Climate Change Is a Poem

After Eli Clare

 

The night we pushed the old

blue Mazda through cold

flood waters and bruises

bloomed like bayou algae

on my shoulder, neck, arms

After Eli Clare

 

The night we pushed the old

blue Mazda through cold

flood waters and bruises

bloomed like bayou algae

on my shoulder, neck, arms

where the weight of the dead car fell

after we trudged through

the water, snakes, and ants

to the hotel where I cried

terrified not for us but the

dogs we left behind—

is a poem.

 

The detritus on the side of the road—

Styrofoam, glass bottle neck,

couch frame a momma cat had

kittens on, pieces of plastic

too small to count, crack pipe

busted, plastic bag clinging

to a barbwire fence, newspaper

half-buried in the mud, in the red-dust

wind by a gas station out West, litter

like a sea on the side of IH-45—

is a poem.

 

Microplastic invisible to the human eye

slipping into the water system

through the very clothing we wear

(can’t afford 100 percent cotton

and it has a plastic tag)

drawn into the ocean minutiae

from careless children

dropping Sprite bottles

(they were once glass)

into Galveston Bay

disappearing into waves,

a plastic bead spill

(the ship lost its way)

an airplane falling

from the sky

a satellite falling

out of orbit

a contract

falling through

everything degrading

just in increments

so small

you can’t see them

is a poem.

 

The old woman on her porch

who lived 70 years and

the river never came up

to her feet before,

the police never came

to her door before

refusing to leave this place

she bought with her

hard-earned cash from

working so many years

at the wag-a-bag on the corner,

who can feel every inch

of it slipping away

beneath her tired feet

silt-slick boards

under her toes,

no, sir, if you want

me to go, you’re gonna have

to carry me out—

is a poem.

 

The organizers who switch

from LGBTQ to reproductive rights

to Black lives matter without blinking,

a generation who taught

us not just to be loud

but to get shit done,

the ones whose ghosts

we carry on our backs

like fresh water—clean water—

shouldn’t we all be water

protectors? shouldn’t there be

water like justice?

queers who never wanted

justice, an eye for an eye,

justice is blind

who only wanted this win,

then this win, then this win

is a poem.

 

Bar soap in the shower

on a silicone mat

(is silicone better than plastic?

We may never know)

in my gym bag

(in the plastic case)

next to the kitchen sink

(with the wood-bristle brush)

in a million hotel bathrooms

un-reusable, unsalvageable

(Covid cut down on commutes

but tripled single-use)

the one black curly hair

stuck in the white soap—

is a poem.

 

My spouse asleep next to me

under the revolving fan

the AC blowing sweet and cold

everything at peace and

safe—homage to plain-spoken,

never broken, we will survive

together love even if

tomorrow the sun is gone

even if they say

this poem is not enough

Photo of Holly Lyn Walrath, a smiling white woman with long, straight brown hair and glasses

Author: Holly Lyn Walrath

Holly Lyn Walrath is a writer, editor, and publisher. Her poetry and short fiction has appeared in Strange Horizons, Fireside Fiction, Analog, and Flash Fiction Online. She is the author of several books of poetry including Glimmerglass Girl (2018), Numinose Lapidi (2020), and The Smallest of Bones (2021). She holds a B.A. in English from The University of Texas and a Master’s in Creative Writing from the University of Denver. In 2019, she launched Interstellar Flight Press, an indie SFF publisher dedicated to publishing underrepresented genres and voices. 

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