Editorial

This issue of Reckoning is devoted to works about war and conflict viewed through the lens of environmental justice. What is seen through that lens is, by turns, grim and hopeful.

It is through writing that we remember freedom, as Le Guin puts it. Writers are capable of probing into the heart of the crises of our time: extinction, genocide, climate catastrophe. Diagnosing the rot at the source: violence, imperialism, and fascism. In a sense, these works may lean a little more into the mode of detailing the war that is ravaging our planet and communities, rather than than offering a restorative view of how the world could be healed. There is much value in this, especially in societies where we are kept so distracted and tired, over-worked and always busy, that we hardly have the resources to stop and say “this isn’t right.”

The title for this volume, ‘It Was Paradise,’ comes from a collection of poetry by Palestinian icon Mahmoud Darwish. The full quote is ‘Unfortunately, it was paradise.’ The reference is to Palestine and its decades-long colonization and occupation. Today, Zionist forces have left the land desolate, a truly bleak example of how genocide and ecocide are intertwined.

I believe that the power of the writer is in imagining what the world could be, that it doesn’t need to be this way. We can live in harmony with our communities and with nature, valuing all life on this world that we share in common. Without the role of imagination in remembering freedom, and prefiguring a future where there is truly justice, there can be no coherent and lasting change. I do not hope for a revolution to spring up spontaneously, but rather that we can all take actions, right now, toward a just future, together, cooperatively. I hope that this belief has informed my decisions as guest editor, and that you find this volume to be sincere and salutary.

I could not have done this without the unwavering support of the staff and editors at Reckoning. They have my thanks for their support, belief, and patience through this long process. I hope that the reader will find their experience of these dreadful times represented, but not in a pessimistic mirror. I hope you find courage and motivation to act in whatever way possible to create a better world for us all.

Special Submission Call: It Was Paradise

 

************SUBMISSIONS FOR IT WAS PARADISE ARE NOW CLOSED. THANK YOU TO EVERYONE WHO SUBMITTED.************

It’s time to announce the call for submissions to It Was Paradise*, a special issue of Reckoning edited by Sonia Sulaiman and with cover art by Mónica Robles Corzo. In a world devastated by catastrophes, we need stories that confront these horrors. This is all out war on the planet, on life itself. War and conflict as viewed through the lens of environmental justice, are the themes for this volume of Reckoning. Probe into the heart of extinction, genocide, and climate crisis. Expose the exploitation of the earth. Show us how the world could be on the other side. Send us your stories of violence, imperialism, fascism, and resistance, of destruction, survival, and of triumph. Send us your creative writing about war and environmental justice.

It Was Paradise is open for submissions now through the summer solstice, June 22, 2025, with tentative release scheduled for October. Payment rate will be 15 cents (US) per word for prose, $75 per page for poetry and art. As always, we’re seeking submissions from Black, Brown, Indigenous, queer, trans, disabled, neurodivergent, imprisoned, impoverished, and otherwise marginalized human beings from everywhere, but in particular for this issue, we will be prioritizing work by people with lived experience of war and conflict. We’ll continue to accept submissions to our communication-themed regular issue, Reckoning X, throughout. Also, during this submission window only, we’re relaxing our usual rule about multiple submissions to allow folks to submit to both calls simultaneously.

Submit your work here! Read the full guidelines here.

*A reference to the work of the Palestinian poet Mahmoud Darwish.