Reconciliation

When you really want to break someone,

you take their kids.

 

We’re a simple animal, and bearing costs.

 

After the storm I go down the beach,

visit time, lenses of shell on shell,

thousands of practical years of

canoes and oysters, fires on the sand,

veils of cedar and the red bark of madrones

bright against the bluffs.

I call a guy I know from the tribe and we walk it, together,

eroding our way down the tideline,

sand in our socks.

It’s as big as we always thought it had to be,

if we ever saw it, which of course now we are.

The water’s rising, unstoppably.

Waves are breaking around our ankles.

 

We don’t have a design plan

for cheerful interpretive signage

about community heritage

when the end of history

is, here’s where your priests

took our kids and held them captive

and wouldn’t let us see our own children.

And, here’s where our priests

took your children, so they could get an education.

Now it’s a park!

We have all learned a lot, since then;

we have not learned enough to teach this.

 

Even if we could come up with a way

to word it, someone’s going to come along

some Sunday afternoon, with a paint marker,

and draw a mustache or maybe a dick

over the plastic-covered portrait

of someone else’s grandfather.

 

We’re standing on this beach in the rain,

watching history slosh out into the bay

to mix with dredge spoils

and abandoned vessels

and everything else the city would like to sink.

 

We climb back up to the parking lot

where we turn our keys and burn some hydrocarbons,

making everything just a tiny bit worse.

Two old ravens, tempest-tossed, half-seen, creaking,

land on the strand behind us,

scaly feet gritty with forgotten truths,

comfortable lies,

and the bones that wash out of creek banks

when nobody is watching.

Photo of a person in hiking clothes facing away from the camera reaching into a moss-covered hollow tree.

Author: Sara E. Palmer

Sara E. Palmer is an archaeologist with the State of Washington. Her poetry was recently called “conversational and aloof, sharp and personal”, which is about what she’s like, too. She lives in the woods and keeps children, animals, and an unreasonable number of books in a house in Olympia.

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