Editorial: Becoming “We”

[An Exquisite Corpse]

 

Humans use words. Mushrooms use mycelia. Who’s to say which is better? This is why we have infused each copy with spores.

If you’re reading this, the psychedelics have already entered your bloodstream. Get ready.

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[An Exquisite Corpse1]

 

Humans use words. Mushrooms use mycelia. Who’s to say which is better? This is why we have infused each copy with spores.

If you’re reading this, the psychedelics have already entered your bloodstream. Get ready.

The language of our nervous system, the solar system, any system. We don’t hear it? Can you hear the earth burning? The shrieks of languages travailing across species like migrants from another destroyed solar system. The voices of the non-human neighbours pleading to billion deaf ears. Betrayed by alphabets, the language killed by a deficit in the bank of vocabulary. Do you speak/understand the language of the planet?

And if you’re not fluent in Disregulated Polysystem, if sometimes these days it seems impossible to believe reason, attention, goodwill, a ‘decent ear’ should be enough to turn so much noise to signal, well then: what’s the strangest living thing you can love and listen to? Stranded between ice and melt, with January sheeted over sidewalks and March shaking the treetops, maybe you think of lichens, moss; if moss, then tardigrades; if tardigrades, then irritated bears who also suffer from unsettled weather. If bears? then skunk cabbage, which heats itself inside a fruitful mire. Red-hulled stinking food. Saying in its own way, come here—come soon.

Listening gathers silence and casts light into the countless corners of an ever-connecting web. We coalesce at the intersections like dew drops, each our own glimmer until we all become a single shine. Until we are all water and sunlight and rainbow refractions, myriad reflections we only sometimes believe.

Below us, we know, is a darkness we cannot fathom, a hollow our refractions cannot touch. But it’s always been there.

The rain ends and the worms squirm forth, singing. Like orpiment wine, the sun spills across the field; the tender brush unfurl to tap into the light, decussate leaves bobbing up eastward. This is the force of change. No one gets what they want—except us, and we want a happy ending.

So go, sip at the new sun. Listen for what you’ve always missed. Thousands of years ago, human hands traced ochred animals along Chauvet’s stone, painting the slope of a snout, the hunch of shoulders. Let your fingertips sink into warm clay, and know that it is not too late to begin again.


1. Exquisite Corpse is a storytelling game, invented by French Surrealists in the 1920s, wherein each participant adds a single line after having seen only the previous line. The title refers to a line from one of the game’s first incarnations: “Le cadavre exquis boira le vin nouveau.” (“The exquisite corpse shall drink the new wine.”)

From the Editors: Resistance

How does Twitter’s collapse relate to the climate crisis?

I’m far from alone in retreating from global social media to more private spaces—shared interests, affinities, locality. The most pertinent one here is my forest stewardship community. Even the solitary act of cutting up an invasive tree—mitigating centuries of damage caused by settlers to a formerly well-managed landscape—becomes communal quickly. Nature can never be fully reduced to a guidebook, and there will always be a behavior to surprise us, as with the elephants of Purbasha Roy’s childhood.

Sharing space, whether virtual or physical, inevitably results in shared experiences. Many of these are found in Reckoning 9: both the comfort of finding shared purpose, as in Siobhon Rumurang’s “Cloud, Cloud”, an act of anticolonial resistance, and the darker side—shared beliefs that contradict one’s lived experience, as for the narrator of E.L. Mellor’s debut story, “Blue Speck”. No space can fully escape a dialogue with its own history or marginalized present.

Ultimately we are reminded that community is essential, inevitable, and coalesced around some shared quality. We can shout into the void, but it’s the people next to us who will hear, understand, and, hopefully, spread the word.

Reckoning 9 – Submission Call

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Reckoning 9 is open for general submissions! There is no specific theme for this issue; if your work concerns any aspect of environmental justice, from food sovereignty to ocean plastics to industrial cleanup to Indigenous rights, we want to see it. In fact, we look forward most eagerly to perspectives none of us has thought of. Please help us learn and understand.

The editors for the issue will be C.G. Aubrey, Priya Chand, and Catherine Rockwood, with help and support from the rest of the wonderful and brilliant Reckoning staff.

As always, we are seeking art, poetry, short fiction, and creative nonfiction up to 20,000 words in length, in particular from Indigenous, Black, Brown, queer, trans, disabled, neurodivergent and/or otherwise marginalized writers and artists from everywhere, and as of August 2024 we pay $75/page for poetry and art, 15c/word for prose. Deadline for this issue is the solar equinox, September 22, 2024.

Full guidelines are here. Please submit?

From the Editors

Water: what is it good for? Absolutely everything.

(I’m sorry. But also not. I hope that’s stuck in your head now.)

In privileged areas worldwide, access to clean water is never far away. Water is so ubiquitous—and, depending where you live, so seemingly renewable—that, if you are in this population, it’s easy to forget how easily disrupted these systems are, how quickly that convenient tap can go from potable to unsafe, how your recreational or work sites can be shut down or disrupted practically overnight.

I’m excited for all of you to read four perspectives that are as diverse as the challenges facing our water systems today. Each piece brings an environmental issue into stark personal focus. Whether it’s government or paramilitary action, the exploitation of resources far past what can be sustained, or the ever-lurking shadow of global warming, ecosystems are being transformed at unprecedented rates—and the people who inhabit these ecosystems alongside them.

But these are not stories of hopelessness. Part of focusing on the personal—my favorite part—is that it highlights points where individual action does make a difference. It’s easy to look at the challenges today and walk away thinking there is nothing to be done, but that elides the important work that people are doing every single day to protect and restore their communities.

Building resilience matters. If we want to restore natural continuity, we must start by ensuring our spaces—the full ecosystems, including the human elements—are healthy.

Podcast Episode 24: On the Destruction and Restoration of Habitats

Hi, it’s me, your nominal host, Michael J. DeLuca. Today on the Reckoning Press podcast we have for you Reckoning 7 nonfiction editor Priya Chand introducing and reading her Utopia-nominated essay, “On the Destruction and Restoration of Habitats”. This is the first in a series of what will hopefully be five episodes highlighting work from Reckoning 5 nominated for the inaugural Utopia Awards.

The Utopia Awards, organized by Android Press as part of CliFiCon22, will be up for public vote between August 1 – 21, and winners will be announced at the conference in October. We really hope you’ll listen and be inspired to vote. I’ll include links to the voting pages here once they’re live.

My pitch for Priya’s essay is as follows: she’s doing what solarpunk fiction projects, and she’s encountering the complexities and conflicts of the real world making that work harder, more fraught. It’s the work we all need to be doing. Follow Priya’s example.

Also, in case you missed it: we’re having a fundraiser! We’d love to pay everyone better and give more folks a chance to feel invested in this undertaking while making more cool stuff and amplifying more radical, revolutionary, restorative ideas. There will be rewards! Take this opportunity to sport some antifascist, pro-environmental justice Reckoning bling. Maybe win a personal critique of your writing from one of our editors. Or encourage our staff to generate some bespoke educational content on how to make the world a more livable place from right in your own backyard or local biosphere preserve. Come on over to reckoning.press/support-us to learn more.

[Bio below.]

“On the Destruction and Restoration of Habitats” by Priya Chand

Podcast Episode 16: On Animal Rights and Animal Consciousness

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Hello, everyone, and welcome back to the Reckoning Press Podcast. It’s me, Michael J. DeLuca. I’m here for a very special experiment; we’re going to try our first roundtable. I have here with me Priya Chand, E.G. Condé and Juliana Roth, and they’re going to talk about animal consciousness, animal rights, and human rights.

[Bios below.]

Take it away, Juliana!

Reckoning 7 Guidelines: Nonfiction

Someone throws out a plastic bag, maybe intentionally or maybe lost on the wind in a moment when they aren’t paying attention, and now there’s plastic in the Mariana Trench.1 Meanwhile, horseshoe crabs evolved a compound to resist infection, and now their blood ensures millions of vaccine doses are safe every year, though at the cost of their own health as a species.2

No matter what we’re trying to get—easier access to electricity, delicious food, a nice day out—nothing happens in a vacuum. Our actions have consequences, both positive and negative, that ripple across the system regardless of intent. So what does happen when we pay attention to the whole, rather than only the parts that are immediately visible? What effects do we learn to look out for, and what unanticipated surprises change the way we think about the impact of our actions? Consider food webs, niches, and global currents—but don’t stop there. A novel perspective is the most valuable of all.

While a connection to watery ecosystems is preferable, it is not required; we do expect a connection to environmental justice. References are appreciated where relevant, in no particular format—this call is for creative rather than academic or journalistic nonfiction.

Payment for nonfiction is 8 cents (US) per word and there are no fees to submit.

Read the full guidelines and submit!

 

1. https://www.nationalgeographic.org/article/plastic-bag-found-bottom-worlds-deepest-ocean-trench/

2. https://www.pbs.org/wnet/nature/crash-a-tale-of-two-species-the-benefits-of-blue-blood/595/

On the Destruction and Restoration of Habitats

The forest preserve district wants me to cut down trees. With a saw in one hand and loppers in the other, I oblige.

As a child I got my destructive tendencies out in videogames and martial arts. Beating all of my friends at Street Fighter—and gloating about it—was fine. Plucking flowers was not. Even the ubiquitous dandelions like tiny weak suns in the lawn grass were meant to be seen, and only pulled once transmogrified to puffball form, wanting dispersal.

At the beginning of May this year, I ripped those vivid yellow heads off every single dandelion in my parents’ yard, and then when more had bloomed the next day I did it again.

After I’d dumped the pile of them into the trash, I went to the little patch of trees across the street. The grass here was sparse, a bloom of mushrooms welled from the drying mud. I squatted down and took a minute to admire a single violet plant. Heart shaped leaves framed purple flowers. The flowers are easily recognized even when they aren’t purple. The white ones are indigo-streaked to lead in the pollinators, but my favorite, for the irony and more, are the yellow violets. They are bright, though nestled close to the ground, and not as shiny as the five-petaled swamp buttercups that, as their name suggests, thrive alongside Illinois’ transient and permanent wetlands.

All these native plants and more—the mayapples, trillium, spring beauties, Dutchman’s breeches, woodland phlox; and those are only the current season’s more common flowers—evolved to thrive in specific conditions. Varying degrees of sunlight and wetness will even introduce variations within a species. The most vivid specimen of spring beauties I have ever seen, with shocking pink anthers that would put Barbie to shame, was about a minute after my sneaker filled with muddy water because of snowmelt on the unpaved trail. But I’ve also seen them growing in flocks in the grass, out in full sun, the characteristic pink lines on their petals faded to a more solemn hue.

But none of these thrive in the presence of invaders.

Garlic mustard pops up in the spring, leaves somewhat reminiscent of violets’, with little clusters of four-petaled white flowers. The roots smell like garlic, which is how it got the name, and it generates chemicals that kill its neighbors. When I see it, I rip it out—it’s not as persistent as dandelion. My family finds this very annoying when we’re out walking, but how can I squander the privilege of this knowledge, this access to the woodlands?

Before I found the local forest preserve, I joined whatever volunteer opportunities in habitat restoration came my way. Some of these included local youth. They came from various backgrounds, but the important thing was they were interested in the program, even when their destructive tendencies were less delicate than mine.

One year we were supposed to take a group of middle schoolers to plant trees in an impoverished neighborhood, which had its nature overwritten in concrete and scraggly grass. Of course, a group of middle schoolers and a few adults can’t dig all the holes needed for oak saplings. So the plan was—if I remember correctly—for the community service workers to dig the holes, leaving the saplings with their root balls for the kids to plop in and cover with dirt. Satisfying, right?

When we got there, there had been a mix up. The holes were not dug and there were only a few saplings.

Unable to do anything, the leader improvised a plan: cleanup. We would walk around picking up trash. Dime bags the kids didn’t understand (and we didn’t explain), thankfully—that time—no condom wrappers, and the litter of any place, even those where everyone has a reusable tote bag. Organic bars come in the same metallic wraps as their cheaper cousins.

We came to a tree, a slim thing caged by its surroundings, spreading thin leaves despite the mound of cigarette butts around it.

I’ll never forget the look on the kids’ faces. Why would people make such a mess, right there? It was a learning opportunity, to see the bar across the street and recall the order banning indoors smoking. Unintended consequences. Easily changed by being mindful of one’s own behavior. They cared, and I hope still care. I hope that when they are adults out on field trips, they don’t have to try to hide, at the end of an otherwise excellent kayak up our manmade lagoons, surrounded by squawking birds and shy turtles and the sinuous movement of water gliders, in the middle of the clear summer sky a blot of a cormorant dangling from a tree by the fishing line stuck in its throat.

My pathetic diversion didn’t work, because these were curious kids with functioning eyes and senses attuned after a solid hour looking for animals. But it didn’t stop them from continuing to participate in learning about and restoring nature. Not everything we do outside has to be a conquest.

Buckthorn, like garlic mustard, is allelopathic. It releases chemicals that kill its neighbors. There was one morning where, I swear, the second the last virulent orange trunk hit the earth, the frogs struck up their song, sunlight warming the newly cleared space. Thankfully buckthorn doesn’t grow amid standing water, but it had been close to the edge.

While it’s incredibly satisfying to yell “Timber!” as the creaking turns into a crash, the buckthorn isn’t actually dead. The thing about invasives is they’re not immigrants or foreigners, they are colonists. Killing their competitors is only the first step: they have to be able to grow and reproduce, too. As long as its roots are alive, buckthorn has the opportunity to send up whippy shoots en masse. When these have the opportunity to grow, they create a whole tangle that’s hard to cut down, tangled trunks and branches, and of course the thorns they’re named after.

The only solution is to destroy even the roots, by painting a herbicide onto the trunks that will leach through.

You may have heard of this one.

It’s called glyphosate.

When it’s not damaging farm workers and bees, glyphosate is saving habitats by killing off the invasives that destroy our habitats, the rare plants and animals which adapted to their niches over the course of millennia, only to be derailed by a succession of introductions both intentional and otherwise.

Paying extra for organic produce, living in a place with enough volunteers and staff to maintain the woods that release crisp, fresh air from their rich green leaves, the carpet of moss and grass and flowers underfoot attracting birds that sit up in the branches and trill away, with no consideration for an amateur photographer—it is easy to not understand why things like glyphosate still exist, are still used.

But until there is another solution, our options are limited. We cannot go back in time to save that biodiversity before it ever became threatened, before the pale furl of a blue flag iris beneath its stiff proud leaves became a rare event. We must move forward.

Until there are better options, I will be in the forest, sawing down trees and pulling weeds, with the other regular volunteers and student groups that still, in the middle of a million other assaults on nature, take the time to try and heal this piece.

You’re invited.