Carbon Sink

Slender frogs spring, weightless,

weaving through bog cotton.

 

Rows of cut turf monuments come to a sheer drop—

the bog hole: a cliff of richest fudge

feeding into a red wine gorge, thick with tannins.

 

Here, all pleasures compress: dull, heavy, glutting.

At this end of the field everything pulls

down with a gravity of its own, draws us

into sumptuous density.

 

Grant us release from temptation, we say,

burning another sod of ancient peat,

watching smoke calligraphy curl

dense apocalyptic language in the room,

consuming, even as we exhale.

 

We know not the day nor hour,

but the gorging age will pass.

Our heavy hands will sublimate, spectral fingers

rise, rearrange the carbon letters, re-spell

revelation from the hollow burning bell

As sure as every feast is followed by a fast

 

the heavens in the hells shall duly shine up-cast.

Photo of a smiling white man in a goatee with short dark hair.

Author: Colm O’Shea

Colm O’Shea teaches writing at New York University. His monograph, James Joyce’s Mandala, on sacred/morbid geometry in Joyce’s fiction, and Claiming De Wayke, his novel about VR addiction during a pandemic, are available to order at colmoshea.com. He also co-hosts The Rescape Project with physical educator Robbie O’Driscoll, where they explore the value of play.

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