Carbon Sink

Slender frogs spring, weightless,

weaving through bog cotton.

 

Rows of cut turf monuments come to a sheer drop—

the bog hole: a cliff of richest fudge

feeding into a red wine gorge, thick with tannins.

 

Here, all pleasures compress: dull, heavy, glutting.

At this end of the field everything pulls

down with a gravity of its own, draws us

into sumptuous density.

 

Grant us release from temptation, we say,

burning another sod of ancient peat,

watching smoke calligraphy curl

dense apocalyptic language in the room,

consuming, even as we exhale.

 

We know not the day nor hour,

but the gorging age will pass.

Our heavy hands will sublimate, spectral fingers

rise, rearrange the carbon letters, re-spell

revelation from the hollow burning bell

As sure as every feast is followed by a fast

 

the heavens in the hells shall duly shine up-cast.

In Memory of Thwaites Glacier

A new oceanographic

ice fades from underneath.

they knew.  Tunnels rut

miles of eyeless organisms, carry

of earth to pole.  The ice looses

empties itself.  Crust crumbles

 

revelation: glacial

The ocean plumbs deeper than

floor, caverned under

water from belt

its undersides,

into iceberg-speckled sea.

 

Once the glacier stiffed its lower lip,

Now she slopes,

achievements

loose diamonds

of watery energy inside.

Once bound together

a frozen mountain. Now,

mutinied

 

 

rugged

a mother emptynested

into the world

or loose cannons,

Ready to unleash

by millennial ice,

with her child soldiers

the mountain threatens

 

 

self-protective.

having sent her

Necklace shattered into

sons with an excess

at a split second

the bergs girded

forcibly

to crash.

Aftermath

“There’s no fixing this.”

My grandmother waves at the tv.

Polar bears are stranded on a shrinking ice floe.

I shut my eyes.

 

I meet with a student.

She’s dealing with an anxiety disorder.

Her brown eyes pool with tears.

“Sometimes it can seem all too much, you know?”

I tell her that just showing up every day is an act of courage.

 

News coverage of Hurricane Fiona floods the screen.

Huge tracts of PEI shoreline have been devoured by the sea.

Scant sand is littered with spewed remains.

Islanders survey the wreckage with horror and wobbly resolve.

 

A weary fisherman shakes his head.

“There’s no fixing this. It’s just too much.”

The Split-in-Half Lumberjacks

A lumberjack has accidently sawn through his friend;

this sort of thing happens quite frequently. But there is

plenty of wood one might use for their coffins, collected

from a rainforest stripped for its crude oil. Incidentally,

this provides plenty of barren soil for one to bury them:

the split-in-half lumberjacks, interred in a felled mausoleum.

Facebook Event: Run into the Category 5 Winds of a Woman Pretending to be a Hurricane

Line up your cars, drive to the storm post-evacuation

7 pm. September 10th. The Keys.

 

Grab your guitar and serenade the hurricane with Wonderwall

8 p.m. September 10th. Daytona Beach.

 

Buy the hurricane a drink; ask if she’s from Tennessee.

9 p.m. September 10th. Miami-Dade.

 

Give the hurricane your number and ask her for sexts.

9:15 p.m. Haha, then what? 🙂

 

Ask permission to touch her cheekbones, trigger

eye socket replacement, kick sand in her hair when

she says no.

10 p.m. Location TBD.

 

Mock her double eyewall, drink laughter like salt water.

11 p.m. Downtown Orlando, in a building.

 

Fold her in half, make her an oblong joke, don’t take

her serious.

Midnight. All 67 counties in the state.

 

Discover her foundations are thicker than your tongue.

Get mad she knows her strength.

1 a.m. The Panhandle.

 

Bury mines along the beach. She’s just a storm. Who

cares?

2:00 a.m. Tampa Bay Area.

 

She won’t feel anything as she tastes rooftops and gets

shingles and plywood stuck between her teeth

3:00 a.m. Polk County.

 

She won’t feel anything. A storm’s pain doesn’t matter.

4:00 a.m. Downtown Tallahassee.

 

Watch as she writhes on the ground, trying to organize

while men in weather coats probe her with cameras.

5:00 a.m. The Calm Before.

 

Massage her scalp, soft like baby hairs as she digs

her nails into your power lines. She steals all your power

because you’ve stripped her winds, naked.

 ! Your event cannot have too many characters !

 

You refused to be pragmatic then beat the clouds for

their destruction.

6:00 a.m. The State Border. All Clear.

Exception

Surely I will breathe fresh air

Surely I will drink clean water

Surely I will not suffer alone

Surely I will not rage with fever

Surely I will not be turned away

To cramp and bleed unaided

Surely I will root in rich soil

Surely my voice will be heard

For what I meant, not what I said;

For what I should have meant.

Surely my trees will not burn,

Nor my bridges, nor my books.

Surely I am not one of those people

Surely I have nothing to fear

Surely I will never lie down

In this bed someone else has made,

A stranger in the land I thought I knew.

After encountering the grey whales in El Burbujon, Laguna Ojo de Liebre

When I say I miss being with the whales,

what I mean is sitting on the panga

in a lagoon in the blue middle of nowhere.

 

Nothing to do but be this body,

let the other bodies come, rise

from stillness to rest beneath my palm,

the ache to take up space—

 

live as exclamation,

breach-bloomed in this world.

 

When I say I miss being with the whales,

I want water

the holiest kind of love.

 

What I mean is my mother carried me

into the sea, her round belly, joyful

breath giving my lungs their rhythm,

my first cry of grief

to feel myself,

an underwater creature, released

to sudden cold.

 

When I say I miss being with the whales,

what I mean is, who wouldn’t rather rhapsody

than longing, want the place that dreamed

them wild than the weight of the return.

 

Listen, some praises are ineffable.

And I may be the mermaid I say I am.

 

But I-less are the words

that bend us to all we cherish,

what we must bless and save.

Lies You’ve Told About the Pacific Garbage Patch

The trash patch did not break us up. The trash patch (or vortex, I should say; it isn’t stationary, it is not an island) did not poison the way I look at you or turn your words to stinging flies. We did not get physical; we did not even throw anything. There is a whole toxic ecosystem built around the microscopic plastic particles—a spread of microorganisms feed on the waste. You live on the other side of the gulf. One potential lie is that the bacteria clean it up. One potential lie is that they spread the poisons. One definite lie is that the trash patch is okay. When the medical examiner cuts me open, my stomach will be full of soda rings, plastic threads, and shopping bags, and I will have starved to death. I don’t want to spread the poison. Let the mess stop here with me and you. It is time to call it. One lie about the pacific garbage patch is that it is the only garbage patch in our oceans. It is not. At 5,000 square kilometers, it is simply the biggest.

Roses in Washington Square Park

I sit with my mother across piles of roses, stems clipped

and lined straight in three rows, intersecting. Some chalked

anarchy symbols, others uterus reclaiming. We don’t know

where the roses come from, but nobody will pick them up,

then a few do. Put them back, a trance over the buds.

A communal understanding not to touch. I look for the artist

as my mother translates what the German men next to us say

over sips of gin. Something about going to Astoria

for a club. One guy likes a blond girl he danced with. I’m going

to stop now, my mother whispers. She googles: roses in

Washington Square park. They’re like thirty five a dozen,

she repeats. The cost is always considered. I wonder

about the magic of a community of strangers

not touching what isn’t theirs.