Category: Essay

Climate Change is an angry beast and we are poking it with sticks

—Wallace Broecker

A lot is changing. A whole lot, and just like Nma, my mother, would say, I can feel it in my body. I can also feel these changes. Nonetheless, I think the changes have gone beyond feelings. I see and hear them everywhere and every passing day. At night, usually before dawn, the wind sings . . .

“Finding meaning in grief does not mean we’re over the loss or okay with the loss; it means we can find a way to honor the love, even in our pain.”

—David Kessler

It is my good fortune to have seen elephants from childhood. Many would imagine I had grown up near a sanctuary, but that wasn’t the case. We lived by an iron-ore mine, and forests surrounded every colony we lived in. The townships we lived in were made by cutting through forests and hills. The roads consisted of ups and downs. Walking with our heavy school bags always . . .

Reckoning 9 comes to you from a year of reading and discussion—from intervals of not quite thinking we knew what this unthemed issue should look like to flurries of activity, enthusiasm and advocacy. Then, in a slow pull-back at the end of the submission window, everyone on the editorial team started to say okay, yes. Together with the writers, thanks to them . . .

How does Twitter’s collapse relate to the climate crisis?

I’m far from alone in retreating from global social media to more private spaces—shared interests, affinities, locality. The most pertinent one here is my forest stewardship community. Even the solitary act of cutting up an invasive tree—mitigating centuries of damage caused by settlers to a formerly . . .

When we decided to leave Reckoning 9 without a theme, I wasn’t certain what to expect. Speculative fiction brings to environmental justice writing endless possibilities. Within speculative fiction, we explore difficult topics like climate change, pollution, and human displacement from the comfortable frames of comic sci-fi, cozy fantasy, and solarpunk. . . .

The question, as a form, courts: wide-spanning and invitational, it provides the grounds for voicing provisional answers and desires, variously. The works that comprise this issue of Reckoning provoke essential questions for our current historical conjuncture, questions which defy the treacherous narrows of business-as-usual and open instead toward . . .

“This is my home,” my mother says to me one overcast day.

Picture this: mother and daughter are sitting on the couch together, our ponchos pooling and swallowing us whole. We are looking at a picture on the internet, a snapshot of the valley in Petorca. My mother was born in that Chilean city, a tiny bird nestled in the bosom of the Andes, gasping through thin air and . . .

Magic! That is the word I could use to describe where I came from, my island. It was not owned by any individual but a collective of small dwellers surrounded by bodies of water, a small place where I knew our neighbors’ names, where I woke up to the serenity of the waves greeting me. I almost took this view for granted and lost my wonder of her.

I once lived close to the . . .

Marcia Mejia and her Indigenous community, the Eperara Nation, live along the banks of the Naya River in Colombia. Her settlement of Joaquincito sits right at the delta where the Naya reaches the Pacific Ocean. The Naya was a major site of conflict during the 50-year-long Colombian civil war. The Eperara, together with 64 Afro-descendant communities along . . .