Nature’s Chosen Pronouns

*after Greta Gaard’s Toward a Queer Ecofeminism

But maybe nature isn’t even

a “her” . . . . When nature is feminized

and thereby erotized,

and culture is masculinized*,

the trouble starts, and it’s the bad kind.

When the girl puts on a summer dress:

“she’s asking for it”.

When the soil is “too rich not to steal”:

“she’s asking for it”.

When the non-westernized have (better)

non-reproductive sex and more

than two genders:

“they’re asking for it”.

So stop

the farther occupation of flesh,

of bodies made of earth.

Cut the virile organ

of colonization

before it brings more death

and the death of desire:

compulsory heterosexuality,

the age of the missionary,

with the conqueror “on top.”*

Apology for the Divine Masculine

“And the ship, the black freighter,

disappears out to sea, and on it is me.”

 

Wetlands become one with the rising gulf

as oil rigs drink the earth’s secret juices

and phallic man-made things do other rapey things

to things to which we have ascribed yonic features

and so forth in a pastiche of sexes assigned

to things that never asked not to be sexless.

Does Mother Earth apologize when she

retaliates, swallowing swamp towns

and eating away at the foundations

of coastal cities, as my mother made

my sister and me apologize to our

abuser if ever we fought back?

If a drop of water fell

for each time I apologized for no reason

(besides that I grew up Baptist, believed

that God-on-Earth was tortured so God-up-There

would forgive me for being what He made me),

I’d sail across a sea of sorries,

beg mercy for reaching the shore,

and fall into the arms of the first

brute to excuse me for loving him.

Once, a middle-aged sorceress told me I’d never find love

unless I wrote an apology to the divine masculine for always

expecting the worst of him, and I told her, honey, not until he

writes me one for always proving me right. Once, a friend

told me that apologizing was my most feminine trait, as if

I weren’t cooking dinner in heels and a backless dress, as if

femininity were skin I’d like to shed, and I said I apologized

for all men who wouldn’t do the same, except, no, how

could I apologize for something I’d been assigned—

male, boy, man, him—but never really been?

If Mother Earth covers her face

in a veil of liquid blue shame

for what we’ve done to her

then I will not be sorry

it was her language,

not his, I learned.

A brief history of misery

Among the stones, there was a flower that reached out to me.

Many years ago, I dreamt of the Arabian Nights

When I woke up I found myself laughing

Nothing wrong with the laughter

But we shouldn’t take history seriously when it turned into a big joke.

I sat at the edge of the battle

Dressed like a warrior

I am not a half person anymore

No Matter how my society categorizes me

No Matter how the world introduces me

I stand in a proud position

Pouring my excitement into the Revolution’s womb

I run with all my might seeking a door or a window

I found nothing

I type on my Google page

‘Freedom’

I searched many times

But found no results.

I recalled the rooster’s sound in our tales

I waited for its appointment

But nothing came.

I shouted like a child

Who had her first sight of a gorilla

I moaned

All the women who were hidden under my skin moaned louder.

We are not a family

We are one.

We are tied to each other against the walls of the prison.

It took a very long time to crawl from under the tunnels

Climbing the highest trees

Rubbing our faces with the world’s maps

Among the stones, there was a flower that reached out to me.

I was born with a great motivation to scratch the sky

No Matter how many people limited my power

No Matter how hard the world fought me.

The Watcher on the Wall

Lured by the first snow of winter,

my dead father managed to struggle out

of his grave on the far hill, managed to stagger

down into the walnut grove to meet me

as the heavy flakes fell.

He did not look bad. There

was a grandeur in his features in the half-light of

my torch.

What is it the snow does for the soil, again?

he asked me. Fixes nitrogen, I answered. No, wait

that’s lightning. I couldn’t remember what the snow

does except for cover the soil, cover us, cover the

living and the dead.

My father looked at me with some pity.

I saw then how his flesh had fallen away, how

his farm clothes were tattered.

I still know more than you do, girl, he said.

I am the watcher on the wall.

Before he died he’d said that,

called himself the watcher on the wall,

and it had meant only

that he watched men in bad suits on TV,

and read prophecies about the world’s end.

It had been an old man’s fantasy,

his final dodging of the truth.

Now I saw that he had found his wall.

His eyes were visionary, at last. Whatever it is

that’s coming for us, he’d seen it.

He opened his mouth to tell and I saw the blue

of bones and

the snow came between us and our voices

were silenced, and he could give no warning.

Tied

try to keep yourself—somehow—

tied: to the earth, perhaps—find joints

and sinews that echo your own in

the tree across the water, discover

home in the shelter of hedges or trace

a life down the edges of the river.

please, remember to stay tied:

maybe in her tender touch,

or in the glance shared—across an

expanse or two meters. above all—

i’ll keep repeating—be tied: hear the strings

plucked so far away, feel the echo, count

your luck to be here, to be bound, and know

how easy it is to be found.

Carcinisation

a comforting thought: that

the arc of the moral universe

is long, but it appears to bend

towards crabs. one day, our

exoskeletons will protect us

from the rain, and from the end;

as the seas rise and fall, we will

find homes in the tide pools, or in

the remnants of buildings left empty

by humans. we will build

a better world, as crabs; they say

crabs can’t feel pain. we’ll never

hurt, or perhaps we won’t believe

convenient claims which salve

our guilt over boiling creatures alive.

We dreamt once

in unison,

the wind beating the fence

surrounding the giant intaglios, where

you told me there was nowhere to step

anymore, that the whole

desert started miraging as a geoglyph.

 

And what was lost

before by time

or destruction returned

 

in the form of a man etched

on the desert floor,

and you chose

two lucky stones to take home

to remember the black desert—

the Area of Critical Environmental Concern

you read about on the placard that pictured

where we stood

from space.

 

Driving back home,

saguaros peaking the freeway

beside legions of stucco houses

like a popup book

 

you turned to say maybe we should still have kids,

and I said maybe the desert would last to greet them.

 

 

Blyth, California, November 2020

Snuffing the Night Candles

People talking about the phases of the silvery moon,

the Peter Pan brightness beckoning in the stars—

I haven’t seen a distant sun in months,

and the fairy tales have shimmered away.

No celestial pin pricks in the darkened cyclorama,

no blazes from back in a time before my tiny self

tried to sparkle into existence. I live in

a perfect night, bundled beneath the

suffocation of cloudy particles

and blankets, an empty visibility

stretching into periphery

and over the horizon.

People love a little star shine.

I don’t know what happened

to me. I’m anchor-chained on this stark lake

of arrogance and folly, a slow lapping without

the benevolence of illumination

and godsend.

A child wishes

on the first one she sees, lovers wish

on the fallen—I have no blessed light

to witness. Something cheerlessly cast out

has happened here. What America

coughs up to heaven

might be what happened. Of course

I want answers. I pray someone

has the heart

to wish for the future,

for me.

Onions

“Men argue. Nature acts.”

—Voltaire

 

Palm trees wave their heavy heads,

canna lilies rise brilliant and bloody

in their beds, and the tide floods the streets.

They call it sunny day flooding, because it hasn’t rained

for weeks, and still the water comes.

I haven’t cried in weeks, and still—

 

I hear the polar caps are nearly free

of ice, that the sea will rise and don’t I know it?

My car founders in the flood.

I like to think this is the only thing stopping me

from finding you,

 

but that isn’t true.

The tide swept in and took you away. At least

 

that is what I say when people ask where you are.

I know it sounds like you’re dead, forgive me

if I find that easier.

I’ve tried to live consciously, nothing

without purpose, to do nothing

without consideration for the world

I inhabit.

 

Since you left, I’ve kept

all the lights on. Since you left,

I drive my car endlessly around the neighborhood.

I eat beef and candy, and I’m thinking

of having a pool put into the backyard, thinking

about buying an SUV.

 

The water burbles up through storm drains, seeps

into the roots of our garden, kills

our onions with salt. Which is okay, I guess,

since you planted them.