How to Place an Intravenous Line

The Atlantic horseshoe crab, Limulus polyphemus,

is not a crab at all—

more an ancient, armored spider,

here 500 million years.

 

Choose the right vessel: long and straight.

Choose a good insertion point: key to success.

Tourniquet, swab, stab, advance,

occlude, connect, untie, secure:

the sequence for an intravenous line.

 

Horseshoe crab blood is blue

from copper in hemocyanin.

Amoebocytes in the blood

detect bacteria in drugs, implants,

electrolyte solutions—anything destined

to enter our bloodstream.

 

Needle tip in—

backflow of blood

into the cannula barrel—

drop your angle, advance a bit more,

then slide the catheter

smoothly into the vein.

 

After blood harvest

Horseshoe crabs move less, mate less.

 

A third will perish.

 

With fewer horseshoe crab eggs to eat, grackles

and loggerhead turtles waste away; red knots

flying from Tierra del Fuego to the Arctic Circle

drop in numbers by the thousands.

 

There should be a word for the triumph we feel

when we see the flash of red blood

in the barrel. Invasion. Proof.

In hoc signo vinces.

 

The name Polyphemus—Poseidon’s giant, one-eyed son—

means “abounding in songs and legends”,

but all we’ve done to Limulus polyphemus is use it

for fertilizer, whelk bait, and blood.

 

60,000 dollars a gallon

for limulus amoebocyte lysate

to test I.V. fluids. We almost never think

of the cost in lives and ecosystems, the martyrs

destroyed to get us here, how entitled we feel

to bleed the world.

 

In Japan, horseshoe crabs, Tachypleus tridentatus,

are Taira samurai reborn. Male crabs attach themselves

to female mates, and they move around together,

an asymmetric pair encoded into local parlance

as a love ideal, kabutogani-no-chigiri,

horseshoe crab commitment.

 

We need a word

for the debt we owe

the creatures we exploit,

an unholy grail

stained blue

with our saviors’ blood.

 

At the far end of the wrack line:

an overturned horseshoe crab,

book gills open to the sky,

chelicerae motionless,

vulnerable as Prometheus

but lifeless and dry

on the sand, worthless

even to ravenous gulls.

Photo of a Latinx woman with long straight hair and glasses.

Author: Cristina Legarda

Cristina Legarda was born in the Philippines and spent her early childhood there before moving to Bethesda, Maryland. She is now a practicing physician in Boston. Her work has appeared in America magazine, The Dewdrop, Plainsongs, FOLIO, Ruminate, The Good Life Review, and others.

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