility, and Dozan already had responsibilities—to his studies, chores, and the family shop.

To prove his father wrong, Dozan cared for a stray dog who haunted a nearby alley. He lured her with food and clean water. He made her a shelter to sleep in with a canvas roof and a blanket. He brushed her coat to a shine and put a collar on her to show that this dog was no stray. She belonged to someone.

“I called her Lulu.”

“Was she a guard dog?”

“No, she was very gentle. But she liked to play. She could do tricks. I taught her how to sit, come, stay, and roll.”

Dozan watched his daughter consider this, fitting an animal playmate into a patchwork idea of a time when things were “safe.” He regretted bringing it up. He knew what she would ask next.

“What happened to Lulu?”

War was intermittent then, but eventually the rockets resumed. The buildings behind their shop, and the alley, were struck. Dozan’s father dug through the rubble, but wouldn’t let his son look. Dozan couldn’t remember if his father had actually accused him of selfishness—that would’ve been cruel, and his father wasn’t a cruel man—but for a long time after, he agonized over whether Lulu died because, in his pride, he’d bound her to himself, overriding the instincts she’d survived on before.

“Well, she had puppies, you see, and we couldn’t care for so many. I had to let them go live with the papa-dog.”

“Did you see them again?”

“Ah, no, but I was glad they were together and safe.” A happier ending. The past was the story you told.

In the foothills, keeping safe meant staying on the move. The Char hunted mainly in the flats to the east, flowing over farm and village, leaving only ash in its wake. The rolling, stony hills provided places to shelter and hide, but that could cut both ways, especially as more people fled to higher ground. There were both safety and danger in numbers; there were both danger and safety alone. Dozan knew it could change in an eyeblink, and the moment one’s instincts failed, all could be lost.

No, not instincts. Animals—those that remained untamed—survived on instinct.

People survived on experience. People had to learn. The lessons were nearly unbearable. His son. His wife. His sisters and brothers on both sides of marriage. His parents. His dog Lulu. Tend to the living, for the dead need nothing more. But a lesson that doesn’t take everything remains a lesson. Each loss honed him into a better protector of Ayula. That, too, was a story Dozan often told himself.

As the sun began to set, the mountains cast long, jagged shadows. Dozan had his daughter practice loading, unloading, holding, and aiming his rifle. He wouldn’t let her fire. Ammunition was dear, and noise could draw attention. Half measures. He was keeping her alive by teaching her war, but not so much that it would seep inside her. He could fail her in either direction.

He needed a better way.

They were back on the trail before dawn.

Halfway through the next day, the sound of loud, coarse laughter and intermittent gunfire came from ahead. Ayula wouldn’t be able to run fast enough to double back, and Dozan would have to abandon their supplies to carry her. Climbing would leave them visible. But they had just passed a side trail, perhaps small enough to be ignored.

Hidden behind an outcropping, Dozan whispered to Ayula, “Ignore the gunfire. How many do you hear?”

Ayula scrunched her eyes closed and listened before holding up three fingers.

Their hiding place had a narrow view of the main path. They waited, Dozan with his rifle ready.

Three men—barely more than boys, not much older than his son would have been—walked side by side, kicking stones. They wore civilian clothes, barked exaggerated laughs, and occasionally shot a round into the air. Making noise to frighten, because they themselves were frightened. Dozan took aim at the boy who had just fired. He kept his breathing slow. Frightened was dangerous. The boys didn’t even glance their way, and soon their laughter and gunfire receded into the distance.

“Why were they doing that?” Dozan asked Ayula.

She knew the answer. “To sound like there were more of them. To scare us.”

“And why is that dangerous?”

“They were telling everyone where they were. Someone could set an ambush.”

Dozan nodded. “What should they have done?”

“Stayed quiet and ready,” Ayula said.

“Well done.”

Ayula had a question of her own. “Could you have taught them?”

“What do you mean?”

“Taught them how to be safe, like you teach me. Had them travel with us.”

The notion hadn’t even occurred to Dozan. They had adopted strangers as traveling companions in the past. It never lasted long, and often ended poorly.

“Maybe,” he said. He was proud and terrified that she’d suggested it.

Dozan decided to continue on the side trail. It led back toward the mountains. An idea began to form in his mind, an idea that he wasn’t ready to acknowledge. Ayula had no sense of where they were going, and never asked. She trusted him to lead, to keep her safe. “Together and safe” was the happy ending of stories. But what if one had to choose between the two?

The trail broadened, became easier, and Ayula needed fewer breaks to rest. When it forked into northward and southward tines, they crept up a hill to see if either way offered an advantage. Then, a few kilometers to the north, the rockets fell. Streaking with tails of fire and white smoke, they vibrated the air with the roar of their passage. Flashes of fire and billows of gray smoke erupted where they struck, with booms louder than thunder. They struck in rapid succession, so quickly that Dozan lost count.

He and his daughter sat and watched. They could feel the hot wind even from this distance. When the gray smoke cleared, they could see what remained of the ground. Patches of blackened earth floated like charred scales over something purple and red, looking like a burn wound on an expanse of human flesh. It flowed. It moved with gravity—and against it—as unnatural as it was deadly. Shapes rose from the mass, lurched forward, and occasionally fell back, reabsorbed. Slowly, it spread. Once, it was only in the flats. Now it oozed through the foothills.

“Is that . . . Char?” Ayula asked. It had been months since she had last seen it, and longer since she’d seen it kill, but she remembered enough to be terrified. It moved almost like a live thing, and what it touched, it burned. Slowly. Charred people and animals went on for a time, shambling, rampaging, and burning until they finally dissolved into the purple-red mass. Tend to the living, Dozan thought, pushing away abominable memories.

He’d thought the factions had stopped using it. Maybe one of them had grown desperate. Maybe this was a new faction, untempered by loss. It might have been a bio-weapon, or some out-of-control containment technology, but as it consumed villages and farms in the flats, most thought of the Char simply as a curse on this war-ravaged land, the liquified rage of countless dead, indiscriminately spreading more death.

So. South, then. Back in the direction of the High Pass. Fate had answered the question Dozan dared not ask.

After four more days of walking, they found another Incidental Market where Dozan traded news of the road behind for water and provisions. He had to describe what he saw several times before the people there would accept the disastrous truth of Char in the foothills. It would spread. That was its nature. Truly nowhere was safe on this side of the mountains. That became part of the story Dozan told himself, steeling himself for what he must do.

The next evening they found the towering wreckage of a war-hulk, its armament and fuel cells stripped, the leg joints that allowed it to scuttle through the foothills blasted and broken. Maybe it had ventured too close to the defenses at the High Pass. Dozan judged it had been abandoned for some time. They made camp under its metal belly.

That night, by a tiny campfire shielded by the dead war-hulk, Dozan redistributed the contents of their packs. He had been carrying most of the weight and bulk: the food, water, blanket rolls, the things that could be traded. He gave Ayula as much as he dared.

“You should build up your strength,” Dozan told his daughter. He gave her the last honeycomb. “And hold on to this. You heard that soldier. No flowers—or bees—in the heights. Honey could be a valuable trade.”

“Are we going back to the High Pass?” Ayula asked. She was too young to disguise her eagerness.

The stars shone fiercely.

“Tonight, we rest.” Dozan pointed to a rocky trail illuminated by starlight. “The High Pass is that way, following the path. Not too far. Look. You see?”

“They won’t turn us away?”

He tapped his daughter’s nose with a fingertip, and then touched her round cheek, allowing his heart to break a little. “I think they liked you. I can’t believe they would really turn you away.” Not like they would an armed, grown man with too much war already in him.

Dozan stared at the starlit mountains and waited until his daughter’s breathing deepened and slowed in sleep. He rose to his feet without making a sound. A distance away from the trail that led to the High Pass, a smaller path led the opposite way, back into the foothills, to places unknown.

Dozan began to walk, his feet silent as a ghost. The night air was crisp, but not cold. His pack was lighter now. He felt light. He looked up at the stars and imagined floating away on the wind. He thought of his dog Lulu, and the old question he’d turned over throughout his childhood: Had he killed her? And the newer question: Had every loss since then made him a better protector, or proven that he was no protector at all? Both were stories that could be told of what brought him here, into the shadow of the High Pass. His purpose remained clear. But the story he told of his past could change what he’d do next. When she woke alone, Ayula would choose the trail to the High Pass. To keep her safe, Dozan must choose the other.

The young soldier who’d admired the flowers in Ayula’s hair, the old soldier whose eyes had softened to her—these were not child killers. The war wasn’t in them. War was the real enemy, what it forced people, and the land itself, to become. The mountains were the only proven protection. In the choice between “together” and “safe,” he owed her safety. True safety would keep her alive and keep the war out of her. Ayula could sleep in a powdery-pale curtained bedroom. Knowing that, Dozan would need nothing more. Ghosts beckoned him to join them, light as the wind.

But how would I know?

The thought stopped him cold. It wouldn’t be enough to imagine his daughter safe. He could be wrong. The guards might shoot her. They might turn her away, and she’d go wandering alone through the foothills, looking for her father. No no no. He had to know. Anything less would be just a story for his own comfort. Anything less would drive him mad.

Then he heard voices. Three men. Back behind him. Where Ayula slept.

They were the very same boys they’d dodged earlier, who must have been driven back by the Char. They rounded the fallen war-hulk and saw the camp.

Could you have taught them? But experience already moved Dozan like instinct. His feet, silent as a ghost.

The boys approached the fire.

BANG.

Shouting. Dozan’s blood was hot as Char.

“Papa?” came Ayula’s voice.

BANG. BANG. The gunshots echoed in the foothills.

It began and ended too quickly for second guesses, other possibilities, or better endings. All dying did, this side of the mountains. And once it was done, self-recrimination served nobody. The dead need nothing more.

Dozan held his daughter tight, keeping her eyes from the dead boys. They truly were little more than children. Children whose fathers had failed them. “Don’t look at them,” he said. “We’re safe now.” A word for the moment, but one nobody else could be trusted to give her.

Somewhere in the foothills, perhaps even in the High Pass itself, rockets struck, and the curse of war crawled over and burned the boundaries that sought to contain it. There was no safety anywhere, except in the moments he could give her. Perhaps the gentler world he dreamed of existed only in the past. The war had not always been in him. He’d learned. Should the world change again, his daughter would learn its ways, too. But until then, she had to survive. That was the story of their journey. That was the simple truth.

Dozan and Ayula broke their fast on the last honeycomb. There were many paths in the foothills, and it was impossible to know where they led until they walked them together.

Once, I returned Tulip, Once I became

once the city sprouted with gods—

seeds whispers, freshly braided with the breaths of the

ancients; tombs cracked impulses like

husks and roots curled from the bones of history. say

once, children built homes in the ribs of

cedars. their colours of laughter carved into a country

bark. once, elders named their dreams

after a tree. for trees do not forget the orders . . .

once the city sprouted with gods—

seeds whispers, freshly braided with the breaths of the

ancients; tombs cracked impulses like

husks and roots curled from the bones of history. say

once, children built homes in the ribs of

cedars. their colours of laughter carved into a country

bark. once, elders named their dreams

after a tree. for trees do not forget the orders of a lively

hope. once, all things were bright and

beautiful. and eternity was hymnary into the greens of

a monsoon wind. but when the axe is

hungry, ferns unfurl singing dirges to the fractal geo-

metries of empires. only the deeds of

mycelium remembers the threads of hunger in which

she has entertained. does the forest

shrink into memories, if not that the city has lichen a

little normal into ingratitude? take the

crack walls of sycamore and build these heartbreaks

no more, this part where the rain out-

lives the wildness of fire and war. softly, softly the

mercy in the vine would blood over

us. and the borders of dust would come rhythm with

the original poem of god. down the

swollen belly of the earth, the acacia would fold its

leaves like a clasped hand, awaiting

the unction of redemption. the rain would play the

field of angels and the patient hand

would hold a miracle to her pomaces. back to the

prayers that tasted like gunpowder,

locking me like a decked heaven. but the truth is,

I’ve hurt myself gauzing kindness

out of the neon mouths of an open field. the sight

of me in tender hands of bulrushes.