No More Creepy Crawlies

There are no creepy crawlies hiding in my garden. I know, because I’ve checked.

The compost, under-turned and full of fresh scraps, should have attracted all manner of bugs and buzzers. The tree hanging overhead should be bowing down with orb weavers, feasting on the to-and-fro flitting parade. The bushes should be moving, rustling, going bump in the night . . .

Mula sa Melismas

Bukod sa tubig, bukod sa paglalayag, mga pagpatay

at mga resulta ng pagbibilang ng hakbang,

pagsunod sa kapahamakan gayundin ang pagkilala

sa mga galaw na itinatago ng mga dayandang.

Malamig ang panahon para sa paglukso

sa mga konklusyon kung dumidistansiya

ba ang mga konstelasyon. Parang nauuso

na naman ang pagmimiron sa mga signos

ng pagbabalik ng Panginoon. . . .

From Melismas

Aside from water, aside from sailing, killings

and results of counting steps,

in pursuit of danger as well as familiarity

of gestures shielded from view by dayandang trees.

The season’s too cold for leaping

to conclusions on whether constellations are drifting farther

away from us. Doomsday cultists are coming out of the woodwork

these days, crowing about . . .

Salvage Song

So, here we are

at the end.

We have pulled down the sails to make patches for the ocean, come

we will patch those patches with paisley scraps,

with blue and white checks like

Dorothy’s dress, we will save scraps of paper

to cover half-written books; come we will grab

one last plank from the ship to patch

somewhere out past the epilogue. Come,

there is so much farther . . .

From the Editors

Winter comes (in Provence, it looks much the same as summer from a distance, only crisp and windier), and with it the end of a long, harrowing year. A year of sorrow, for the families of a million and a half. A year of change, some say, though change may be less eagerly anticipated than a return to normal. An opportunity to take a break, for a lucky few, to think, to watch, . . .

From the Editors: a scribbled note in a water-damaged notebook

The call for submissions for Reckoning 5’s poetry started as a scribbled note in a water-damaged notebook I lost years ago. It was Toronto labour rights activist and scholar Dr. Winnie Ng’s answer to a 2013 panel question on what she’d tell young organizers: that we can organize from rage, but where it was possible, you could go the long haul if you organized from . . .