Osprey’s Sky

White wave heads were making a line that stretched northward parallel to the coastline. A gentle sea breeze changed to an updraft on the sunshine-warmed land and pushed an osprey’s wings up softly. The osprey rose higher and higher into the sky in wide circles. The bird felt the heat on its back. It was not uncomfortable. Its feathers held the warmed air, and it flapped its wings powerfully. The sky above the bird was endlessly blue, white tiny clouds slowly drifting in the wind.

The ocean below was rich and fertile. Cold and warm currents mingled, stirring and pulling up the minerals from the bottom. Large schools of small fish fed on the explosively growing plankton, and many seabirds had been attacking the schools.

On land, there was a deep forest. On the shore, there were harbors without ships and settlements without people. A brand new road ran straight ahead, and a high-voltage line was stretched beside it. Not a single car was visible. Beyond the road, something glistening and reflecting sunlight looked like the water.

The flying osprey reached the glistening place. It flapped its wings once and then stopped moving. Suddenly it began to fall. It wasn’t the sharp descent of a predator aimed at a fish, but the fall of an object trapped by gravity.

Away from its nest, which held two small eggs and its spouse, the osprey, swept by a slight change in wind direction, would never return.

Leaning my elbows on the dining room table, I looked out the window in a daze. The sun was setting, and the sky was orange. It must have been a lovely afternoon.

“What do you want me to do?” It was Mizuki, who had returned the food tray already. I didn’t know if it was his breakfast or dinner. Eating at dusk always made me feel odd.

“Oh, please do it.” I took off the integrating dosimeter around my neck and handed it to Mizuki.

Mizuki was handy. He took off the panel on the back of the dosimeter with a small screwdriver and fiddled with a tiny switch. There was no one else in the cafeteria, so no one would see him.

“It’s about time, don’t you think?” Mizuki said behind his long bangs, poking at the back of the square, black box.

“When I make a little more money,” I answered vaguely, as usual. I didn’t have a clear goal in mind, and I was worried that I wouldn’t be able to make money elsewhere.

“Tomoya, you are greedy.” Mizuki wanted to get out of here. I knew that.

“Is it done?” I ignored Mizuki’s words. I was a coward.

“Perfection,” Mizuki replied.

The yellow and black markings on the chest of his tight-fitting white T-shirt indicated a radiation control zone. It was a sick joke.

“It’s on edge.” The integrating dosimeters were at a critical juncture.

“It’s been four days in a row. It would be strange if it was low.”

Even if the number was just below the limit, I could go to work. I was sure the company had applied generous safety margins anyway, so it shouldn’t be a problem even if it was a little over.

“I’ll be fine.” I got out of my seat. There was still some time before the meeting, just enough time to brush my teeth and go to the bathroom.

Having left Mizuki sitting at the table and looking out the window in a daze, I went back to my room. From the window of my room, I could see the incinerator towing a pitch-black shadow into the setting sun.

The foreman came to the workers’ waiting room and began his nightly roll call. He checked that everyone was present and checked the numbers on the integrating dosimeters that hung around each of the workers’ necks. He punched the data into the terminal in his hand. Three workers were instructed to stay in their rooms tonight.

“Silly them, they could have adjusted it a bit,” I whispered to Mizuki and got a glare from the foreman. It was easy to adjust the dosimeters if you knew how to do it. But it was forbidden. Because it was dangerous. The foreman knew what we were doing, but as long as we didn’t make the numbers too weird, he didn’t say anything. It was not easy to get people to work in the field, and if we didn’t have enough people, the job wouldn’t be done by morning.

It was already dark outside the window. “Power transmission stopped. Safety confirmed. You can start the work,” the foreman’s radio receiver said. A power-generating satellite in geostationary orbit had stopped power transmission following the decreasing use of electric power at midnight.

“Workstation 3, copy that.”

The foreman’s language into the radio was always polite. The foreman was also a temporary employee, not a permanent employee. Permanent employees were on the other side of the radio.

“All personnel must wear protective clothing and assemble in front of this vehicle. We’re leaving in 30 minutes. Don’t forget to check the charge of your helmets. And don’t chat in front of me. I’ll take half a day off your paycheck if you crap your pants.”

The foreman was glaring at me.

“You were stupid,” Mizuki said as he put protective tape over the velcro on the front of the suit. The boots, with lead sheets in the soles, were weighty, and the dust masks smelled strange. Still, the daily wage was so high. I would work here, and when I had saved up enough money, I would go into town. I’d always talked about this with Mizuki, who I’d known since junior high school. There were no good jobs in the area.

“You’re not putting it in the right place,” Mizuki said. He was good at noticing this kind of thing. I shoved the hem of my pants into my boots and wrapped the protective tape around them tightly once more. If I didn’t get it neat, the foreman would turn me away, and I would lose my day’s earnings.

“Thank you.”

“Okay, check me.” Mizuki spun around on his right foot, using it as an axis.

“Okay. Perfect.” Now me. I spun around once.

“It’s perfect,” Mizuki said.

I cut the seal on the sticker type dosimeter and put it in place on my chest. Then I looked at the indicator on the helmet and made sure it was fully charged. It was a shared one, but a small skull sticker indicated that I usually used it. Otherwise, it was a pain in the ass to adjust.

Dressed tightly in protective clothing, we left the changing room. In front of the workshop, a microbus with a wide bed in the back was waiting for us. We lined up in front of it. There were twelve of us in total. The foreman, dressed in protective clothing like us, inspected each of us one by one.

“Today, we’re going to the Western Thirteenth District. Be sure to report when the dosimeter turns orange. That’s a highly polluted area.”

The integrating dosimeter that we always wore was designed to display the total exposure in a week. In addition to this, a sticker-type dosimeter on top of our protective clothing kept track of daily exposure. It started in green, then yellow, then orange, then workers had to stop working. If it turned red, the worker had to go to the hospital for a checkup, and he would lose earnings for the days in the hospital.

“Come on. Get in the car.”

We boarded the microbus at the behest of the foreman. It was his job to take the wheel, but he did nothing when we arrived at the scene. He just sat in the driver’s seat, which was shielded from radiation.

He started driving in the dark. Mizuki and I were sitting in the front seat, so we had a clear view of the outside. The glare from the headlights cut out the concrete road from the dark. The road had been rudely constructed. The workshop itself was in the controlled area, so there was nothing around it. There was nothing but bare ground.

The nuclear accident happened before we were born. It left behind complicated pipes and fuel rods in the core and debris and contaminated soil. In the end, it was decided not to dispose of the low-concentration dirt and debris, and the plant was left as was, with only a dispersal prevention process in place. Of course, it was impossible to simply leave the vast, contaminated area vacant, so it was decided to use it as a receiving grid for a power generation satellite. It was now a significant power generation facility, providing fifteen percent of the metropolitan area’s peak power.

I remembered seeing it in a satellite photograph. Only this corner of the archipelago was dark, a gaping hole in the night light.

After a short drive, a vast concrete and metal tree appeared in the light of the headlights. These were the poles of the power grid. Thousands of pillars made up a vast forest. The microbus entered the forest.

The contaminated area where the power receiving grid was located should have been unmanned. If it had needed maintenance, maintenance robots would have been used. If all had gone according to plan, there wouldn’t have been any work to do by humans. But there had been an unexpected job.

That was the job of our cleaning team.

First, it was birds. Birds that wandered into the receiving area and were boiled up like a cat in a microwave oven. If it was a common seabird like a seagull or a petrel, it was no problem, but if it was a rare species like an osprey or a goshawk, it was a different story. The power receiving grid itself would be criticized by NGOs who were fussy about environmental protection. So we had to clean up all boiled birds’ carcasses before they caused problems. During migration season, one person could collect three large garbage bags of dead birds. That was what we did.

“I have a feeling there will be one today,” Mizuki blurted out.

“Do you want to bet?” I said.

“You’ll only owe me more.”

The losses had been pouring in until now. Mizuki was strangely perceptive about these things.

“I guess I shouldn’t. I have a feeling I might have one too.”

The conversation froze as we recalled the warning from the foreman. The microbus drove silently through the forest of concrete and metal.

“Here we are. What are you waiting for? Earn your day’s wages.”

The microbus stopped, and we each grabbed a trash bag and got up from our seats.

When I turned on the light on my helmet, a gray world unfolded in front of me: crushed concrete and rusted steel frames. If I had pointed a Geiger counter at it, it would have sounded like scratching. We started walking in groups through the designated area.

The first object was similar in color to the concrete but different in appearance and texture. The soft gray mass was a seagull. Bending down increased radiation exposure, so I used large metal tongs to pick it up. As my eyes adjusted, I could see more of them. I hadn’t been here in maybe two months, and a quick look revealed that quite a few seabirds had fallen since then.

Most of them were gulls and terns. They didn’t have the brown feathers of ospreys and goshawks, but there were large unfamiliar birds that had fallen too. There was the carcass of a large black ibis, which must have escaped from a zoo somewhere.

Our flickering lights were all that was visible in the dark concrete forest. Mizuki would be the one closest to me on the right. The distance was too far to talk.

The power receiving grid’s struts were arranged in a regular pattern, each one numbered, so there was no need to worry about getting lost. I strained my eyes and looked around to pick up dead birds. The garbage bag in my left hand became heavier and heavier.

When I saw it after midnight, I knew I had been right.

A red boot behind a strut.

“Shit, it’s a double suicide.”

They were lined up on a blanket, not that old, well boiled but not mummified. A sharp beeping sound echoed in the darkness as I sounded the buzzer hanging from my belt.

“I knew I hit it,” Mizuki said, his voice muffled through the dust mask.

“You both are talking nonsense.” It was another old worker who said that. Efficiently, he took a few pictures.

There were five people within earshot of the buzzer, and eventually, six workers gathered around the two bodies. Just three of us for each one dead. One of us held both legs while two carried the bodies by their arms.

At some point, the receiving grid had become a suicide spot. They took sleeping pills, and while they slept soundly, the power-generating satellites would transmit microwaves that slowly boiled them. There were no ugly scorch marks on the corpses these days, as the public had been thoroughly informed that all metal had to be removed.

We threw the bodies into the back of the microbus, where several trash bags were already piled. Three workers sat in the bus idly. They were all orange.

“You hit it!” One of them looked back over the seat at Mizuki.

“I was hoping I’d be wrong,” Mizuki said with a grumpy voice.

“Don’t waste time. You guys go and fill up a garbage bag quickly. Then we’ll leave for today,” the foreman declared, and honked the horn of the microbus three times in rapid succession. Then there was a different, sharper sound in the darkness. The dosimeter on my chest had turned an infinitely yellowish-orange.

When we returned to the workshop, we placed the two bodies on the floor of the morgue. The cold concrete floor seemed an uncomfortable place for them to sleep. The police would be there in the morning to take them in, since the foreman would have called them. It wasn’t our job to lead them to the scene where the bodies were found. We couldn’t and didn’t want to know why these two people wanted to die.

Mizuki stood still, looking down at the corpses. I grabbed his elbow and pulled him away. As long as the rumors of a clean death in this place wouldn’t die away, there was no stopping suicidal people from scaling the barbed wire fence. The length of one side of the power receiving grid alone was twenty miles.

We returned to the microbus and took the heavy garbage bags to the incinerator behind the workshop. The incinerator would turn the burnt birds into white smoke rising to the sky. But we wouldn’t see it because we wo
ld be asleep before the sun came up.

“How long are we gonna be here?” Mizuki said, looking down.

“We’ll figure it out. Don’t worry about it.” I lightly tapped Mizuki on the back.

Once in the workshop, I took off my protective clothing in the changing room. I put my dust mask in place on the shelf and set the helmet on the charger. I shoved the peeled tape, protective clothing, and gloves into a plastic bag and shut the bag tightly. This was going to the incinerator too. They said it had the latest filter, so no radioactive material would be dispersed.

It was a shit terrible job. Even though I was microwave-disinfected, I felt the smell of death seeping into every corner of my body. When I finished, I went to the shower room before anyone else to wash away the smell. I shampooed my hair thoroughly and washed off the fine particles of death.

When I saw a generous amount of hair tangled in the drain, I wondered if it was time to go. Still, if I woke up again, I would probably ask Mizuki to adjust the integrating dosimeter.

I lowered my head under the shower, thinking of the birds returning to heaven in a puff of smoke.

The water, just the right amount of warmth, ran down my neck, down my back, and fell slowly to my feet.

The indelible sin of comfort. When the sun eventually would rise, the grid would begin to send electricity to the city.

The city always forgets the existence of sin.

Footnotes from “Phosphates, Nitrates and the Lake A Incident: A Review.”

1. Following the conventional naming system created by the Court of the Five Silver Moons.

2. Estimates derived from a survey of original documents and scholarly papers. The claim of 77,777 watermaidens by the Ambassador of the Court of the Indigo Sun, frequently cited by later scholars, may be safely dismissed as propaganda intended to convince Court members that this method of imprisonment was perfectly safe, as can the rumor that glimpses of multiple watermaidens are either an optical illusion or an enchantment cast by a single watermaiden to hide her precise location. The lake is not of sufficient size to support more than a few dozen watermaidens, and their skills in illusion and enchantment are limited. For more, see the comprehensive surveys by Thiten Amhranai on the history of watermaidens and their abilities and limitations.

3. Indeed, escapes from supposedly secure imprisonments appear to have been more common than actual secure imprisonments in ancient times. Even the most inaccessible, remote underworld areas were frequently breached by monsters and mortals.

4. Research conducted by mortals and others confirms that the limestone cave systems beneath the lakes are of fully natural origin.

5. As with their guards and jailors, the exact numbers are unknown, but at least 13 were confirmed to have been transported to the limestone caves, and possibly 64 more.

6. Cold iron, in addition to its other issues, would easily rust in the warm waters.

7. The slits in the grills were large enough to allow cave fish and other natural creatures to slide in and out of the caves, ensuring that they would suffer only limited effects.

8. This would not be a problem until centuries later, when mortals began searching the underwater caves with scuba gear. The resulting scramble to enchant and hide the grills and divert curious mortals nearly drained two different Courts of their yearly supplies of liquid moonlight; see The Fae Bulletin for a detailed if somewhat sensationalistic report of the struggles to swiftly replenish those supplies.

9. Though notoriously fickle, watermaidens are capable of living underwater for extended periods of time, and thus have often been entrusted with equally perilous items.

10. The use of such fertilizers is common among mortals, who remain without access to other methods for encouraging plant growth.

11. Although increased algae growth had been observed in waters close to heavily fertilized areas, the effects of this growth were not well or widely understood by mortals or Court scholars at the time.

12. 19th century photographs taken by mortals show crystalline clear waters in the lake, along with abundant fish, birds, and other wildlife. The lake bottom could easily be seen even in windy and cloudy conditions. Thanks to the freshwater spring, also tended by watermaidens, the lake remained at a near constant temperature year round, even in freezing conditions and in the peak of summer.

13. Ironically, the heavy use of phosphorus and nitrogen may have come about in part from an increased demand in many Courts at the time for mortal juices made from citrus fruits.

14. Phosphorus and nitrogen occur naturally in the mortal and nearby worlds, requiring no special enchantments for use. Because of this, they are often overlooked as potential hazards, and it is quite possible that the watermaidens never noticed.

15. The first reports of brown-tinged waters came from mortals in the 1940s, before any Court regularly reviewed mortal news or correspondence. Even now, many Courts decline to do so, citing concerns about the effect of such news on their denizens.

16. This may not have been the first attempt at communication; the drops of water used by watermaidens to send messages are notoriously fragile. Attempts to update these communication systems have been sporadic and ineffective; even enchanted paper breaks down at their touch, and so-called waterproof electronics can only be used for brief periods.

17. It was not an illogical conclusion; although large die-offs of birds have often been associated with monstrous activity, they have been linked to mortals as well.

18. Supernatural involvement has been suspected, but not proven, in the 1980 dumping of DDE in the lake. It should be noted that mortals are perfectly capable of releasing pollutants on their own.

19. Scientific studies conducted by mortals cannot, of course, be entered into official Court records, but were and are still read and understood by Ambassadors and other Court interests. Many such studies can be found in Court libraries.

20. Photos taken by mortals in 1985 confirm that by this time, it was nearly impossible to see anything in the lake. Even large alligators could often only be spotted by the nearby movement of water.

21. By this time, the original white and grey sand at the bottom of the lake was completely covered in brown and black muck.

22. A search of mortal records suggests that the first deaths may have occurred in the late 1970s. A supernatural origin was not suspected until the mid-1990s.

23. The marks were not readily apparent on an initial inspection, but became visible under a mortal MRI machine, or when viewed through a moonlit-treated sapphire.

24. Although the enchantments could be enhanced to allow recipients to breathe for longer periods, such enhancements often left the recipients unable to move their arms for weeks or months afterwards. Understandably, most declined.

25. A later investigation ordered by the Queens of the Court of the Indigo Sun and the Court of the Five Silver Moons found neither the maps nor an explanation for their disappearance. Some have theorized that interests hostile to mortals, and unaware that the monsters imprisoned in the underwater cave systems also posed a threat to denizens of the Court, purposefully removed the maps to make it harder for anyone to find the gates—and thus notice their destruction.

26. At the same time, enchantments were hastily being replaced and replenished at the other cave systems, to strengthen the defenses against both escape and mortal detection.

27. The legal issue is somewhat murky. Watermaidens have never, of course, pledged allegiance to any specific court, and have thus argued that they are not required to respond to any fee decree or Court summons, and may use their own judgement to manage any perceived or real threat, without consulting a Court. Interactions with mortals, however, typically fall under the regulation of the Courts, and these particular watermaidens, of course, had been charged with the guardianship of the lake and the monsters in the caves below by three separate Courts.

28. An Ambassador at the Court of the Seven Red Stars, argued that drastic measures—for example, restoring the lake to its earlier, crystalline state—could potentially cause more harm than it would mitigate, since even the most dull-witted mortal would question the rapidity of the change. Other officials at that Court argued that it was only fair for mortals, as the instigators of the pollution in the first place, to suffer the consequences—even if some of those consequences were originally of supernatural origin.

29. This official count is probably an undercount. Other estimates suggest that over 7000 mortals and others died as a direct or indirect result of the predation, which may have occurred over a period of forty years.

30. As of this writing, muck continues to cover the bottom of the lake, and the waters remain brown and obscure. If the gates to the underwater caves have opened again, allowing the denizens there to depart, this cannot be determined from the surface. Birds and other wildlife, however, continue to return in greater numbers every year, and watermaidens have been spotted at the north of the lake, filtering some of the water through their translucent hands.

Rooted

The mangroves inhale her, a buzzing, air-thick, knotted world. She has seen eighty-one years of their change—

Eighty-two? Perhaps eighty. The decades, like the roots, tangle themselves together, extend into murky depths. In her best sturdy shoes, Sik pads as quickly as she can over the silt. Her soles squelch in the softened edges. Brackish water laps at her feet, languid but somehow alive, thrumming with far-out currents. She thinks she catches the glint of crocodile eyes, but it sinks beneath the surface before she can be sure. Around the mud-flats, mottled brown crabs cling to the trees, make her mouth water with the pickled-vinegar memory, the porridge dinners. But no time for hearty meals now. She scuttles along.

The insects whine in a pulse; Sik absorbs it and her own blood hums in response. The paper flutter of wings, somewhere in the speckled canopy. She catches its tailstream the way her mother once taught her; her soul soars for a heightened breath and a flash of vivid, blurring colour before ripping away. She doubles over, groaning. Suddenly she is sweating more than she already was. That is a muscle she has not stretched in many years. Why, when there are now cameras and film and radios to bring the sights and sounds to you? She imagines what her mother would say: Careless. Arrogant. Rootless. Jam bhoi sang tao lai. You can’t have it both ways.

Still, in that one soaring glimpse through the crow’s eyes, she saw what she needed to see. They are coming.

She catches her breath and then picks up her pace, hobbling through the swamp. Her hospital gown snags on branches. The roots attempt to trip her; she drags one foot and then another over. Those muscles are also not what they once were. But she will not need them for much longer. Kuh, kuh, kuh. The bird coughs out its own song, but Sik hears familiar Teochew syllables. Go, go, go.

She goes, goes, goes. There was a time the mangrove forest grew every year, but there are few saplings now that the islanders have set their sights on more romantic plants to populate the land. All these trees are as old as she is. Older. As comforting as that is, it makes her ache. Not many choose to come here any longer. What will happen when they are outgrown?

Her foot catches on a jut of rock and she falls. Her knees nearly crumple with the impact and she hisses under her breath. Even now worrying about the future, she scolds herself, dusting off the sand and pushing herself to her feet.

The fall and the thoughts have cost her a precious minute, however. A hum of an approaching disturbance vibrates through the roots, sending the water shivering. Loud, clumsy, but too-fast footsteps, faster than she is. As she hobbles deeper into the swamp the trees seem to lean in—embracing, shielding, capturing, their earthy, slightly saline scent turning the air viscous. She does not know what she is looking for, exactly, but she will know it when she sees it. Hurry, hurry. An owl hoots low overhead. A flutter of white feathers. The shape of a woman sailing into the corner of her eye. Sik whips around, but it’s only her own shadow racing over the water’s surface. Her heart pounds nonetheless.

Then she looks across the bank and sees it. The spot at the edge of the water. The trees around it bow gently away, skirting the copse with their many legs to create a waiting little bay.

Hurriedly she finds the shallowest part of the water and splashes across. Some slithery brown creature jolts away from her in a panic. She scrabbles onto the opposite bank and drops onto the soil, panting. When she’s collected herself, she lets the swamp sink back in, and she knows she’s found the place.

The island has changed so rapidly her memories are stuttered instead of smooth. Suddenly, skyscrapers. Suddenly, condominiums. Suddenly, no more kampungs and only trishaws for tourists, and suddenly her children are speaking English and going to holidays in Japan every year, and suddenly, the city is unrecognisable. She does not always know if it still has a space for her, too old to learn the new ways, left behind in an island that no longer exists. But the mangroves have a place for her. This place, for her. It recognises her, the soil moulding soft around her limbs and the trees around her protecting.

She shuts her eyes briefly to the hum and chirping, the slosh of the slowed tides. She remembers times out in her father’s fishing boat that the waves were not docile like this. They roared, black and spitting, threatening to upend the world. But the mangroves keep them safe from those waves; they tame them. She remembers a time when the mangroves wrapped the island. Now they cling in scraggly patches to the coast, replaced by factories and farms and slim pretty trees with concrete-stunted roots, and the dragon tides lick their lips at the land.

“Ma!”

Sik’s eyes fly open. Bursting onto the opposite bank, tripping and cursing and sweating and wide-eyed, are her three children. She swears under her breath. She has to do it now.

She yanks off her shoes as her oldest son, Ah Seng, starts making his way across the shallows. He lunges forward, but she thrusts her feet into the water before he reaches her. The mud closes around her ankles.

“Go away, Ah Seng!” He’s reached her now; she bats him away as he tries to pull her up. Her daughter and her youngest son, Ah Mui and Ah Yik, have started across as well, although Ah Yik’s face twists as his expensive shoes touch the water.

“Ma,” Ah Mui pleads from a distance. “Please come home. We already prepared the plot.”

“I told you I don’t want that plot right! I told you I wanted to come to the mangroves!” She finds the sudden strength to wrestle Ah Seng. A renewed energy has begun seeping into her veins, a new solidity firming up her muscles so badly ravaged by the illness. She sucks in a vicious breath. She has not felt this strong for many years. “You never listen to what I say, and you still dare be shocked.”

“Who wants to come to the mangroves!” Ah Yik throws up his hands. He has abandoned his wading attempt and returned to dry land. His fancy shirt is soaked through, and it reminds her suddenly of him as a little boy wet from playing in the rain. She knows all his business partners call him Richard, but he will always be Ah Yik to her, the chubby child with his singlet turned translucent, wet hair dripping into his Milo. “You don’t know what they’re going to have to do to them in ten, twenty years—”

“In the park you have protection; we can look after you there,” Ah Seng says, but his despairing expression, and the way he steps back from her, knows it is a lost battle. He can see the roots already twining up her legs.

Ah Mui is still trying. “We paid the shaman for a beautiful flower tree—”

“Flower tree! Flower tree do what? Let people pick only. Look nice nice in the park, hor? Let lightning strike only.” Sik thumps her chest, which echoes like a drum. “My ah gong died in the war, you know! He fought against the Japanese. He never get to choose his path, but he die to protect the island, you think I want to be a flower tree! I old already, don’t care about being beautiful. I don’t need you to protect me.” Ah Mui opens her mouth, but Sik cuts her off. “Need shaman somemore. Here, the old magic all connected, don’t need anything but your spirit. Huh? You watch. You learn. Maybe when your time comes you will choose to be useful also, instead of become those trees that will blow over in a monsoon! Burden everyone only.”

Her children exchange wary looks, one eye still on her as though surrounding a wounded animal. Sik sighs, even as she feels her spine straighten, her ribs begin knitting together. The magic has not yet reached her soft heart. “Come, lah,” she says gently, reaching forward as much as her stiffened torso will allow. “Don’t fight already.”

After a fractured pause, Ah Mui is the first to stumble forward and fall awkwardly into her mother’s browning arms. Sik kisses her forehead, the way she did when Mui was a girl. When Ah Mui pulls away her eyes are glistening and she sniffles.

Ah Seng gruffly holds her for one, three, five seconds, tucking his head in the crook of her neck. “Bye, Ma.”

Ah Yik hesitates. Then, finally, he puts his feet in the water and trudges over to her. He brushes against her roots, but it doesn’t hurt. His arms go around her, and by now she can’t feel his chest rising and falling against hers, but she feels his chin shuddering against her shoulder. “Aiya,” she croons, patting him stiffly on the back. Her hands are starting to harden, grow rough. “It’s okay one, Ah Yik. The path not so hard. Can always come see Ah Ma.”

When Ah Yik steps away, they are all three standing in front of her. Mui’s arms are wrapped around her; Ah Yik has his hands shoved in his pockets. Ah Seng worries the hem of his shirt. Sik smiles at them as her fingers knot and lengthen, as her hair thickens and spreads, as her roots sink deeper and further into the swamp and the land. Her view of the children fades, and in its place rises a warm wind of greater consciousness. She sees the crocodile lazy on the water’s edge; the hornbill that watches for prey; the spider weaving its web. She sees the island curving into the horizon. The boats that bob against the skyline; the buildings that perforate it. The bustling port and the floating market, the dusting of trees along pin-straight roads.

Faintly, as she sinks into the swamp, she is aware of hands gently resting on her sides, cheeks against her branches, and three soft, steady pulses merging slowly into one. An old instinct swims hazily to the surface, melds into the new. I will protect you, she murmurs, and then she slips and twines and tilts her head upward, roots steadfast in the earth and arms reaching toward the sun.

Nature’s Chosen Pronouns

*after Greta Gaard’s Toward a Queer Ecofeminism

But maybe nature isn’t even

a “her” . . . . When nature is feminized

and thereby erotized,

and culture is masculinized*,

the trouble starts, and it’s the bad kind.

When the girl puts on a summer dress:

“she’s asking for it”.

When the soil is “too rich not to steal”:

“she’s asking for it”.

When the non-westernized have (better)

non-reproductive sex and more

than two genders:

“they’re asking for it”.

So stop

the farther occupation of flesh,

of bodies made of earth.

Cut the virile organ

of colonization

before it brings more death

and the death of desire:

compulsory heterosexuality,

the age of the missionary,

with the conqueror “on top.”*

Apology for the Divine Masculine

“And the ship, the black freighter,

disappears out to sea, and on it is me.”

 

Wetlands become one with the rising gulf

as oil rigs drink the earth’s secret juices

and phallic man-made things do other rapey things

to things to which we have ascribed yonic features

and so forth in a pastiche of sexes assigned

to things that never asked not to be sexless.

Does Mother Earth apologize when she

retaliates, swallowing swamp towns

and eating away at the foundations

of coastal cities, as my mother made

my sister and me apologize to our

abuser if ever we fought back?

If a drop of water fell

for each time I apologized for no reason

(besides that I grew up Baptist, believed

that God-on-Earth was tortured so God-up-There

would forgive me for being what He made me),

I’d sail across a sea of sorries,

beg mercy for reaching the shore,

and fall into the arms of the first

brute to excuse me for loving him.

Once, a middle-aged sorceress told me I’d never find love

unless I wrote an apology to the divine masculine for always

expecting the worst of him, and I told her, honey, not until he

writes me one for always proving me right. Once, a friend

told me that apologizing was my most feminine trait, as if

I weren’t cooking dinner in heels and a backless dress, as if

femininity were skin I’d like to shed, and I said I apologized

for all men who wouldn’t do the same, except, no, how

could I apologize for something I’d been assigned—

male, boy, man, him—but never really been?

If Mother Earth covers her face

in a veil of liquid blue shame

for what we’ve done to her

then I will not be sorry

it was her language,

not his, I learned.

Sweetwater, Poison

Last September, they told us not to drink the water.

Our water, from our river, the same water that’s cooled every summer thirst, washed every dish at every birthday party, rinsed the sap off every Christmas since the day I was born.

The advisory was only a precaution, the news broadcast reassured us, but the Food Lion and Harris Teeter shelves were empty in hours flat. Even the Smartwater, the Fiji, the fancy-pants expensive stuff no North Carolinian in their right mind would ever buy in bulk—every case was gone.

Up the river in Fayetteville, the DuPont team responsible for the release of the chemical driving the drinking ban was gathered in some PR war room, but downstream, we turned to sweet tea, lemonade, coffee, orange juice, every other thing in the fridge, always starting for the tap and remembering just as we began to turn it.

But of course, some people went right on drinking the water, just like some people have parties on the beach during Category 4 storms, because this is the Carolina coast and we are nothing if not accustomed to disaster.

This was before Florence, when we had enough distance from a truly bad storm to cheer on the fledgling squalls spiraling off the Gulf Coast, craving the respite from life and school they would bring. And if they ever threatened with any seriousness to arrive, it was a crude, manic, festive vacation, as we boarded up windows, spray-painting challenges or prayers on plywood, surfers racing for storm swell as the ocean churned and they howled the joy of getting waves as close to California big as our east coast shore could ever muster.

In Wilmington, North Carolina, our history is made up of pirates, hiding behind piny shoals from the law, of stubborn generals in the last bastion of the civil war, flowering azalea, cobblestones, steeples on every corner, college basketball and hurricane parties, and so some people flapped their hands, scoffed at science, and went right on drinking the water.

In the coming months, clumsy local-news reporting fed us the piece-meal story: Once upon a time, DuPont, nee Chemours, manufactured shiny new Teflon upstream in Fayetteville, and to make it extra-shiny, they used a chemical (and I swear this is the name, though I know it sounds like a comic book kryptonite) called GenX. It flowed with the rest of the sludge deemed safe into the Cape Fear River. And one day, in a series of routine tests, they found it in the drinking water. Someone saw the results and rang the alarm bells, even if they didn’t know what they were ringing them for.

The impacts of GenX on human health are unclear. It’s a new chemical, one of many PFAs beginning to be called “forever chemicals”, developed as a replacement for the blacklisted PBDEs of the 1980s. They exist in a kind of grey regulatory limbo, not yet classified as toxic or completely cleared. They’ve caused cancer in some lab rats—news that makes your stomach turn when you turn on your tap—but it hasn’t been enough for companies to forgo their profitable use.

What was clear, though, was that the bottled Fiji water my more nervous neighbors were using to brush their teeth with wasn’t going to do any good. GenX had been in our water for almost a decade already, at 130,000 parts per trillion. If it was going to hurt us, the damage was done.

So there was a great Southern shrug, and we all turned on our taps. Just like turning up the music at a hurricane party as the winds howl. What’s done is done, what’ll come will come.

Meanwhile, every agency with an acronym east of Raleigh was floundering. The bogeyman of this long-term mystery molecule was proving impossible to wrangle, harder even than the coal ash spill from a few years back in the same long-suffering river. Suddenly its presence in the water and its questionable past were splayed out on scrolling cable news bulletins night after night. There were town halls packed full of scared angry people who wanted to know what was in their water, and the harried municipal inspector fresh out of school, the underpaid chemists from the treatment plant—they all had to tell their neighbors: we don’t know.

Let me be very clear: Wilmington is not Flint, Michigan. Environmental disasters always disproportionately affect already marginalized communities, hitting hardest the people who can’t afford a case of Fiji water or people in food deserts who walk to the corner store for groceries and couldn’t carry five cases even if they could afford it. And parallels of negligence are certainly present. But GenX isn’t lead. Our children aren’t dying. And our elected officials were blindsided by its presence in our water, just like us, even if the Chemours executives were not.

This is the place I am from: where a river only this year after tireless fighting has stopped carrying a wild-card chemical downstream into the taps of everyone I know and love, where coal ash was spilled in the same waters a few years back and there was never just restitution, Where surrounding farmland is plagued by algae-choked lakes, animal refuse is dumped with abandon as factory farms go unregulated, where building codes allow brand sparkling new oceanfront construction for the revenue they will generate despite the constant sea level rise and erosion, where people stare stubbornly into the eyes of storms like Florence, which took seventeen lives and left my hometown an island, which worsen with every passing year.

This is the place I live now: where I sit in a classroom in Maine and listen as a professor talks about the sublime American wilderness, where I major in a field of study centered around the ‘environment’, in a town where farmer’s markets dot the village green and grocery stores have started charging per plastic bag.

I write these words on a scientific station off the coast of Canada on a summer arts fellowship, with hundreds of miles of ocean between me and a factory, where we count with care the eggs of even the common gull and are careful not to let even hand soap contaminate the nesting sites of sparrows, where at night the only visible sign of human industry under the stars with the milky way caressing their swirling center is the lighthouses to the south and north. I am paid two dollars an hour more than the minimum wage in my state to write poetry about storm petrels and honeybees and the fog rolling in from the sea.

And at first glance, this makes sense to me. After all, there are places like Kent Island, and places like Wilmington. There and Here.

When most people talk about the environment, they mean Kent Island and the jungles of Belize, beautiful wondrous pristine places, distant places, There.

But beer cans in estuaries and a state park with trails layered over tore-up old motorbike paths, and the muddy river under fourth of July fireworks flowing, and the creek behind the subdivision, and the GenX flowing downstream—the environment is hiding Here, too.

There is an incredible contempt in America for the middle landscape—a term environmental scholars use to describe places like Here. Not catastrophe and ruin, oil spills or garbage dumps or black-lung from coal or the radium-girl shocking headlines from old factories, but the Here—the backyard grass that needs mowing.

But the problems in our thinking are the hardest to shift, especially when the pull of the There is so deeply ingrained, and we are all forced to deal with the drudgery and carnage of the Here.

Like the officials in my home town with their alarmist call to turn off the taps or like the DuPont inspectors who said nothing all those years, it is either feast or famine with the American imagination. We invoke a love of Nature to save the redwoods, while it isn’t even a word we connect with planted petunias on overpasses or roots scrabbling up in vacant lots.

No one is paying me to write poems about the flooded cobblestones on 3rd Street after the hurricane, greasy with sunscreen and gasoline, about the retention pond my dad and I fished in, always catching turtles on accident; no one is paying me to write poems about the bare shelves of Food Lion, even the Fiji water gone.

But maybe the answer is that I will anyway. Because I am sitting in this pristine paradise with all the privilege that comes along with it, and I’m telling you: they’re the same gulls circling overhead, the same goldenrod that grows along the highway in the place I am from. At home and far afield I have the same right to clean air and water and a livable planet, regardless of how well it translates into our romantic ideals of wilderness.

The “environment” is of no use to us if it ceases to exist where it cannot fit easily into poems like “Leaves of Grass” or even “The Wasteland”. Feast or famine are not the ways to live in the world. The power of activism spurred by imagination is futile if our contempt for the middle landscape blinds us to the necessity of change.

We all live in landscapes that shapeshift, passing through blurring borders of Here and There. It can seem impossibly incongruent: the carelessness of a tossed-aside beer can on a commercial shore and the gentle fastening of a thousand-dollar tracker to the wing of a burrowing grey bird.

But I am learning to blur these lines, to unhitch my sense of beauty from an obligation to perfection. Like anyone with the privilege to experience such beauty, I must grapple with my longing to always live on Kent Island, to set these places on their pedestals. I know that my hometown’s muddy river water is not truly separate from the waters crashing on this untouched shore. It is all flowing from the same headwaters; we all live downstream.

Podcast Episode 23: Sold for Parts

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Today on the Reckoning Press podcast we have Catherine Rockwood reading NIB’s quiet flash story “Sold for Parts”, about surviving, coping, in a world of loss. This piece seems particularly relevant here in the U.S., after a series of Supreme Court decisions that signals a precipitous erosion of rights, hope for safety and well-being and progress towards justice of all kinds, for everyone.

I hope listening to it provides you some solace, a little peace.

In case you haven’t heard, we’ve just announced a new submission call for a special issue about bodily autonomy and environmental justice, Our Beautiful Reward, edited by none other than Catherine Rockwood. To read that call and submit, you can go to reckoning.press/submit.

We’re also running our first-ever fundraiser, with the goal of raising payrates for writers, staff, and podcast readers, potentially producing a print edition of Catherine’s special issue featuring cover art by Mona Robles, and including cool rewards like pins, t-shirts, personal story critiques from some of our editors past and present, and other weirder fun stuff. Go to reckoning.press/support-us for details.

Thank you for listening!

[Bios below.]

“Sold for Parts” by NIB

A brief history of misery

Among the stones, there was a flower that reached out to me.

Many years ago, I dreamt of the Arabian Nights

When I woke up I found myself laughing

Nothing wrong with the laughter

But we shouldn’t take history seriously when it turned into a big joke.

I sat at the edge of the battle

Dressed like a warrior

I am not a half person anymore

No Matter how my society categorizes me

No Matter how the world introduces me

I stand in a proud position

Pouring my excitement into the Revolution’s womb

I run with all my might seeking a door or a window

I found nothing

I type on my Google page

‘Freedom’

I searched many times

But found no results.

I recalled the rooster’s sound in our tales

I waited for its appointment

But nothing came.

I shouted like a child

Who had her first sight of a gorilla

I moaned

All the women who were hidden under my skin moaned louder.

We are not a family

We are one.

We are tied to each other against the walls of the prison.

It took a very long time to crawl from under the tunnels

Climbing the highest trees

Rubbing our faces with the world’s maps

Among the stones, there was a flower that reached out to me.

I was born with a great motivation to scratch the sky

No Matter how many people limited my power

No Matter how hard the world fought me.

Podcast Episode 22: The Watcher on the Wall

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Hi everyone, I’m Catherine Rockwood, and today on the Reckoning Magazine Podcast I’m going to be reading “The Watcher on the Wall” by Rebecca Bratten Weiss. And this poem is featured in Reckoning 6, which we are very proud of and which hope you will pick up or survey.

So the way we’d like to order the podcast is, first I’m going to tell you a little bit about Rebecca, and then I’m going to say a few words about what we really loved about this poem when it came through in the submissions, and then I’m going to read you the poem. Okay, so here goes.

(Rebecca’s bio appears below.)

So on to some thoughts about the poem itself. Here I would just say that what we loved about Rebecca’s poem was its clarity and anger, its willingness to fully engage with difficult human relationships with which and by means of which we try to understand the enormous danger and uncertain outcomes of environmental destruction. When climate communicators talk about the need to face difficult things, well, you’ll see what this poem does with that. It embodies the process of facing difficult things in a way we found both grave and uncanny, disturbing and galvanizing. And we hope you agree.

“The Watcher on the Wall” by Rebecca Bratten Weiss

The Watcher on the Wall

Lured by the first snow of winter,

my dead father managed to struggle out

of his grave on the far hill, managed to stagger

down into the walnut grove to meet me

as the heavy flakes fell.

He did not look bad. There

was a grandeur in his features in the half-light of

my torch.

What is it the snow does for the soil, again?

he asked me. Fixes nitrogen, I answered. No, wait

that’s lightning. I couldn’t remember what the snow

does except for cover the soil, cover us, cover the

living and the dead.

My father looked at me with some pity.

I saw then how his flesh had fallen away, how

his farm clothes were tattered.

I still know more than you do, girl, he said.

I am the watcher on the wall.

Before he died he’d said that,

called himself the watcher on the wall,

and it had meant only

that he watched men in bad suits on TV,

and read prophecies about the world’s end.

It had been an old man’s fantasy,

his final dodging of the truth.

Now I saw that he had found his wall.

His eyes were visionary, at last. Whatever it is

that’s coming for us, he’d seen it.

He opened his mouth to tell and I saw the blue

of bones and

the snow came between us and our voices

were silenced, and he could give no warning.